H.P.Lovecraft

LovecraftAmerican author Howard Phillips Lovecraft was born August 20, 1890, known as H. P. Lovecraft he wrote mostly horror, fantasy, poetry and science fiction, especially the subgenre known as weird fiction. Lovecraft’s guiding aesthetic and philosophical principle was what he termed “cosmicism” or “cosmic horror”, the idea that life is incomprehensible to human minds and that the universe is fundamentally inimical to the interests of humankind. As such, his stories express a profound indifference to human beliefs and affairs. Lovecraft is the originator of the Cthulhu Mythos story cycle and the Necronomicon, a fictional magical textbook of rites and forbidden lore.

Some of Lovecraft’s work was inspired by his own nightmares. His interest started from his childhood days when his grandfather would tell him Gothic horror stories. Lovecraft’s biggest influence was Edgar Allan Poe and forbidden knowledge Is often a central theme in many of Lovecraft’s works.Many of his characters are driven by curiosity or scientific endeavor, and in many of his stories the knowledge they uncover proves Promethean in nature, either filling the seeker with regret for what they have learned, destroying them psychically, or completely destroying the person who holds the knowledge. Some critics argue that this theme is a reflection of Lovecraft’s contempt of the world around him, causing him to search inwardly for knowledge and inspiration. The beings of Lovecraft’s mythos often have human (or mostly human) servants; Cthulhu, for instance, is worshiped under various names by cults amongst both the Eskimos of Greenlandand voodoo circles of Louisiana, and in many other parts of the world.These worshipers served a useful narrative purpose for Lovecraft. Many beings of the Mythos were too powerful to be defeated by human opponents, and so horrific that direct knowledge of them meant insanity for the victim. When dealing with such beings, Lovecraft needed a way to provide exposition and build tension without bringing the story to a premature end. Human followers gave him a way to reveal information about their “gods” in a diluted form, and also made it possible for his protagonists to win paltry victories. Lovecraft, like his contemporaries, envisioned “savages” as closer to supernatural knowledge unknown to civilized man. Another recurring theme in Lovecraft’s stories is the idea that descendants in a bloodline can never escape the stain of crimes committed by their forebears, at least if the crimes are atrocious enough. Descendants may be very far removed, both in place and in time (and, indeed, in culpability), from the act itself, and yet, they may be haunted by the revenant past, e.g. “The Rats in the Walls”, “The Lurking Fear”, “Arthur Jermyn”, “The Alchemist”, “The Shadow Over Innsmouth”, “The Doom that Came to Sarnath” and The Case of Charles Dexter Ward.

Often in Lovecraft’s works the protagonist is not in control of his own actions, or finds it impossible to change course. Many of his characters would be free from danger if they simply managed to run away; however, this possibility either never arises or is somehow curtailed by some outside force, such as in “The Colour Out of Space” and “The Dreams in the Witch House”. Often his characters are subject to a compulsive influence from powerful malevolent or indifferent beings. As with the inevitability of one’s ancestry, eventually even running away, or death itself, provides no safety (“The Thing on the Doorstep”, “The Outsider”, The Case of Charles Dexter Ward, etc.). In some cases, this doom is manifest in the entirety of humanity, and no escape is possible (“The Shadow Out of Time”). Lovecraft was also familiar with the work of the German conservative-revolutionary theorist Oswald Spengler, whose pessimistic thesis of the decadence of the modern West formed a crucial element in Lovecraft’s overall anti-modern worldview. Spenglerian imagery of cyclical decay is present in particular in At the Mountains of Madness. S. T. Joshi, in H. P. Lovecraft: The Decline of the West, places Spengler at the center of his discussion of Lovecraft’s political and philosophical ideas.

H. P. Lovecraft’s writing, particularly the so-called Cthulhu Mythos, has influenced fiction authors including modern horror and fantasy writers such as Stephen King, Ramsey Campbell, Bentley Little, Joe R. Lansdale, Alan Moore, Junji Ito, F. Paul Wilson, Brian Lumley, Caitlín R. Kiernan, and Neil Gaiman, have cited Lovecraft as one of their primary influences. Beyond direct adaptation, Lovecraft and his stories have had a profound impact on popular culture. Some influence was direct, as he was a friend, inspiration, and correspondent to many of his contemporaries, such as August Derleth, Robert E. Howard, Robert Bloch and Fritz Leiber. Many later figures were influenced by Lovecraft’s works, including author and artist Clive Barker, prolific horror writer Stephen King, comics writers Alan Moore, Neil Gaiman and Mike Mignola, film directors John Carpenter, Stuart Gordon, Guillermo Del Toro and artist H. R. Giger. Japan has also been significantly inspired and terrified by Lovecraft’s creations and thus even entered the manga and anime media. Chiaki J. Konaka is an acknowledged Lovecraft disciple and has participated in Cthulhu Mythos, expanding several Japanese versions.caside being writer, he is an anime scriptwriter who tends to add horror elements and is credited for spreading the popularity of Lovecraft among anime base. Manga artist Junji Ito is also inspired by Lovecraft.

