Best known for being a co-founder of the English rock band Status Quo , British singer and Guitarist Francis Rossi, OBE was born 29th May 1949. Status Quo were orignially called The Spectres & were founded by schoolboys Francis Rossi and Alan Lancaster in 1962. After a number of lineup changes, the band became “The Status Quo” in late 1967, finally settling on the name “Status Quo” in 1969. They have recorded over 60 chart hits in the UK, more than any other rock group. 22 of these have reached the UK Top Ten. The origins of Status Quo were in the rock and roll freakbeat band “The Spectres” formed in 1962.Rossi and Lancaster played their first gig at the Samuel Jones Sports Club in Dulwich, London. In 1963 they added drummer John Coghlan.
They began writing their own material and after a year met Rick Parfitt who was playing with a cabaret band called The Highlights. By the end of 1965 Rossi and Parfitt, who had become close friends, made a commitment to continue working together. On 18 July 1966 The Spectres signed a five-year deal with Piccadilly Records, releasing two singles that year, “I (Who Have Nothing)” and “Hurdy Gurdy Man” (written by Alan Lancaster), and one the next year called “(We Ain’t Got) Nothin’ Yet”By 1967, the group had discovered psychedelia At this time the line-up also included organist Roy Lynes. They released another single “Almost But Not Quite There” which was also a flop. In late 1967 the band became The Status Quo, and in January 1968 they released the psychedelic-flavoured “Pictures of Matchstick Men”.Rick Parfitt was invited to join the band just as the song hit the UK Singles Chart, reaching Number 7. “Matchstick Men” also became their only Top 40 hit single in the United States. Though the follow-up was the unsuccessful single, “Black Veils of Melancholy”, they had a hit again the same year with the poppy, Marty Wilde penned “Ice in the Sun”, which climbed to Number 8.After their second album Spare Parts failed to impact commercially, the band, disillusioned with their musical direction, abandoned pop psychedelia and Carnaby Street fashions in favour of a hard rock/boogie sound, faded denims and T-shirts, an image which was to become their trademark throughout the 1970s.
After two well-received but relatively poor selling albums in 1970 and 1971, their major breakthrough came when they signed with the heavy rock and progressive label Vertigo. Their first album for Vertigo, Piledriver was released in 1972, and heralded an even heavier, self-produced sound. This album was essentially the stylistic template for each album they released up until Blue for You in 1976. During this period, and throughout the rest of the 1970s, they became one of the UK’s leading rock bands, gaining a faithful following due to their relentless touring and energetic live gigs. Quo’s more popular songs from this era include “Paper Plane”, “Caroline”, “Down Down”, “Rain”, “Rockin’ All Over the World” and “Whatever You Want”. “Down Down” topped the UK Singles Chart in January 1975, becoming their only UK number one single to date . In 1976, they signed a pioneering sponsorship deal with Levi’s. To date Quo have sold approximately 128 million records worldwide And released their latest album in 2013.
The WGO celebrates World Digestive Health Day (WDHD) every May 29, initiating a worldwide public health campaign through its national societies and 50,000 individual members. Each year, WDHD focuses upon a particular digestive disorder and seeks to increase general public awareness of prevention and therapy. WDHD themes have included: Health and Nutrition, Helicobacter pylori infection, Viral Hepatitis, Optimal Nutrition in Health and Disease, Irritable Bowel Syndrome (IBS), Inflammatory Bowel Disease (IBD), Enteric Infections: Prevention and Management – Clean Food, Clean Water, Clean Environment, Common GI Symptoms in the Community: Impact and Interpretation, LIVER CANCER, Gut Microbes, Heartburn and Diet and gut Health.
The World Gastroenterology Organisation (WGO) is an international federation of over 100 national GI societies and 4 regional associations of gastroenterology representing over 50,000 individual members. It was established in 2007 to raise financial support to develop and sustain the World Gastroenterology Organisation’s global training and education programs. These programs focus primarily on developing, low-resource countries and aim to meet the increasing demand for digestive disorder prevention and treatment worldwide..” The WGO is focused on “the improvement of standards in gastroenterology training and education on a global scale.”
