Keith Strickland, American guitarist and songwriter (With American New Wave band,The B-52’s)Was born 26 October 195 The B-52s were formed in Athens, Georgia in 1976. The original line-up consisted of Fred Schneider(vocals, percussion, keyboards), Kate Pierson (organ, bass, vocals), Cindy Wilson(vocals, bongos, tambourine, guitar), Ricky Wilson (guitars), and Keith Strickland(drums, guitars, synthesizers, various instruments). Following Ricky Wilson’s death in 1985 Strickland switched full-time to guitar. The band subsequently added various musicians for their live shows. This included Sara Lee or Tracy Wormworth on (bass),Zachary Alford or Sterling Campbell on (drums, percussion) and Pat Irwin or Paul Gordon (keyboards & guitars).Rooted in new wave and 1960s rock and roll, the group later covered many genresranging from post-punk to pop rock. The “guy vs. gals” vocals of Schneider, Pierson, and Wilson, sometimes used in call and response style (“Strobe Light,” “Private Idaho”, and “Good Stuff”), are a trademark. Presenting themselves as a positive, fun, enthusiastic, slightly oddball and goofy party band, the B-52’s tell tall tales, glorify wild youth and celebrate sexy romance.
The North American Aviation P-51 Mustang made it’s maiden flight 26 october 1940. It was an American long-range, single-seat fighter and fighter-bomber used during World War II, the Korean War and other conflicts. The Mustang was conceived, designed and built byNorth American Aviation (NAA) in response to a specification issued directly to NAA by the British Purchasing Commission. The prototype NA-73X airframe was rolled out on 9 September 1940, 102 days after the contract was signed and, with an engine installed, first flew on 26 October.The Mustang was originally designed to use the Allison V-1710 engine, which had limited high-altitude performance. It was first flown operationally by the Royal Air Force (RAF) as a tactical-reconnaissance aircraft and fighter-bomber (Mustang Mk I). The addition of the Rolls-Royce Merlin to the P-51B/C model transformed the Mustang’s performance at altitudes above 15,000 ft, giving it a performance that matched or bettered the majority of the Luftwaffe’s fighters at altitude.
The definitive version, the P-51D, was powered by the Packard V-1650-7, a license-built version of the Rolls-Royce Merlin 60 series two-stage two-speed superchargedengine, and armed with six .50 caliber (12.7 mm) M2 Browning machine guns.From late 1943, P-51Bs (supplemented by P-51Ds from mid-1944) were used by the USAAF’s Eighth Air Force to escort bombers in raids overGermany, while the RAF’s 2 TAF and the USAAF’s Ninth Air Force used the Merlin-powered Mustangs as fighter-bombers, roles in which the Mustang helped ensure Allied air superiority in 1944. The P-51 was also in service with Allied air forces in the North African, Mediterranean and Italiantheatres, and saw limited service against the Japanese in the Pacific War. During World War II, Mustang pilots claimed 4,950 enemy aircraft shot down.[nb 2]At the start of the Korean War, the Mustang was the main fighter of the United Nations until jet fighters such as the F-86 took over this role; the Mustang then became a specialized fighter-bomber. Despite the advent of jet fighters, the Mustang remained in service with some air forces until the early 1980s. After World War II and the Korean War, many Mustangs were converted for civilian use, especially air racing, and increasingly, preserved and flown as historic warbird aircraft at airshows.
American singer-songwriter andfun k bass player (Parliament-FunkadelicWilliam Earl “Bootsy” Collins was (born October 26, 1951 in Cincinnati, Ohio, USA). Rising to prominence with James Brown in the early 1970s, and later with Parliament-Funkadelic, Collins’s driving bass guitar and humorous vocals established him as one of the leading names in funk.Collins is a member of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic.
