Jarvis Cocker, English singer-songwriter, musiian, and actor (Pulp and Relaxed Muscle) was born 19 September 1963. Throuhand the new album his work with the band, Cocker became a figurehead of the Britpopmovement of the mid-1990s. Cocker was born in Sheffield, growing up in the Intake area of the city. His father, Mac, a DJ and actor, left the family and moved to Sydney when Jarvis was seven and had no contact with him or his sister Saskia thereafter, leaving them to be brought up by their mother, now a Conservative councillor. Jarvis Cocker credits his upbringing, almost exclusively in female company, for his interest in how women think and what they have to say. He wrote a song (“A Little Soul” on This Is Hardcore) about being abandoned by his father, and in 1998 travelled with his sister to Australia to meet him for the first time in nearly 30 years. Mac Cocker had a successful radio DJ career in Sydney beginning withDouble J in the 1970s and then Triple J in the 1980s, and did not counter a common impression there that he was Joe Cocker’s brother or cousin (despite both being from Sheffield, they are not related in any way). By the time of his son’s visit, Mac Cocker had moved to ahippie commune in Darwin, Northern Territory. Cocker says he has forgiven his father for abandoning them. “I don’t feel any bitterness towards him at all. I feel sorry for him.
Cocker founded “Arabacus Pulp” (named after a tradeable commodity he saw in an economics class) at the age of 15 while he was still at The City School. After numerous line-up changes, and a shortening of the name to “Pulp”, they eventually found fame in the 1990s with the success of the albums His ‘n’ Hers (1994) and Different Class (1995). As Pulp’s front-man, part of his trademark image was his glasses, which seemed to “stay magically on his face” no matter his antics on stage, apparently this was achieved with “a huge rubber band round the back”.Pulp released two more albums (This Is Hardcore and We Love Life) to critical acclaim, though neither achieved the commercial success of Different Class. After releasing a greatest hits album, the band was on hiatus from 2003 to 2010, but returned to activity in 2011.Cocker is also renowned for his wit and observations of the cultural scene. He was a frequent guest on TV shows in the 1990s, as well as hosting an arts series for the Channel 4 – “Journeys into the Outside”. Here he took a trip across the globe, meeting so-called “outsider artists”, people who create wacky and wonderful works of art, and trying to understand what compels them to do so. Cocker’s penchant for TV appearances was reflected in a parody of “Common People” (“Showbiz People”) which was featured on the satirical comedy show Spitting Image in 1996.
Following Pulp’s hiatus, Cocker has led a successful solo career, and currently presents his own radio show on BBC Radio 6 Music, Jarvis Cocker’s Sunday Service. He has also had a successful solo career and at the 2006 Reading festival, the video for “Running the World” was played on the main video screens of the main stage throughout the day, notably before the headline act, Muse, performed. This video contained a karaoke-like presentation of the song’s lyrics to encourage the crowd to sing along.Cocker is now following a solo career – his debut album, Jarvis, came out in the UK on 13 November 2006. In March 2007, he appeared on French band Air’s album Pocket Symphony.On 14 February 2007, he was chosen to give the award for Best British Newcomer (awarded to the Fratellis) at the Brit Awards.He curated the 2007 Meltdown Festival at the South Bank Centre in London. The acts he chose include Motörhead, Roky Erickson and the Explosives with Clinic, Devo with Drumsize, Iggy & The Stooges, Cornershop and The Jesus and Mary Chain.In March 2008, Cocker made a small tour of Latin America (México, Argentina and Chile) where he presented a new song called “Girls Like It Too”..”Cocker debuted another new song, “Angela”, on BBC2’s “The Summer Exhibition: A Culture Show Special”, on 13 June 2008.
Pulp at Glastonbury Festival
Cocker’s latest album Further Complications, came out 18 May 2009.it was recorded by Steve Albini.Around the record’s release, Cocker participated in a project proposing to tackle the question, “What is Music?” It was designed to enter into the debate over the future of the music industry. “Does this mean,” asked the singer, “that music can now go back to being an art form again? Also, what happens if you get a band to rehearse in an art gallery instead of a rehearsal space?” Consequently, Cocker and his band installed themselves in an art gallery in Paris for five days. Each day, Cocker and his musicians performed a variety of different tasks. These included soundtracking a relaxation class, inviting local musicians to join them in a jam, and arranging activities with local school-children. The events were organised around Jarvis’s public rehearsals for his forthcoming live dates. Films of the exhibition can still be found online.in Further Complications, Cocker embraced an altogether more muscular sound, while retaining his trademark witticisms (on ‘Leftovers’, he sings “I met her in the Museum of Palaeontology / “And I make no bones about it”). Reviews generally praised both the themes and sound of the record, with Drowned in Sound in particular writing that Further Complications was “a huge leap forward” for Cocker.]In June 2011, Cocker was chosen as poetry guest editor for The Mays Anthology, a collection of new writing from students at the University of Oxford and University of Cambridge.