The association was founded in 1935 and incorporated in 1958. The WGO was originally known as the Organisation Mondiale de Gastroenterologie (OMGE) and was renamed the World Gastroenterology Organisation in 2006. Its activities include educational initiatives such as Training Centers, Train the Trainers Workshops, public awareness campaigns such as World Digestive Health Day and Global Guidelines which cascade, providing viable solutions which are adaptable to varying resource levels around the world, as well as a quadrennial World Congress of Gastroenterology. The WGO Foundation was incorporated in 2007 and is dedicated to raising funds to support the ongoing WGO education initiatives and activities.In 2008, the WGO, together with Danone, launched a global campaign to improve digestive health, titled “Optimum Health and Nutrition.” The campaign is part of a three-year partnership between WGO and Danone to “help raise awareness of digestive disorders and the importance of maintaining good digestive health.”.
Tim Burgess, English singer with English alternative rock band The Charlatans was Born 30th May 1967. The band’s line-up currently comprises Tim Burgess (vocals), Mark Collins (guitar), Martin Blunt (bass) and Tony Rogers (keyboards). Sadly though Jon Brookes (drums and percussion ) died tragically in 2013. In the UK, all of the band’s eleven studio albums have charted in the Top 40 in the UK Albums Chart, three of them being number ones. They have also achieved seventeen Top 30 singles, and four Top 10 hits in the UK Singles Chart.The original members of the Charlatans were located in the West Midlands, however many sources state that they formed in Northwich, Cheshire. This is because the band relocated to the home town of new lead singer Tim Burgess (who lived in Northwich) before the 1990 release of The Charlatans’ debut single “Indian Rope”, on the band’s own Dead Dead Good Records label. This means that, based on the definition of the hometown used by Guinness World Records, the band formed in Northwich and consequently, Northwich is recorded as their home town in such publications as British Hit Singles & Albums.The debut single, “Indian Rope” proved an indie hit and the group soon found a major label, Beggars Banquet off-shoot Situation Two, in time for the release of “The Only One I Know” which reached the Top 10 in the UK Singles Chart. A further single, “Then”, and debut album Some Friendly, were released later that year.
Around this time The Charlatans were forced to add UK to their name for an American tour due to competing claims by a 1960s rock band also known as The Charlatans.Baker left the band after 1991′s “Over Rising” single to be replaced by Mark Collins (no relation to Rob), and the band brought in producer Flood for their second album Between 10th and 11th (named after the address of the New York Marque, site of the group’s first US concert). Released in early 1992, the album failed to reach the Top 20 in the UK Albums Chart. However, the Top 20 success of the lead single “Weirdo” and a double weekend of gigs (‘Daytripper’) in Blackpool and Brighton with Ride kept them in the public eye.The follow-up album, Up To Our Hips (1994) reached number 8 in the UK Albums Chart. In 1995 the band’s self-titled fourth album saw them become major UK stars again, topping the UK albums chart and spawning the Top 20 single “Just When You’re Thinkin’ Things Over”.The fifth album Tellin’ Stories was released in 1997 and contained the singles “One to Another”, “North Country Boy” and “How High”. In 1998 they released the career-spanning compilation Melting Pot. The band also helped put “The B-sides collection Songs From The Other Side” and DVD “Just Lookin’ 1990 – 1997″ togetherFollowing the album Us And Us Only,The band released their ninth full-length album on 10 April 2006. Titled Simpatico, it was a reggae and dub tinged album and featured tracks like the fan favourite “NYC (There’s No Need to Stop)” and “Blackened Blue Eyes”.
Their follow-up to Simpatico was another career-spanning singles compilation entitled Forever: The Singles which was released on CD and DVD on 13 November 2006. In an October 2007 issue of the NME, the band contributed the song “Blank Heart, Blank Mind” to the magazine’s free Love Music, Hate Racism compilation CD. Later the same month, the new single “You Cross My Path” was released as a free download exclusively through the XFM website. On the 3 March 2008, The Charlatans teamed up with Xfm again to become the first UK band to release an album completely free to download via a radio station. This was preceded a week earlier by the second single from the album, “Oh! Vanity”. The album, titled You Cross My Path, is The Charlatans’ tenth studio album and received a physical CD/LP release on 19 May 2008. Their eleventh studio album, Who We Touch, was released on 6 September 2010 and The first single release was “Love Is Ending”.On March 28th 2011 Universal Music re-released a deluxe edition of the band’s Us & Us Only album, originally released in 1999, featuring a collection of bonus tracks including B-sides, live recordings, radio sessions and rare remixes. In March/April 2011 Tim Burgess and Mark Collins played an acoustic tour of the UK. To coincide with the acoustic tour the band released Warm Sounds EP. Featuring six stripped-down and reworked versions of Charlatans tracks including “North Country Boy”, “The Only One I Know” and “Smash The System”. It was available to download from iTunes and The Charlatans website.