With his elder brother Phelps “Catfish” Collins, Frankie “Kash” Waddy and Philippé Wynne, Collins formed a funk band called The Pacemakers in 1968.In March 1970, after most of the members of James Brown’s band quit over a pay dispute, The Pacemakers were hired as Brown’s backing band and they became known as The J.B.’s. (They are often referred to as the “original” J.B.’s to distinguish them from later line-ups that went by the same name.) Although they worked for Brown for only 11 months, the original J.B.’s played on some of Brown’s most intense funk recordings, including “Get Up (I Feel Like Being a) Sex Machine”, “Bewildered(1970)”, “Super Bad”, “Soul Power”, “Talkin’ Loud and Sayin’ Nothing”, and two instrumental singles, the much-sampled “The Grunt” and “These Are the J.B.’s”.After parting ways with James Brown, Bootsy returned to Cincinnati and formed House Guests with his brother Phelps Collins, Rufus Allen, Clayton “Chicken” Gunnels, Frankie Waddy, Ronnie Greenaway and Robert McCullough. The House Guests released “What So Never the Dance” and another single on the House Guests label, as well as a third as The Sound of Vision on the House Guests label.Next Collins moved to Detroit, after Philippé Wynne suggested joining The Spinners, for whom Wynne had been singing. However, following the advice of singer and future Parliament member Mallia Franklin Bootsy had another choice. Franklin there introduced both Collins brothers to George Clinton, and 1972 saw both of the Collins brothers, along with Waddy, join Funkadelic. Bootsy played bass on most of Funkadelic and all of Parliament’s albums (with the exception of Osmium) through the early 1980s, garnering several songwriting credits as well.In 1976 Bootsy, Catfish, Waddy, Joel Johnson, Gary “Mudbone” Cooper, Robert Johnson and The Horny Horns formed Bootsy’s Rubber Band, a separate touring unit of Clinton’s P-Funk collective. The group recorded five albums together, the first three of which are often considered to be among the quintessential P-Funk recordings. The group’s 1978 album Bootsy? Player of the Yearreached the top of the R&B album chart and spawned the #1 R&B single “Bootzilla”.Like Clinton, Bootsy took on several alter egos, from Casper the Funky Ghost to Bootzilla, “the world’s only rhinestone rockstar monster of a doll”, all as parts of the evolving character of an alien rock star who grew gradually more bizarre as time went on . He also adopted his trademark “space bass” around this time.
Bootsy released two 1980 albums, his first “solo” album “Ultra-Wave”, and Sweat Band, on George Clinton’s Uncle Jam label with a group billed as Bootsy’s Sweat Band. He also was credited for producing the debut of P-Funk spinoffs Zapp and Roger.In 1984, Bootsy collaborated with Jerry Harrison of Talking Heads to produce “Five Minutes”, a dance record sampled and edited from Ronald Reagan’s infamous “Five Minutes” speech. The record was credited to “Bonzo goes to Washington” (also referenced in the 1985 Ramones song “Bonzo goes to Bitburg”, derived from Reagan’s starring role as Professor Peter Boyd in the 1951 comedy film Bedtime for Bonzo).After a nearly five-year hiatus, Bootsy had a comeback in 1988 (with some help from producer Bill Laswell). What’s Bootsy Doin’?flaunted a new sound that foreshadowed the 90’s, such as the dancefloor smash “Party On Plastic”. Laswell introduced Bootsy to Herbie Hancock, resulting in Perfect Machine. The techno-funk they recorded featured turnables for scratch appeal, and the smoothly-stylized vocals of Leroy “Sugarfoot” Bonner of chart-topping Ohio Players.In 1990, Bootsy collaborated with Deee-Lite on their massive hit “Groove Is in the Heart” where he contributed additional vocals. Although he also appeared in the music video playing the bass, the bassline in the song is actually a sample of a Herbie Hancocksong called “Bring Down the Birds”. Bootsy’s Rubber Band became the defacto backing musicians for Deee-Lite during a world tour. The Rubber Band also recorded the EP “Jungle Bass”, their first recording in 11 years.In 1992, Bootsy joined with guitarist Stevie Salas and drummer Buddy Miles to form the funk-metal fusion group Hardware. The trio released one album, Third Eye Open, before disbanding.Bootsy collaborated with bluegrass legends Del McCoury, Doc Watson and Mac Wiseman to form the GrooveGrass Boyz. They produced a fusion of bluegrass and funk.In 1994, Bootsy contributed extensively to the Soup Dragons’ last album, Hydroponic.Bootsy’s New Rubber Band formed this year, releasing “Blasters of the Universe”.In 1995, Bootsy played in the remake of Jimi Hendrix’s “If 6 Was 9,” for Axiom Funk, a Funkadelic-like one-off supergroup produced by Bill Laswell and featuring (Funkadelic members) George Clinton, Bernie Worrell, Bootsy Collins, (the guitar of the late) Eddie Hazel, Gary Shider and Bill Laswell. The group released only one album, and the song also appeared in the soundtrack of the movieStealing Beauty.Bootsy’s New Rubber Band put forth the live release “Keepin’ dah Funk Alive 4-1995”, recorded over two nights in Tokyo.In 1996, Bootsy collaborated on George Clinton’s album “The Awesome Power Of A Fully Operational Mothership”.