Cocker has also collaborated with many other artists and sang a duet, “Ciao!”, with Miki Berenyi on British shoegazing band Lush’s 1996 album Lovelife. In 1997, he collaborated withDavid Arnold on a cover of All Time High by Rita Coolidge, the theme from Octopussy. Furthermore, he gained co-writing credits for several songs (“Walk Like A Panther”, “1st Man in Space”, “Drive Safely Darlin’”, “Stars On Sunday”, and “Happy Birthday Nicola”) on TheAll Seeing I’s album Pickled Eggs & Sherbet, released in 1999. He contributed lead vocals to “Drive Safely Darlin’”. He also performed live with The All Seeing I on Top Of The Pops, singing “Walk Like A Panther” in place of Tony Christie, who sang on the recorded version.In 2001 he contributed “Everybody Loves The Underdog” to the soundtrack for Mike Bassett: England Manager. He re-emerged in 2003 to promote a new album, under the pseudonym “Darren Spooner”, for his new band Relaxed Muscle. The same year, he appeared on theRichard X album Richard X Presents His X-Factor Vol. 1. In 2004, Cocker collaborated with Nancy Sinatra on her new album, as well as with Marianne Faithfull on her album Kissin’ Time, with the song “Sliding through Life on Charm.”In 2005 Cocker co-wrote three tracks (“La Degustation”, “Basque Country” and “Fred de Fred”) on Sheffield-based electronica duo The Lovers’ self-titled debut album. That same year he also covered “I Can’t Forget” by Leonard Cohen as part of the tribute show for the film Leonard Cohen: I’m Your Man
.Cocker also contributed to the soundtrack for Harry Potter and the Goblet of Fire, writing and performing three tracks: “This Is the Night”, “Do the Hippogriff” and “Magic Works”. He appeared briefly in the film as lead singer of the band The Weird Sisters. The fictitious group also featured Jonny Greenwood and Phil Selway from Radiohead, Steve Mackey from Pulp, Jason Buckle from Relaxed Muscle and Steve Claydon from Add N to (X).In 2006 Cocker appeared on albums Monsieur Gainsbourg Revisited (song “I Just Came to Tell You That I’m Going”, co-performed withKid Loco) and Rogue’s Gallery: Pirate Ballads, Sea Songs, and Chanteys (song “A Drop of Nelson’s Blood”). His song “Running the World” appeared over the closing credits of the film Children of Men. Also in 2006, along with Steve Mackey, he ‘curated’ the two-CD compilation, The Trip, which featured a wide selection of tracks by artists as varied as The Fall, Gene Pitney, The Beach Boys, and The Polecats. He also co-wrote lyrics on the Charlotte Gainsbourg album 5:55, with Neil Hannon and members of Air. Cocker and Beth Ditto(The Gossip) recently collaborated on a cover version of Heaven 17’s “Temptation” at the NME Awards in London. In 2007, Cocker contributed to two songs on French electronica group Air’s album “Pocket Symphony” – performing on “One Hell of a Party” and (with Charlotte Gainsbourg) “The Duelist”. In 2008, Cocker contributed Born to Cry, (originally a Pulp song released on the Notting Hillsoundtrack CD – though not featured in the film and co-written by Richard Hawley) to Tony Christie’s album of songs by Sheffield based songwriters, Made in Sheffield. In 2010, he worked with the National Trust to produce an album of sounds recorded at 11 of Britain’s historically significant sites. In 2010 he also narrated Prokofiev’s Peter and the Wolf at the Royal Festival Hall. Jarvis sang vocals on the single “Synchronize” by Discodeine.
The first Glastonbury Festival was held at Michael Eavis’s farm in Glastonbury, United Kingdom on 19 September 1970. The Glastonbury Festival of Contemporary Performing Arts is a performing arts festival that takes place near Pilton, Somerset, England, best known for its contemporary music, but also for dance, comedy, theatre, circus, cabaret and other arts.The festival organiser, Michael Eavis, a farmer in a Somerset valley, stated that he decided to host the first festival, then called Pilton Festival, after seeing an open air Led Zeppelin concert at the Bath Festival of Blues and Progressive Music 1970; fourteen people invested everything they had to build the stage.The first festival was in 1970 and was influenced by hippie ethics and the free festivalmovement. The festival retains vestiges of this tradition such as the Green Fields area which includes the Green Futures and Healing Field.