German born Flemish Baroque painter Peter Paul Rubens sadly passed away 30 May 1640. Born 28th June 1577 he was a proponent of extravagant Baroque style that emphasised movement, colour, and sensuality, who was known for his Counter Reformation altarpieces, portraits, landscapes, and history paintingso mythological and allegorial sujects.In addition to running a lare studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educatdhumanist scholar and diplomat who was knighted by both Philip IV, King of Spain, andChares I, King of England was raised as a Catholic. Religion figured prominently in much of his work and Rubens later became one of the leading voices of the Catholic Counter-Reformation style of painting (he had said “My passion omes from the heavens, no from earthly musings”).In Antwerp, Rubens received ahumanist education, studying Latin and classical literature. By fourteen he began his artistic apprenticeship with Tobias Verhaeght. Subsequently, he studied under two of the city’s leading painters of the time the late Mannerist artists Adam van Noort and Otto van een.Much of his earliest training involved copying earlier artists’ wrks, such aswoodcuts by Hans Holbein the Younger and Marcantonio Raimondi’s engravings after Raphael. Rubens completed his education in 1598, at which time he entered the Guild of S. Luke as an independent masterIn 1600, Rubens travelled to Italy. He stopped first in Venice, where he saw paintings by Titian, Veronese, and Tintoretto, before settling in Mantua at the court of Duke Vincenzo I Gonzaga. The coloring and compositions of Veronese and Tintoretto had an immediate effect on Rubens’s painting, and his later, mature style was profoundly influenced by Titian.
With financial support from the Duke, Rubens travelled to Rome by way of Florence in 1601. There, he studied classical Greek and Roman art and copied works of the Italian masters, the Hellenistic sculpture Laocoön and his Sons was especially influential on him, as was the art of Michelangelo, Raphael, Leonardo da Vinci and Caravaggio. He later made a copy of that artist’s Entombment of Christ, recommended that his patron, the Duke of Mantua, purchase The Death of the Virgin(Louvre), and was instrumental in the acquisition of The Madonna of the Rosary (Kunsthistorisches Museum, Vienna) for the Dominican church in Antwerp. During this first stay in Rome, Rubens completed his first altarpiece commission, St. Helena with the True Cross for the Roman church of Santa Croce in Gerusalemme.Rubens travelled to Spain on a diplomatic mission in 1603, delivering gifts from the Gonzagas to the court of Philip III. While there, he studied the extensive collections of Raphael and Titian that had been collected by Philip II. He also painted an equestrian portrait of the Duke of Lerma during his stay (Prado, Madrid) that demonstrates the influence of works like Titian’s Charles V at Mühlberg (1548; Prado, Madrid). This journey marked the first of many during his career that combined art and diplomacy.He returned to Italy in 1604, where he remained for the next four years, first in Mantua and then in Genoa and Rome. In Genoa, Rubens painted numerous portraits, such as the Marchesa Brigida Spinola-Doria (National Gallery of Art, Washington, D.C.), and the portrait of Maria di Antonio Serra Pallavicini, in a style that influenced later paintings by Anthony van Dyck, Joshua Reynolds and Thomas Gainsborough. He also began a book illustrating the palaces in the city, which was published in 1622 as Palazzi di Genova. From 1606 to 1608, he was mostly in Rome.
Rubens returned to Antwerp in 1608 and His return coincided with a period of renewed prosperity in the city, he was appointed as court painter by Albert VII, Archduke of Austria and Infanta Isabella Clara Eugenia of Spain, sovereigns of the Low Countries. In 1610, Rubens moved into a new house and studio that he designed. Now the Rubenshuis Museum, in the centre of Antwerp, it accommodated his workshop and made the most of his extensive collection of paintings, and his personal art collection and library,. During this time he created.Altarpieces such as The Raising of the Cross (1610) and The Descent from the Cross (1611–1614) for the Cathedral of Our Lady which were particularly important in establishing Rubens as Flanders’ leading painter . The Raising of the Cross also demonstrates the artist’s synthesis of Tintoretto’s Crucifixion for the Scuola Grande di San Rocco in Venice, Michelangelo’s dynamic figures, and Rubens’s own personal style. The Spanish Habsburg rulers also entrusted Rubens with a number of diplomatic missions, Between 1627 and 1630, Rubens’s diplomatic career was particularly active, and he moved between the courts of Spain and England in an attempt to bring peace between the Spanish Netherlands and the United Provinces. He also made several trips to the northern Netherlands as both an artist and a diplomat. It was during this period that Rubens was twice knighted, first by Philip IV of Spain in 1624, and then by Charles I of England in 1630. He was awarded an honorary Master of Arts degree fromCambridge University in 1629.
