Having read a few of his novels I thought I would write about Scottish author Iain Banks , who was born 16 February 1954. He wrote mainstream fiction under the name Iain Banks, and science fiction as Iain M. Banks. his first successful novel was The Wasp Factory and following the publication and success of The Wasp Factory (1984), Banks began to write on a full-time basis. His first science fiction book, Consider Phlebas, was released in 1987, marking the start of the popular The Culture series. His books have been adapted for theatre, radio and television. In 2008, The Times named Banks in their list of “The 50 greatest British writers since 1945”.in April 2013, Banks announced that he had inoperable cancer and was unlikely to live beyond a year.He died on 9 June 2013.
Banks was born in Dunfermline, Fife, to a mother who was a professional ice skater and a father who was an officer in the Admiralty. An only child, Banks lived in North Queensferry until the age of nine, near the naval dockyards in Rosyth where his father was based. his family then moved to Gourock due to the requirements of his father’s work.After attending Gourock and Greenock High Schools, Banks studied English, philosophy and psychology at the University of Stirling (1972–1975). he wrote his second novel TTR during his first year at university.Following graduation Banks chose a succession of jobs that left him free to write in the evenings. These posts supported his writing throughout his twenties and allowed him to take long breaks between contracts, during which time he travelled through Europe, Scandinavia and North America. He was an expediter analyser for IBM, a technician (for British Steel) and a costing clerk for a Chancery Lane, London law firm during this period of his life.
Banks decided to become a writer at the age of 11 and completed his first novel The Hungarian Lift-Jet at 16.Following the publication and success of The Wasp Factory (1984), Banks began to write full-time. His editor at Macmillan, James Hale, advised him to write one book a year and Banks agreed to this schedule. Banks’s first science fiction book Consider Phlebaswas released in 1987. The Crow Road (1992) was adapted as a BBC television series and Espedair Street (1987) was broadcast on BBC Radio 4.Banks cited Robert A. Heinlein, Isaac Asimov, Arthur C. Clarke, Brian Aldiss, M. John Harrison and Dan Simmons as literary influences.
Banks published work under two names. His parents had intended to name him “Iain Menzies Banks”, but his father made a mistake when registering the birth and “Iain Banks” became the officially registered name. Despite this error, Banks continued to use his middle name and submitted The Wasp Factory for publication as “Iain M. Banks”. Banks’ editor enquired about the possibility of omitting the ‘M’ as it appeared “too fussy” and the potential existed for confusion with Rosie M. Banks, a romantic novelist in the Jeeves novels by P.G. Wodehouse; Banks agreed to the omission. Following three mainstream novels, Banks’s publishers agreed to publish his first science fiction (SF) novel Consider Phlebas. To create a distinction between the mainstream and SF novels, Banks suggested the return of the ‘M’ to his name and the author’s second title was consequently confirmed. By his death in June 2013 Banks had published 26 novels. His twenty-seventh novel The Quarry was published posthumously.
Banks was also the subject of The Strange Worlds of Iain Banks South Bank Show (1997), a television documentary that examined his mainstream writing, and was also an in-studio guest for the final episode of Marc Riley’s Rocket Science radio show, broadcast on BBC Radio 6 Music. aradio adaptation of Banks’s The State of the Art was broadcast on BBC Radio 4 in 2009; the adaptation was written by Paul Cornell and the production was directed/produced by Nadia Molinari. in 1998 Espedair Street was dramatised as a serial for Radio 4, presented by Paul Gambaccini in the style of a Radio 1 documentary.
In 2011 Banks was featured on the BBC Radio 4 programme Saturday Live. Banks reaffirmed his atheism during his Saturday Live appearance, whereby he explained that death is an important “part of the totality of life” and should be treated realistically, instead of feared.Banks appeared on the BBC television programme Question Time, a show that features political discussion. In 2006 Banks captained a team of writers to victory in a special series ofBBC Two’s University Challenge. Banks also won a 2006 edition of BBC One’s Celebrity Mastermind; the author selected “Malt whisky and the distilleries of Scotland” as his specialist subject. His final interview with Kirsty Wark was broadcast as Iain Banks: Raw Spirit on BBC2 Scotland on Wednesday 12 June 2013. Banks was involved in the theatre production The Curse of Iain Banks that was written by Maxton Walker and performed at theEdinburgh Fringe festival in 1999. Banks wrote the music for some of the songs that were featured in the production and collaborated with the play’s soundtrack composer Gary Lloyd, who also composed the score for a musical production of the Banks novel The Bridge. lloyd explained his collaboration with Banks in a Guardian article prior to the opening of the The Curse of Iain Banks.