After the 1970s the festival took place almost every year and grew in size, with the number of attendees sometimes being swollen by gate-crashers.Leading pop and rock artists have headlined, alongside thousands of others appearing on smaller stages and performance areas. The festival has spawned films and albums, and receives extensive television and newspaper coverage.The size and nature of the festival, held over three or four days in the open air, with performers, crew and paying festival goers staying in tents, caravans and motorhomes, has meant that the weather is significant. Glastonbury is the largest greenfield festival in the world, and is now attended by around 175,000 people requiring extensive infrastructure in terms of security, transport, water and electricity supply. The majority of staff are volunteers, helping the festival to raise millions of pounds for good causes.
Simon & Garfunkel reunited for a free concert in New York’s Central Park. On 19 September 1981.Simon & Garfunkel were an American music duo consisting of singer-songwriter Paul Simon and singer Art Garfunkel (both born in 1941). They formed the group Tom & Jerry in 1957 and had their first success with the minor hit “Hey, Schoolgirl”. As Simon & Garfunkel, the duo rose to fame in 1965, largely on the strength of the hit single “The Sound of Silence”. Their music was featured in the landmark film The Graduate (1967), propelling them further into the public consciousness.They are well known for their vocal harmonies and were among the most popular recording artists of the 1960s. Their biggest hits – including “The Sound of Silence” (1964), “I Am a Rock” (1965), “Homeward Bound” (1965), “Scarborough Fair/Canticle” (1966), “A Hazy Shade of Winter” (1966), “Mrs. Robinson” (1968), “Bridge over Troubled Water” (1969), “The Boxer” (1969), and “Cecilia” (1969) – reached number one in several charts. They have received several Grammy Awards and were inducted into the Rock and Roll Hall of Fame in 1990 and the Long Island Music Hall of Fame in 2007. Their sometimes rocky relationship led to their last album, Bridge over Troubled Water,being delayed several times due to artistic disagreements, and as a result the duo broke up in 1970. It was their most successful album worldwide to date, reaching number one in several countries, including the United States, and receiving 8× platinum certificationfrom the Recording Industry Association of America, making it their highest-selling studio album in the U.S. and second-highest album overall. Simon & Garfunkel have, at times, reunited to perform and sometimes tour together. They have done so in every decade since the 1970 breakup, most famously for 1981’s “The Concert in Central Park”, which attracted more than 500,000 people, making it the 7th-most attended concert in the history of music. In 2004, they were ranked No. 40 on Rolling Stone’s list of the 100 greatest artists of all time.
SIMON AND GARFUNKEL IN NEW YORK’s CENTRAL PARK http://m.youtube.com/watch?v=9X6t2QOelvs
From the very beginning of their fame, through the present time years after their break-up, Simon and Garfunkel have had an impact on the popular culture as evidenced by the many references to them made in television, film, music and other aspects of pop culture.Among the earliest pop culture references or homages came in the late 1960s, when the comedy television show Rowan & Martin’s Laugh-In had a running skit featuring members of the “Farkle” Family, including Fred & Fanny Farkle “and the twins, Simon and Garr Farkle”. In the early ’70s sitcom The Partridge Family, the two youngest Partridge children name their pet goldfish “Simon and Garfunkel”.The lyrics of Simon and Garfunkel songs continue to be referenced many times on television, long after their initial popularity. On an episode of How I Met Your Mother, Marshall commissions a Venn diagram in which one section represents the “people who are breaking his heart” while the other represents “people who are shaking his confidence daily”. The section where the two overlap is labelled “Cecilia”. The end of the “Lady Bouvier’s Lover” episode of The Simpsons contains one of the series’ many homages to The Graduate, and features a parody of “The Sound of Silence” over the closing credits. (“Hello grandpa my old friend/your busy day is at an end/your words are always sad and boring/they tell a tale that’s worth ignoring”.) In another episode, Mr. Burns spins around a lamp post singing, “Hello lamp post. What ya knowin’? I’ve come to watch your power flowin’”, a reference to the lyrics of “The 59th Street Bridge Song (Feelin’ Groovy)”.