In 1621, the Queen Mother of France, Marie de’ Medici, commissioned Rubens to paint two large allegorical cycles celebrating her life and the life of her late husband, Henry IV, for theLuxembourg Palace in Paris. The Marie de’ Medici cycle (now in the Louvre) was installed in 1625, While Rubens’s international reputation with collectors and nobility abroad continued to grow during this decade, he and his workshop also continued to paint monumental paintings for local patrons in Antwerp. The Assumption of the Virgin Mary (1625–6) for the Cathedral of Antwerp is one prominent example. Rubens’s last decade was spent in and around Antwerp. Major works for foreign patrons still occupied him, such as the ceiling paintings for the Banqueting House at Inigo Jones’s Palace of Whitehall. In 1630, the 53-year-old painter married 16-year-old Hélène Fourment who inspired the voluptuous figures in many of his paintings from the 1630s, including The Feast of Venus (Kunsthistorisches Museum, Vienna), The Three Graces and The Judgment of Paris (both Prado, Madrid). In the latter painting, which was made for the Spanish court, the artist’s young wife was recognized by viewers in the figure of Venus. In an intimate portrait of her, Hélène Fourment in a Fur Wrap, also known as Het Pelsken Rubens’s wife is even partially modelled after classical sculptures of the Venus Pudica, such as theMedici Venus. In 1635, Rubens bought an estate outside of Antwerp, the Steen, where he spent much of his time. Landscapes, such as his Château de Steen with Hunter (National Gallery, London) and Farmers Returning from the Fields (Pitti Gallery, Florence), reflect the more personal nature of many of his later works. He also drew upon the Netherlandish traditions of Pieter Bruegel the Elder for inspiration in later works like Flemish Kermis (c. 1630; Louvre, Paris)
Sadly.Rubens died from heart failure, which was a result of his chronic gout on 30 May 1640. He was interred in Saint Jacob’s church, Antwerp. The artist had eight children, three with Isabella and five with Hélène; his youngest child was born eight months after his death.Rubens was a prolific artist. His commissioned works were mostly religious subjects, “history” paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw theephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.His fondness of painting full-figured women gave rise to the terms ‘Rubensian’ or ‘Rubenesque’ for plus-sized women.Rubens was a great admirer of Leonardo da Vinci’s work. Using an engraving done 50 years after Leonardo started his project on the Battle of Anghiari, Rubens did a masterly drawing of the Battle which is now in the Louvre in Paris.
American Aviation Pioneer and eldest of The Wright brothers, Wilbur Wright sadly passed away 30 May 1948. Born April 16, in 1867. Wilbur, together with his younger brother Orville. is credited with inventing and building the world’s first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight, on December 17, 1903 at Kitty Hawk in North Carolina. The Wright Brothers spent a great deal of time observing birds in flight. They noticed that birds soared into the wind and that the air flowing over the curved surface of their wings created lift. Birds change the shape of their wings to turn and manoeuvre. They believed that they could use this technique to obtain roll control by warping, or changing the shape, of a portion of the wing. as a resultThe Wright Brothers designed their first aircraft: a small, biplane glider flown as a kite to test their solution for controlling the craft by wing warping. Wing warping is a method of arching the wingtips slightly to control the aircraft’s rolling motion and balance. Over the next three years, Wilbur and his brother Orville would design a series of gliders which would be flown in both unmanned (as kites) and piloted flights.
They read about the works of Cayley, and Langley, and the hang-gliding flights of Otto Lilienthal. They corresponded with Octave Chanute concerning some of their ideas. They recognized that control of the flying aircraft would be the most crucial and hardest problem to solve. Following a successful glider test, the Wrights built and tested a full-size glider. They selected Kitty Hawk, North Carolina as their test site because of its wind, sand, hilly terrain and remote location. In 1900, the Wrights successfully tested their new 50-pound biplane glider with its 17-foot wingspan and wing-warping mechanism at Kitty Hawk, in both unmanned and piloted flights. In fact, it was the first piloted glider. Based upon the results, the Wright Brothers planned to refine the controls and landing gear, and build a bigger glider. So in 1901, at Kill Devil Hills, North Carolina, the Wright Brothers flew the largest glider ever flown, with a 22-foot wingspan, a weight of nearly 100 pounds and skids for landing.
