Alfred Hitchcock

British film director and Producer, Alfred Hitchcock KBE, was born 13 August 1899 in Leytonstone, London. Over a career spanning more than half a century, Hitchcock directed more than fifty feature films, many of them psychological thrillers and among his most famous are Rebecca, North By Northwest, Notorious, The Birds, Psycho, Jamaica Inn, Rear Window, Rope, The Man Who Knew Too Much, Vertigo and Marnie.

During his career. Hitchcock developed many pioneering techniques in the suspense and psychological thriller genres during which he created a distinctive and recognisable directorial style. He pioneered the use of a camera made to move in a way that mimics a person’s gaze, forcing viewers to engage in a form of voyeurism He framed shots to maximise anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside “icy blonde” female characters. Many of Hitchcock’s films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock’s films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon

Sadly  Alfred Hitchcock passed away on 29th April 1980 although he has left a long lasting legacy in the form of some fantastic timeless classics including Rebecca, Notorious, Saboteur, Spellbound, Psycho, Rope, The Birds, North by Northwest, Marnie, Vertigo, Rear Window, The Man Who Knew Too Much and Frenzy. He also came first in a 2007 poll of film critics in Britain’s Daily Telegraph, which said of him: “Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from us) and engaging the emotions of the audience like no one else.” The magazine MovieMaker also described him as the most influential filmmaker of all time, and he is widely regarded as one of cinema’s most significant artists.

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