The episode “Bendin’ in the Wind” of Futurama, in a double send-up of Simon and Garfunkel and Battlestar Galactica, features the singing duo “Cylon and Garfunkel” performing a rendition of “Scarborough Fair” in which the robot Cylon’s singing is entirely monotone, and Garfunkel — who explains during the performance that he is the descendant of Art — states that he will give Bender the check “over my dead career!”In an episode of Saturday Night Live’s “Celebrity Jeopardy” parody, there was a category entitled “Members of Simon and Garfunkel”. The clue read, “Of Simon and Garfunkel, the one who is not Garfunkel.” Once the Sean Connery character rang in, he asked for the question to be repeated and said in response, “I Garfunkeled your mother!” This was one of the running gags of the parody. In another SNL skit, Will Forte and Jason Sudeikis pose as Bon Jovi opposite band, Jon Bovi, but when accused of sounding exactly like Bon Jovi, they say, “Well, if you didn’t like that, you’re going to love our new opposite folk rock band, Gimon & Sarfunkel.” They then sing the opposite “Bridge over Troubled Water”, “Tunnel Under Peaceful Fire”.In an episode of Flight of the Conchords, the lead characters form a Simon and Garfunkel tribute band performing “Scarborough Fair”. Garfunkel himself later appears in the episode. In the episode “Unnatural Love”, the song “Carol Brown” is an homage to the Paul Simon song “50 Ways to Leave Your Lover”.The Nickelodeon sitcom How to Rock uses the artists’ family names as those of the main characters.
September 19 is International Talk Like APirate Day and According to beliefs held by the Church of the Flying Spaghetti Monster or Pastafarians, pirates are “absolute divine beings” and the original Pastafarians. Furthermore, Pastafarians believe that the concept of pirates as “thieves and outcasts” is misinformation spread by Christian theologians in the Middle Ages and by Hare Krishnas. Instead, Pastafarians believe that they were “peace-loving explorers and spreaders of good will” who distributed candy to small children, adding that modern pirates are in no way similar to “the fun-loving buccaneers from history”. In addition, Pastafarians believe that ghost pirates are responsible for all of the mysteriously lost ships and planes of the Bermuda Triangle
Pastafarians celebrate International Talk Like a Pirate Day on September 19. The inclusion of pirates in Pastafarianism was part of Henderson’s original letter to the Kansas State Board of Education, in an effort to illustrate thatcorrelation does not imply causation. Henderson presented the argument that “global warming, earthquakes, hurricanes, and other natural disasters are a direct effect of the shrinking numbers of pirates since the 1800s. A chart accompanying the letter (with numbers humorously disordered on the x-axis) shows that as the number of pirates decreased, global temperatures increased. This parodies the suggestion from some religious groups that the high numbers of disasters, famines, and wars in the world is due to the lack of respect and worship toward their deity. In 2008, Henderson interpreted the growing pirate activities at the Gulf of Aden as additional support, pointing out that Somalia has “the highest number of pirates and the lowest carbon emissions of any country”.
The Flying Spaghetti Monster (FSM) is the deity of the Church of the Flying Spaghetti Monster or Pastafarianism, a movement that promotes a light-hearted view of religion and opposes the teaching of intelligent design and creationism in public schools. Although adherents maintain publicly that Pastafarianism is a genuine religion, it is generally recognized by the media as a parody religion. The “Flying Spaghetti Monster” was first described in a satirical open letter written by Bobby Henderson in 2005 to protest the Kansas State Board of Education decision to permit teaching intelligent design as an alternative to evolution in public school science classes.cin that letter, Henderson satirized creationist ideas by professing his belief that whenever a scientist carbon dates an object, a supernatural creator that closely resembles spaghetti and meatballs is there “changing the results with His Noodly Appendage”. Henderson argued that his beliefs were just as valid as those of intelligent design, and called for Flying Spaghetti Monsterism to be allotted equal time in science classrooms alongside intelligent design and evolution. After Henderson published the letter on his website, the Flying Spaghetti Monster rapidly became an Internet phenomenon and a symbol of opposition to the teaching intelligent design in public schools.
Pastafarian tenets are generally satires of creationism. They are presented both on Henderson’s Church of the Flying Spaghetti Monsterwebsite, where he is described as “prophet”, and in The Gospel of the Flying Spaghetti Monster, written by Henderson and published by Villiard Press in 2006. The central belief is that an invisible and undetectable Flying Spaghetti Monster created the universe. Pirates are revered as the original Pastafarians (a portmanteau of pasta and Rastafarian). Henderson asserts that a decline in the number of pirates over the years is the cause of global warming (a reminder of the concept that correlation does not imply causation). The FSM community congregates at Henderson’s website to share ideas about the Flying Spaghetti Monster and crafts representing images of it, as well as to discuss “sightings” of the Flying Spaghetti Monster. Because of its popularity and exposure, the Flying Spaghetti Monster is often used as a contemporary version of Russell’s teapot – an argument that the philosophic burden of proof lies upon those who make unfalsifiable claims, not on those who reject them. The Flying Spaghetti Monster has received criticism from proponents of intelligent design. Pastafarians have engaged in religious disputes, including in Polk County, Florida, where they played a role in dissuading the local school board from adopting new rules on teaching evolution.