However, many problems occurred: the wings did not have enough lifting power; forward elevator was not effective in controlling the pitch; and the wing-warping mechanism occasionally caused the airplane to spin out of control. In their disappointment, they predicted that man will probably not fly in their lifetime. In spite of the problems with their last attempts at flight, the Wrights reviewed their test results and determined that the calculations they had used were not reliable. They decided to build a wind tunnel to test a variety of wing shapes and their effect on lift. Based upon these tests, the inventors had a greater understanding of how an airfoil (wing) works and could calculate with greater accuracy how well a particular wing design would fly. They planned to design a new glider with a 32-foot wingspan and a tail to help stabilize it.
During 1902, the brothers flew numerous test glides using their new glider. Their studies showed that a movable tail would help balance the craft and the Wright Brothers connected a movable tail to the wing-warping wires to coordinate turns. With successful glides to verify their wind tunnel tests, the inventors planned to build a powered aircraft. After months of studying how propellers work the Wright Brothers designed a motor and a new aircraft sturdy enough to accommodate the motor’s weight and vibrations. The craft weighed 700 pounds and came to be known as the Flyer. The brothers built a movable track to help launch the Flyer. This downhill track would help the aircraft gain enough airspeed to fly. After two attempts to fly this machine, one of which resulted in a minor crash, Orville Wright took the Flyer for a 12-second, sustained flight on December 17, 1903. This was the first successful, powered, piloted flight in history.
Russian poet and novelist Boris Leonidovich Pasternak sadly passed away 30 May 1960 due to the effects of lung cancer. Born 10 February 1890. Pasternak aspired to be a musician. Inspired by Scriabin, Pasternak studied at the Moscow Conservatory. In 1910 he abruptly left for the German University of Marburg, where he studied under Neo-Kantian philosophers Hermann Cohen and Nicolai Hartmann. Although Professor Cohen encouraged him to remain in Germany and to pursue a Philosophy doctorate, Pasternak decided against it. and returned to Moscow upon the outbreak of World War I. His first poetry anthology was published later that year.
During World War I, Pasternak taught and worked at a chemical factory in Vsevolodovo-Vilve near Perm, which undoubtedly provided him with material for Dr. Zhivago. Unlike the rest of his family and many of his closest friends, Pasternak chose not to leave Russia after the October Revolution of 1917. remained in Moscow throughout the Civil War (1918–1920), making no attempt to escape abroad or to the White-occupied south, as a number of other Russian writers did at the time. No doubt, like Yuri Zhivago, he was momentarily impressed by the “splendid surgery” of the Bolshevik seizure of power in October 1917. However he soon began to harbor profound doubts about the claims and credentials of the regime, not to mention its style of rule. The terrible shortages of food and fuel, and the depredations of the Red Terror, made life very precarious in those years, particularly for the “bourgeois” intelligentsia. Published in 1921, Pasternak’s My Sister, Life revolutionised Russian poetry and made Pasternak the model for younger poets, and decisively changed the poetry of Osip Mandelshtam, Marina Tsvetayeva and others. By 1927, Pasternak’s close friends Vladimir Mayakovsky and Nikolai Aseyev were advocating the complete subordination of the Arts to the needs of the Communist Party of the Soviet Union.So he broke off relations, with both of them. By 1932, Pasternak had altered his style to make it acceptable to the Soviet public and printed the new collection of poems aptly titled The Second Birth, He simplified his style and language even further for his next collection of verse, Early Trains (1943). This prompted his former admirer, Vladimir Nabokov, to mock Pasternak as a “weeping Bolshevik”. After Joseph Stalin was acclaimed as leader of the CPSU in 1929, Pasternak became further disillusioned with the Party’s tightening censorship of literature.