Although Lovecraft’s readership was limited during his lifetime, his reputation has grown over the decades, and he is now regarded as one of the most influential horror writers of the 20th century. According to Joyce Carol Oates, an award-winning author, Lovecraft—as with Edgar Allan Poe in the 19th century—has exerted “an incalculable influence on succeeding generations of writers of horror fiction”. Science fiction and fantasy authorStephen King called Lovecraft “the twentieth century’s greatest practitioner of the classic horror tale. King has made it clear in his semi-autobiographical non-fiction bookDanse Macabre that Lovecraft was responsible for King’s own fascination with horror and the macabre, and was the single largest figure to influence his fiction writing. Sadly though in 1936, Lovecraft was diagnosed with cancer of the small intestine, and as a result he suffered from malnutrition. He lived in constant pain until his death on March 15, 1937, in Providence. However Lovecraft’s legacy lives on and his stories have been adapted into plays, films and games, such as Call of Cthulhu: Dark Corners of the Earth and id Software’s Quake.

Phil Lynnott

ThinlizzyPhilip Lynott, Irish singer-songwrite and guitarist with the band Thin Lizzy was born 20 August 1949.Thin Lizzy were formed in Dublin in 1969. Two of the founding members, drummer Brian Downey and bass guitarist/vocalist Phil Lynott, met while still in school. Lynott assumed the role of frontman and led them throughout their recording career of twelve studio albums. Thin Lizzy are best known for their songs “Whiskey in the Jar”, “Jailbreak” and “The Boys Are Back in Town”, all major international hits still played regularly on hard rock andclassic rock radio stations.

Growing up in Dublin in the 1960s, Lynott fronted several bands as a lead vocalist, most notably Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band found strong commercial success in the mid-1970s with hits such as “The Boys Are Back in Town”, “Jailbreak” and “Waiting for an Alibi”, and became a popular live attraction due to the combination of Lynott’s vocal and songwriting skills and the use of dual lead guitars. Towards the end of the 1970s, Lynott also embarked upon a solo career and published two books of poetry.

Lynott, Thin Lizzy’s de facto leader, was composer or co-composer of almost all of the band’s songs, and the first black Irishman to achieve commercial success in the field of hard rock music. Thin Lizzy boasted some of the most critically acclaimed guitarists throughout their history, with Downey and Lynott as the rhythm section, on the drums and bass guitar. As well as being multiracial, the band drew their members not only from both sides of the Irish border but also from both the Catholic and Protestant communities during The Troubles. Their music reflects a wide range of influences, including blues, soul music, psychedelic rock, and traditional Irish folk music, but is generally classified as hard rock or sometimes heavy metal. Rolling Stone magazine describes the band as distinctly hard rock, “far apart from the braying mid-70s metal pack”. Allmusic critic John Dougan has written that “As the band’s creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced byBob Dylan, Van Morrison, Bruce Springsteen, and virtually all of the Irish literary tradition.” Van Morrison, Jeff Beck and Jimi Hendrix were major influences during the early days of the band, and later influences included the pioneering twin lead guitars found in Wishbone Ash and American artists Little Feat andBob Seger.

After Thin Lizzy disbanded, Phil Lynott assembled and fronted the band Grand Slam with Gary Moore and subsequently had major UK success with Moore with the song “Out in the Fields”, followed by a minor hit “Nineteen”, he was the leader before it folded in 1985. Unfortunately Lynott sadly died on 4 January 1986, but remains a popular figure in the rock world, and in 2005, a statue was erected in his memory. in 2012, Gorham and Downey also decided against recording new material as Thin Lizzy so a new band, Black Star Riders, was formed to tour and produce new releases such as the All Hell Breaks Loose album, although Thin Lizzy plan to reunite for occasional concerts.