Nile Rodgers, American guitarist, songwriter, and producer (Chic) was born 19 September 1952. He is the lead guitarist and co-founding member withBernard Edwards of the band Chic, which has been active since 1976.Although he recorded four solo act albums throughout the 80s and the 90s, Rodgers found more success in collaboration as producer and performer with many artists including Diana Ross, David Bowie, Duran Duran, Madonna, and more recently, French house duoDaft Punk and Swedish progressive house producer Avicii. He began his career as a session guitarist in New York, touring with the Sesame Street band in his teens led by Joe Raposo, and then working in the house band at Harlem’s world famous Apollo Theater, playing behind Screaming Jay Hawkins,Maxine Brown, Aretha Franklin, Ben E. King, Betty Wright, Earl Lewis and the Channels,Parliament Funkadelic, and many other legendary R&B artists.Nile met bassist Bernard Edwards in 1970. Together they formed New York City (“I’m Doing Fine Now”). The band’s one hit allowed them to tour extensively, even opening for The Jackson 5 on the American leg of their first world tour in 1973. The band dissolved after their second album failed to yield a hit, but Nile and Bernard joined forces with drummer Tony Thompson, and worked and recorded as a Funk Rock band called The Boys, which played numerous gigs up and down the East Coast. Despite major label interest in their demos, they could not get a record deal when the record companies discovered they were black, as they thought that black rock artists would be too hard to promote.
The band continued playing mostly LOcal Bars. As the Big Apple Band, Rodgers and Edwards worked with Ashford & Simpson, Luther Vandross, and many others. Since another New York artist, Walter Murphy, had a band also called The Big Apple Band, Rodgers and Edwards were forced to change their band’s name to avoid confusion. Thus, in 1977 the band was renamed as Chic. Rodgers has stated that a major inspiration was a Roxy Music gig he saw in London: “It was a totally immersive artistic experience – the crowd were fly, the band were fly, the music was textual, they were saying ‘come into my world’.”Between gigs they recorded their first album with then-boss Luther Vandross, who provided background vocals on the group’s early recordings. The band scored numerous top ten hits and helped propel disco to new levels of popularity. Chic’s chart-topping songs “Le Freak”, “I Want Your Love”, “Everybody Dance”, “Dance, Dance, Dance”, “My Forbidden Lover”, and “Good Times” became club/pop/R&B standards. “Le Freak” is Atlantic Records’ only triple platinum selling single and “Good Times” shot to the No. 1 spot in spite of the “Disco Sucks” backlash in 1979.The success of Chic’s first singles led Atlantic to offer Rodgers and Edwards the opportunity to produce any act on its roster. They chose Sister Sledge, whose 1978 album, We Are Family, peaked at No. 3 and remained on the charts well into 1979. The first two singles, “He’s the Greatest Dancer” and the title cut “We Are Family” both reached No. 1 on the R&B chart, and No. 6 and No. 2, respectively on the Pop chart. “He’s the Greatest Dancer” was sampled in 1998 on Will Smith’s “Gettin’ Jiggy Wit It”.As the Chic Organization’s tight sound became increasingly sought-after, Rodgers and Edwards began record production with numerous artists, together or individually.In 1980 Rodgers and Edwards wrote and produced the album Diana for Diana Ross, yielding the smash hits “Upside Down” and “I’m Coming Out”. Chic’s song “Good Times” played a pivotal role in the explosion of hip hop music, as an interpolation of the song’s bass line and the record’s string-section sample was the bedrock of The Sugarhill Gang’s “Rapper’s Delight”, the first multiple-platinum Hip Hop single. The Chic Organization produced the smash hit “Spacer” for French disco act Sheila and B. Devotion and Deborah Harry’s 1981 solo album Koo Koo
.Chic dissolved in 1983 after their final contractual Atlantic album, Believer and Soup For One (a film soundtrack). At that time Rodgers began a solo career producing his first album Adventures in the Land of the Good Groove.Rodgers produced the 1983 album Talkback, by Canadian New Wave/New Romantic band Spoons, which included the hits “Old Emotions” and “The Rhythm”.Rodgers produced David Bowie’s biggest selling album Let’s Dance with several hit singles including “China Girl”, “Modern Love” and the title track, “Let’s Dance”. He produced the single “Original Sin” by INXS. Duran Duran worked extensively with Rodgers after he remixed their largest selling hit single, “The Reflex” in 1984 and followed up with “The Wild Boys” on their 1984 live album Arena. It was rumored that Rodgers had become a member of Duran Duran when they released the album “Big Thing”, but he only acted as a session musician on that album.That same year he produced Madonna’s blockbuster album Like a Virgin, spawning her two signature hits “Material Girl” and the album’s title track, “Like a Virgin”. He also joined Robert Plant’s platinum selling studio band The Honeydrippers, on the album The Honeydrippers: Volume One. This period sparked Rodgers’ interest in soundtracks, the first of which were Alphabet City, Gremlins (“Out Out” – Peter Gabriel) Against All Odds (“Walk Through the Fire” – Peter Gabriel), That’s Dancing (“Invitation to Dance” – Kim Carnes),White Nights (numerous songs) and The Fly (“Help Me” – Bryan Ferry).