Still unwilling to conform, Pasternak remained a close friend of Anna Akhmatova and Osip Mandelstam, who recited his searing indictment of Stalin, the Stalin Epigram, to Pasternak soon after its composition in late April 1934. After listening, Pasternak told Mandelstam, “I didn’t hear this, you didn’t recite it to me, because, you know, very strange and terrible things are happening now: they’ve begun to pick people up. Mandelstam was arrested shortly afterwards. Pasternak was deeply upset by this, apart from being concerned for his friend he was also worried that he might be blamed for fingering Mandelstam to the secret police. Pasternak became frantic, pacing around his apartment repeating over and over that he must write to Stalin to explain that injustices were being committed in the name of the Leader. Pasternak later did write and send just such a letter. Although Pasternak was never arrested by the Soviet secret police during the Great Purge, which took place in the Soviet Union in the late 1930s, he lost many friends, among them were peasants, Red Army leadership, Old Bolsheviks and unaffiliated persons. Appalled by the events taking place in the Soviet Union during the Great Purge, Pasternak appealed directly to Stalin. He wrote about his family’s strong Tolstoyan convictions. Pasternak was certain that he would be instantly arrested, but he was not. Stalin is said to have crossed Pasternak’s name off an execution list during the Great Purge.
After the outbreak of war between Nazi Germany and the Soviet Union, Pasternak was elated. With the end of the war in 1945, there was a great expectation that the Soviet people would not only see the end of the devastation of Nazism, but also the end of Stalin’s Purges. However, sealed trains began carrying large numbers of prisoners to the Soviet Gulags. Some were Nazi collaborators but most were ordinary Soviet officers and men. Pasternak watched as ex-POWs were directly transferred from Nazi to Soviet concentration camps. White emigres who had returned due to pledges of amnesty were also sent directly to the Gulag, as were Jews from the Anti-Fascist Committee and other organizations. Many thousands of innocents were incarcerated as part the Leningrad Affair and the Doctor’s Plot, while whole ethnic groups were deported to Siberia. :O
Pasternak’s translation of the first part of Faust caused contorversy and he was accused of distorting Goethe’s “progressive,” meanings to support “the reactionary theory of ‘pure art’”, as well as introducing aesthetic and individualist values. When Stalin died of a stroke on 5 March 1953, there were waves of panic, confusion, and public displays of grief Across the nation. Pasternak wrote, “Men who are not free… always idealize their bondage. For so long we were ruled over by a madman and a murderer, and now by a fool and a pig. The madman had his occasional flights of fancy, he had an intuitive feeling for certain things, despite his wild obscurantism. Now we are ruled over by mediocrities.” During this period, Pasternak delighted in reading a clandestine copy of George Orwell’s Animal Farm in English. In conversation with Ivinskaya, Pasternak explained that the swine dictator Napoleon, “vividly reminded,” him of Soviet Premier Nikita Khrushchev. Doctor Zhivago was completed in 1956 and imediately caused controvery – The author, like his protagonist Yuri Zhivago, showed more concern for the welfare of individual characters than for the “progress” of society. Censors also regarded some passages as anti-Soviet, especially the novel’s criticisms of Stalinism, Collectivisation, the Great Purge, and the Gulag. As a result Russian people were unwilling to publish it, however Thanks to the efforts of a Communist Italian Journalist and Helped considerably by the Soviet campaign against the novel, Doctor Zhivago became an instant sensation throughout the non-Communist world upon its release in November 1957. Pasternak also received the Nobel Prize for Literature in 1958, an event which both humiliated and enraged the Communist Party of the Soviet Union. By the time of his death from lung cancer on 30th May 1960, the campaign against Pasternak had severely damaged the international credibility of the U.S.S.R. He remains a major figure in Russian literature to this day. Furthermore, tactics pioneered by Pasternak were later continued, expanded, and refined by Aleksandr Solzhenitsyn and other Soviet dissidents.
English writer G.K Chesterton was born 29th May 1874. He published works on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton has been called the “prince of paradox”. Time magazine, in a review of a biography of Chesterton, observed of his writing style: “Whenever possible Chesterton made his points with popular sayings, proverbs, allegories— first carefully turning them inside out.” For example, Chesterton wrote “Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it.”Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man.
Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, “The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected.” Chesterton routinely referred to himself as an “orthodox” Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton’s “friendly enemy” according to Time, said of him, “He was a man of colossal genius”. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Cardinal Newman, and John Ruskin.Among his best known works are The Napoleon of Notting Hill, Heretics, Charles Dickens: A Critical Study, The Man Who Was Thursday, Orthodoxy, Manalive, Father Brown short stories (detective fiction), Eugenics and Other Evils, Saint Francis of Assisi (1923), Doubleday, The Everlasting Man & Saint Thomas Aquinas. A lot of these can be found on the Project Gutenberg WebsitE.