In 2000 Bootsy Collins served as “Heineken’s Amsterjam 2005” curator and master of ceremonies and appeared with Madonna, Iggy Pop, Little Richard, and The Roots’ Questlove, in an American TV commercial e.Bootsy has collaborated extensively with Bill Laswell and made appearances on two Fatboy Slim records Illuminati, as well as reading a poem at the end of FatBoy Slims’s release in the LateNightTales DJ mix series. Bootsy provided “vocal spice” on theTobyMac album Welcome to Diverse City. He also appears on Nicole C. Mullens’ latest album, Everyday People. He has also worked with the Lo-Fidelity Allstars on the album Don’t be Afraid of Love, with Praxis, and with Buckethead on several occasions, Bootsy was featured in the 2002 film Standing in the Shadows of Motown. In 2004 he appeared on Snoop Dogg’s Rhythm & Gangsta album and on the cover of “The Joker” on the Fatboy Slim albumPalookavilleHe also performed a cover of the “Power of Soul” on the 2004 tribute album Power of Soul: A Tribute to Jimi Hendrix’..In October 2005, Collins co-wrote a song celebrating the resurgence of his hometown team, the Cincinnati Bengals called “Fear Da Tiger” which features several Bengals players, . An edited version of the song was made into amusic video which features cameos by many other Bengals players. Collins appeared with Little Richard, Bernie Worrell as the band playing with Hank Williams, Jr. during for the 2006 season. He also sings “Marshal Law”, the theme song of the Cincinnati Marshals indoor football team. .In 2006, ABC Entertainment / A Charly Films Release released a DVD/CD from Bootsy Collins and the New Rubber Band’s concert at the 1998 North Sea Jazz Festival.Later that same year, Bootsy released the holiday album “Christmas Is 4 Ever”. The album features re-workings of Christmas standards as well as original compositions.Also in 2006, Collins recorded music for the animated television series Loonatics Unleashed. Collins also voiced the character Bootes Belinda in the episode The Music Villain.In April 2007, Bootsy announced plans to begin a restaurant/club with Cincinnati area restaurateur Jeff Ruby called “Bootsy’s.” The venue operated 2008-2010 before closing. It featured live musical acts, a museum dedicated to Bootsy’s musical career and Spanish, Central and South American cuisine.In June 2007, Bootsy Collins, along with Phelps Collins, Clyde Stubblefield, John “Jabo” Starks, and Bernie Worrell, participated in the recording of the soundtrack for the movie Superbad. In December of that year they went on to perform the first tribute concert remembering James Brown.
In July 2007, Bootsy was working on a project Science Faxtion and an album called Living On Another Frequency. The band also features guitarist Buckethead and drummer Brain.The album was released in November 2008.Collins promoted Rock the Vote for its 2008 campaign together with Buckethead.Bootsy produced Junkyard Waltz by Freekbass. His influence in popular culture is seen in a number of television series. In The Fresh Prince of Bel-Air episode “Sooooooul Train”, Geoffrey sneaks into the Soul Train tapings posing as Bootsy Collins, while in The Mighty Boosh episode “The Legend of Old Gregg” an alien creature named ‘The Funk’ lands on Bootsy’s house, giving him his ability to play the bass guitar “like some kinda delirious funky priest”, as well as the ability to see around corners. His song I’d Rather Be With You, from the album Stretchin’ Out In Bootsy’s Rubber Band was featured in the movie Baby Boy i. Red Hot Chili Peppers bassist Flea, cited Collins as one of his primary influences, & appeared in unmistakably Bootsy-esque clothing in the video for RHCP’s “Dani California”, and Bootsy’s “What’s a Telephone Bill?” was sampled for 2Pac’s “Str8 Ballin'” track off the THUG LIFE album.In 2009 Collins collaborated with Talib Kweli and Hi-Tek on the track “Internet Connection”‘ ln October 2010 Bootsy was awarded a Bass Player Magazine Lifetime Achievement Award at the Key Club in Los Angeles.In March 2011 Bootsy and his wife visited Franklin L. Williams M.S #7’s Little Kids Rock program.On 15 April 2011, Bootsy appeared on Later… with Jools Holland, performing a memorable snippet of funk with Jools.In June 2011 Bootsy played the 10th Annual Bonnaroo Music and Arts Festival in Manchester, TN.In the Fall of 2011,