In 1985 Rodgers produced albums for Sheena Easton, Jeff Beck, Thompson Twins, Mick Jagger, and many others, while still finding time to perform at Live Aid with the Thompson Twins. He was awarded No. 1 Singles Producer In the World in Billboard magazine to close out the year.In 1986, he produced Duran Duran’s Notorious album, which yielded a No. 2 title track hit, “Notorious”. During a live set, Simon Le Bonintroduced Rodgers by saying, “Well, this band went through a difficult time and it might not have made it if it weren’t for this gentleman.” Rodgers contributed to numerous other projects and appearances with members of the band throughout the 1980s. He also produced albums for Grace Jones, Earth Wind and Fire’s vocalist Phillip Bailey, and Al Jarreau. Rodgers performed on “Higher Love” with Steve Winwood, and records for Cyndi Lauper, Howard Jones, and David Sanborn. He then worked on the soundtrack forLaurie Anderson’s Home of the Brave.Rodgers formed the short-lived experimental band Outloud in 1987, with David Letterman’s guitarist, composer, and vocalist Felicia Collins and acclaimed French session musician, producer, composer, and keyboardist Philippe Saisse; the trio released a single album,Out Loud, on Warner Bros. Records.In 1988 Rodgers composed his first orchestral soundtrack for the film Coming to America (the second highest grossing film of the year) starring Eddie Murphy. Rodgers followed this with soundtracks for White Hot (the world’s first Hi-Def feature motion picture), and Earth Girls Are Easy. The latter would pair him with The B-52’s. In 1989 he co-produced their comeback multi-platinum album Cosmic Thing, which had the hit singles “Love Shack”, “Roam”, “Cosmic Thing” and “Deadbeat Club”. That year he also produced Workin’ Overtime,Diana Ross’ return to Motown, a deal that scored her an executive position at the label, along with releases by the Dan Reed Network, Slam, and Duran Duran’s compilation, Decade, which was appropriately titled. It was the most successful decade for Rodgers and also for many of the artists he worked with
CHIC FEATURING NILE RODGERS LIVE AT GLASTONBURY 2013 http://m.youtube.com/watch?v=WmYSf52bncc
In September 1990, Epic Records released the Rodgers produced Vaughan Brothers album,Family Style, shortly after the untimely death of guitar virtuoso Stevie Ray Vaughan. Early in this decade he also produced projects for David Bowie, Eric Clapton, The B-52s, David Lee Roth, Ric Ocasek, The Dan Reed Network, Cathy Dennis, Patty Griffin, jimmie Vaughan, The Stray Cats and many other artists, along with continuing soundtrack work on Thelma and Louise, Cool World and The Beavis and Butt-head Experience (co-writer of “Come to Butt-head”). After a 1992 birthday party where Rodgers, Bernard Edwards, Paul Shaffer and Anton Fig played old Chic hits to rapturous response. Rodgers and Edwards reformed a new version of Chic. They recorded a fresh crop of material for the album Chic-Ism and performed live worldwide.In 1995, he plays on the track Money from Michael Jackson’s album HIStory.In 1996, Rodgers was honored as the JT Super Producer of the year. He performed with Edwards, Sister Sledge, Steve Winwood, Simon Le Bon and Slash in a series of commemorative concerts in Japan, which provided a career retrospective. Unfortunately, his longtime musical partner and close friend Bernard Edwards died of pneumonia during the trip, a blow that Rodgers took very hard. A year later Rodgers returned to Japan to pay homage to his fallen partner.He started playing live concerts again while composing and producing music for film soundtracks: Beverly Hills Cop III, Blue Chips, The Flintstones and Feeling Minnesota (working with Bob Dylan) to name but a few.In 1998, Rodgers founded Sumthing Else Music Works record label and Sumthing Distribution, an independent music label distributor. Sumthing focuses on distributing a fast-growing new genre: video game soundtracks. Its titles include the complete Halo and Resident Evil franchises and other well-known Triple-A game soundtracks like Gears of War and Borderlands. Rodgers focused on many soundtrack projects, film and video games alike. Among them were: Rush Hour 2, Snow Dogs and Semi-Prostarring Will Ferrell, who co-wrote the title song “Love Me Sexy” with Rodgers.
