English author and playwright Dame Daphne du Maurier, Lady Browning DBE sadly passed away aged 81 at her home in Cornwall, on 19 April 1989, which had been the setting for many of her books. Her body was cremated and her ashes scattered at Kilmarth,
Born 13 May 1907. Many of her works have been adapted into films, including the novels Rebecca (which won the Best Picture Oscar in 1941) and Jamaica Inn and the short stories The Birds and Don’t Look Now. The first three were directed by Alfred Hitchcock, the latter by Nicholas Roeg. she is considered a first-rate storyteller, a mistress of suspense and Her ability to recreate a sense of place is much admired, and her work remains popular worldwide.The novel Rebecca, which has been adapted for stage and screen several times, is generally regarded as her masterpiece. In the U.S. she won the National Book Award for favourite novel of 1938, voted by members of the American Booksellers Association. One of her strongest influences here was Jane Eyre by Charlotte Brontë. Her fascination with the Brontë family is also apparent in The Infernal World of Branwell Brontë, her biography of the troubled elder brother to the Brontë girls. Other significant works include The Scapegoat, The House on the Strand, and The King’s General. The last is set in the middle of thefirst and second English Civil Wars. Though written from the Royalist perspective of her adopted Cornwall, it gives a fairly neutral view of this period of history.Several of her other novels have also been adapted for the screen, including Jamaica Inn, Frenchman’s Creek, Hungry Hill, and My Cousin Rachel (1951). The Hitchcock film The Birds (1963) is based on a treatment of one of her short stories, as is the film Don’t Look Now (1973). Of the films, du Maurier often complained that the only ones she liked were Alfred Hitchcock’s Rebecca and Nicolas Roeg’sDon’t Look Now. Hitchcock’s treatment of Jamaica Inn involved a complete re-write of the ending to accommodate the ego of its star,Charles Laughton. Du Maurier also felt that Olivia de Havilland was wrongly cast as the anti-heroine of My Cousin Rachel.
Frenchman’s Creek fared rather better in a lavish Technicolor version released in 1944. Du Maurier later regretted her choice of Alec Guinness as the lead in the film of The Scapegoat, which she partly financed. In 1989, Indian director Pavithran adapted her short story “No Motive” from the collection The Rendezvous and Other Stories (1980) for his critically acclaimed mystery thriller Utharam(Answer).Du Maurier was often categorised as a “romantic novelist” (a term she deplored), though most of her novels, with the notable exception of Frenchman’s Creek, are quite different from the stereotypical format of a Georgette Heyer or a Barbara Cartland novel. Du Maurier’s novels rarely have a happy ending, and her brand of romanticism is often at odds with the sinister overtones and shadows of the paranormal she so favoured. In this light, she has more in common with the “sensation novels” of Wilkie Collins and others, which she admired. Du Maurier’s novel Mary Anne (1954) is a fictionalised account of the real-life story of her great-great-grandmother, Mary Anne Clarkenée Thompson (1776–1852). From 1803 to 1808, Mary Anne Clarke was mistress of Frederick Augustus, Duke of York and Albany (1763–1827). He was the “Grand Old Duke of York” of the nursery rhyme, a son of King George III and brother of the later King George IV.The central character of her last novel, Rule Britannia, is an ageing and eccentric actress who was based on Gertrude Lawrence andGladys Cooper (to whom it is dedicated).It was in her short stories that she was able to give free rein to the harrowing and terrifying side of her imagination; “The Birds”, “Don’t Look Now”, “The Apple Tree” and “The Blue Lenses” are exquisitely crafted tales of terror that shocked and surprised her audience in equal measure.
Daphne du Maurier wrote three plays. Her first was a successful adaptation of her novel Rebecca, she also wrote the autobiographically inspired drama The Years Between about the unexpected return of a senior officer, thought killed in action, who finds that his wife has taken his seat as Member of Parliament and has started a romantic relationship with a local farmer.Better known is her third play, September Tide, about a middle-aged woman whose bohemian artist son-in-law falls for her. She also wrote family novels/ biographies about her own ancestry, of which Gerald, the biography of her father, was most lauded. Later she wrote The Glass-Blowers, which traces her French ancestry and gives a vivid depiction of the French Revolution. The du Mauriers is a sequel of sorts describing the somewhat problematic ways in which the family moved from France to England in the 19th century and finally Mary Anne, the novel based on the life of a notable, and infamous, English ancestor – her great-grandmother Mary Anne Clarke, former mistress of Frederick, Duke of York.Her final novels reveal just how far her writing style had developed. The House on the Strand (1969) combines elements of “mental time-travel”, a tragic love affair in 14th century Cornwall, and the dangers of using mind-altering drugs. Her final novel, Rule Britannia, written post-Vietnam, plays with the resentment of English people in general and Cornish people in particular at the increasing dominance of the U.S.