In 2002–2003 he co-produced Astronaut, with the original five members of Duran Duran.Also in 2002, Rodgers appeared on the Red Hot Organization’s compilation CD, Red Hot and Riot. The CD, a tribute to the music and positive social message of afropop pioneer, Fela Kuti, featured Rodgers on remakes of Kuti songs, “Water No Get Enemy” and “Zombie (Part Two).” He appeared on “Water No Get Enemy” alongside influential hip hop and R&B artists, D’Angelo, Macy Gray, and The Soultronics and on “Zombie (Part Two)” with famous jazz trumpeteer, Roy Hargrove. All proceeds of the CD were donated to charities working towards greater AIDS awareness.The September 11 attacks prompted Rodgers to create the We Are Family Foundation (WAFF) to help promote the healing process. To begin, he organized a re-recording of the song he and Edwards wrote for Sister Sledge called “We Are Family” with more than 200 musicians, celebrities, and personalities. Director Spike Lee filmed the “We Are Family” music video and director Danny Schechterfilmed a documentary depicting the recording sessions called The Making and Meaning of We Are Family. The film was chosen as aSundance Film Festival Special Selection in 2002. Rodgers then produced another “We Are Family” music video involving more than 100 beloved children’s television characters. The children’s music video airs as a public service announcement on Disney Channel,Nickelodeon, and PBS stations promoting a common humanity and celebrating the vision of a global family.Rodgers received the National Academy of Recording Arts and Sciences (NARAS) NY Chapter’s Governor’s Lifetime Achievement Award and the Heroes Award. On September 19, 2005, he was honored at the Dance Music Hall of Fame in New York when he was inducted for his many outstanding achievements as a producer, along with former bandmate Bernard Edwards.Chic has been nominated to the Rock & Roll Hall of Fame four times – 2003, 2006, 2007 and 2008. Rodgers served as co-musical director for the tribute concert to Ahmet Ertegün at the Montreux Jazz Festival in the summer of 2006. The concert included performances by Chic, Robert Plant, Steve Winwood, Stevie Nicks, Kid Rock, Ben E. King, Chaka Khan, George Duke (co-music director),Paolo Nutini and many other artists who were signed to Ertegün’s Atlantic Records. A PBS documentary, Atlantic Records: The House That Ahmet Built, uses footage from this show, as it was one of the last times Ertegün would be captured on video.Rodgers wrote an autobiography entitled Le Freak: An Upside Down Story of Family, Disco, and Destiny that was published in late 2011.
He has additionally stayed active in music since the reunion of The Chic Organization by touring and producing live events. In recent years, he has continued to collaborate with an array of musicians.In October 2011, Rodgers worked with singer Adam Lambert in New York on a song entitled “Shady” for Lambert’s second album, Trespassing. Both Rodgers and Lambert tweeted enthusiastically about the collaboration, and Rodgers also mentioned it on his blog Planet C.In February 2012, Rodgers announced that he is collaborating with electronic band Daft Punkfor their latest album, “teasing out their R&B influences”.During a live interview for the UMFTV at the 2013 Ultra Music Festival in Miami, Rodgers confirmed that he was working with Daft Punk as well as recording multiple tracks with Avicii, and mentioned work with Chase & Status and Felix da Housecat.On March 31, BBC Four broadcast a documentary about his music life, Nile Rodgers: The Hitmaker., starting from the point that Chic was formed until now, with the stories about how he was involved in producing numerous hits and albums for some of the world`s best artist and bands.In 2013, Rodgers appeared on Daft Punk’s chart-topping album, Random Access Memories. Rodgers co-wrote and played guitar on three tracks: “Give Life Back to Music”, “Lose Yourself to Dance”, and “Get Lucky”. On 21 April 2013, the “Get Lucky” single entered at number 3 in the official UK Singles Chart, despite being available for little more than 24 hours. Spotify announced it had become the most streamed song in the UK and the U.S. over a 24-hour period in its five-year history. “Get Lucky” rose to number 1 in the UK on the 28 April 2013 and went on to be certified as Rodgers’ first million-selling single in that country. Rodgers also appears in televised trailer advertising the album. Rodgers has expressed a wish to perform the song live alongside Daft Punk, but that he will not perform it in his own shows as he feels it is not “his” song to play.In August 2013, the track “Mandou Bem” was released by the Brazilian band Jota Quest and with the participation of Nile Rodgers.C. In January 2011, Rodgers revealed on his website that he has prostate cancer, which was diagnosed in October 2010. As a result, he has started a “Cancer Blog”, detailing his status and upcoming projects.On July 29, 2013, Rodgers posted on Twitter that he has been all-clear of his cancer
considered to be the greatest guitarist in popular music, The late great James Marshall “Jimi” Hendrix (born Johnny Allen Hendrix) sadly passed away on this day 18th September 1970. Born November 27, at Seattle’s King County Hospital, in 1942, He is Widely hailed by music fans and critics alike as the greatest electric guitarist of all time, and remains the most influential rock guitarist and songwriter in recording history. He was influenced by blues artists such as B.B. King, Muddy Waters, Howlin’ Wolf, Albert King and Elmore James, rhythm, blues and soul guitarists Curtis Mayfield and Steve Cropper, and the jazz guitarist Wes Montgomery.Hendrix was mostly self-taught on the guitar. He was ambidextrous but chose to play the guitar upside-down and re-strung for playing left-handed, which suggests that he was more comfortable left-handed. As a guitarist, he built upon the innovations of blues stylists such as B.B. King, Albert King, Buddy Guy, T-Bone Walker, and Muddy Waters, as well as those of rhythm and blues and soul music guitarists such as Curtis Mayfield. Hendrix’s music was also influenced by jazz; he often cited Rahsaan Roland Kirk as his favourite musician. In addition, Hendrix extended the tradition of rock guitar; although previous guitarists, such as The Kinks’ Dave Davies, Jeff Beck, and The Who’s Pete Townshend, had employed techniques such as feedback, distortion and other effects as sonic tools,Hendrix was able to exploit them to a previously undreamed-of extent, and made them an integral part of his own private, unique genre, which he called “Red”. The Hendrix sound combined high volume and high power, feedback manipulation, and a range of cutting-edge guitar effects, especially the UniVibe-Octavia combination, which can be heard to full effect on the Band of Gypsys’ live version of “Machine Gun”.
He was also known for his trick playing, which included playing with only his right (fretting) hand, using his teeth or playing behind his back, although he soon grew tired of audience demands to perform these tricks.As a record producer, Hendrix was an innovator in using the recording studio as an extension of his musical ideas. Hendrix was notably one of the first to experiment with stereo effects during the recording process. Hendrix was also an accomplished songwriter whose compositions have been performed by countless artists. At Woodstock, Larry Lee was a member of Hendrix’ Band of Gypsys, and also played a Gibson Les Paul Studio model and sung with Hendrix as well.During his lifetime Hendrix won many of the most prestigious rock music awards, and has been posthumously awarded many more, including being inducted into the US Rock and Roll Hall of Fame in 1992 and the UK Music Hall of Fame in 2005. An English Heritage blue plaque was erected in his name on his former residence at Brook Street, London, in September 1997. A star on the Hollywood Walk of Fame (at 6627 Hollywood Blvd.) was dedicated in 1994. In 2006, his debut US album, Are You Experienced, was inducted into the United States National Recording Registry, and in 2003 Rolling Stone Magazine named Hendrix the top guitarist on its list of the 100 greatest guitarists of all-time.
JIMI HENDRIX – NEWPORT POP FESTIVAL 1969 http://m.youtube.com/watch?&v=xH7yp-CmYCU
Dee Dee Ramone, the bass player and one of the founding members of one of the worlds most influential Punk Rock Band The Ramones , was born September 18th 1952. Formed in the New York City neighborhood of Forest Hills, Queens, in 1974, The Ramones are often cited as the first punk rock group, and despite achieving only limited commercial success, the band was a major influence on the punk rock movement both in the United States and the United Kingdom. All of the band members adopted pseudonyms ending with the surname “Ramone”, though none of them were related. They performed 2,263 concerts, touring virtually nonstop for 22 years. In 1996, after a tour with the Lollapalooza music festival, the band played a farewell concert and disbanded.
Little more than eight years after the breakup, the band’s three founding members—lead singer Joey Ramone, guitarist Johnny Ramone, had died while bassist Dee Dee Ramone sadly passed away in 2002.Their only record with enough U.S. sales to be certified gold was the compilation album Ramones Mania. However, recognition of the band’s importance built over the years, and they are now cited in many assessments of all-time great rock music, such as the Rolling Stone list of the 50 Greatest Artists of All Time and VH1′s 100 Greatest Artists of Hard Rock. In 2002, the Ramones were ranked the second-greatest band of all time by Spin magazine, trailing only The Beatles. On March 18, 2002, the Ramones—including the three founders and drummers Tommy and Marky Ramone—were inducted into the Rock and Roll Hall of Fame. In 2011, the group was awarded a Grammy Lifetime Achievement Award.