Isaac Hayes

IsaachayesAmerican songwriter, musician, singer, actor, and voice actor Isaac Lee Hayes, Jr was born August 20, 1942,Hayes began his recording career in the early 1960s, as a session player for various acts of the Memphis-based Stax Records. He later wrote a string of hit songs with songwriting partner David Porter, including “You Don’t Know Like I Know”, “Soul Man”, “When Something Is Wrong with My Baby”, and “Hold On I’m Comin” for Sam & Dave. Hayes, Porter and Stax studio band Booker T. & the M.G.’s were also the producers for Sam & Dave, Carla Thomas and other Stax artists during the mid-1960s. Hayes-Porter contributed to the Stax sound made famous during this period, and Sam & Dave credited Hayes for helping develop both their sound and style. In 1968, Hayes released his debut album, Presenting Isaac Hayes, a jazzy, largely improvised effort that was commercially unsuccessful. His next album was Hot Buttered Soul, which was released in 1969 after Stax had gone through a major upheaval. The label had lost its largest star, Otis Redding, in a plane crash in December 1967. Stax lost all of its back catalog to Atlantic Records in May 1968. As a result, Stax executive vice president Al Bell called for 27 new albums to be completed in mid-1969; Hot Buttered Soul, was the most successful of these releases.This album is noted for Hayes’s image (shaved head, gold jewelry, sunglasses, etc.) and his distinct sound (extended orchestral songs relying heavily on organs, horns, and guitars, deep bass vocals, etc.). Also on the album, Hayes re-interprets “Walk On By” (which had been made famous by Dionne Warwick) into a 12-minute exploration. “By the Time I Get to Phoenix” starts with an eight-minute-long monologue before breaking into song, and the lone original number, the funky “Hyperbolicsyllabicsesquedalymistic” runs nearly ten minutes, a significant break from the standard three-minute soul/pop songs.”Walk On By” would be the first of many times Hayes would take a Burt Bacharach standard, generally made famous as three-minute pop songs by Dionne Warwick or Dusty Springfield, and transform it into a soulful, lengthy and almost gospel number.

THE BEST OF ISAAC HAYES http://m.youtube.com/watch?v=dGH8xtsG9ss

In 1970, Hayes released two albums, The Isaac Hayes Movement and To Be Continued. The former stuck to the four-song template of his previous album. Jerry Butler’s “I Stand Accused” begins with a trademark spoken word monologue, and Bacharach’s “I Just Don’t Know What to Do with Myself” is re-worked. The latter spawned the classic “The Look Of Love”, another Bacharach song transformed into an 11-minute epic of lush orchestral rhythm (mid-way it breaks into a rhythm guitar jam for a couple of minutes before suddenly resuming the slow love song). An edited three-minute version was issued as a single. The album also featured the instrumental “Ike’s Mood,” which segued into his own version of “You’ve Lost That Loving Feeling”. Hayes released a Christmas single, “The Mistletoe and Me” (with “Winter Snow” as a B-side).In early 1971, Hayes composed music for the soundtrack of the blaxploitation film Shaft. (in the movie, he also appeared in a cameo role as the bartender of No Name Bar). The title theme, with its wah-wah guitar and multi-layered symphonic arrangement, would become a worldwide hit single, and spent two weeks at number one in the Billboard Hot 100 in November. The remainder of the album was mostly instrumentals covering big beat jazz, bluesy funk, and hard Stax-styled soul. The other two vocal songs, the social commentary “Soulville” and the 19-minute jam “Do Your Thing,” would be edited down to hit singles.

Hayes won an Academy Award for Best Original Song for the “Theme from Shaft”, and was nominated for Best Original Dramatic Score for the film’s score.Later in the year, Hayes released a double album, Black Moses, that expanded on his earlier sounds and featured The Jackson 5’s song “Never Can Say Goodbye”. Another single, “I Can’t Help It”, was not featured on the album.In 1972, Hayes would record the theme tune for the TV series The Men and enjoy a hit single (with “Type Thang” as a B-side).He released several other non-album singles during the year, such as “Feel Like Making Love”, “If Loving You Is Wrong (I Don’t Want To Be Right)”, and “Rolling Down a Mountainside”. Atlantic would re-release Hayes’s debut album this year with the new title In The Beginning. Hayes was back in 1973 with an acclaimed live double album, Live At Sahara Tahoe, and followed it up with the album Joy, with the eerie beat of the 15-minute title track. He moved away from cover songs with this album. An edited “Joy” would be a hit single.In 1974, Hayes was featured in the blaxploitation films Three Tough Guys and Truck Turner, and he recorded soundtracks for both.Tough Guys was almost devoid of vocals and Truck Turner yielded a single with the title theme. The soundtrack score was eventually used by filmmaker Quentin Tarantino in the Kill Bill film series and has been used for over 30 years as the opening score of Brazilian radio show Jornal de Esportes on the Jovem Pan station.Unlike most African-American musicians of the period, Hayes did not sport an Afro and instead chose to shave his head bald.

Hayes was one of the creative influences behind the southern soul music label Stax Records, where he served both as an in-house songwriter and as a record producer, teaming with his partner David Porter during the mid-1960s. Hayes, Porter, Bill Withers, the Sherman Brothers, Steve Cropper, and John Fogerty were inducted into the Songwriters Hall of Fame in 2005 in recognition of writing scores of notable songs for themselves, the duo Sam & Dave,Carla Thomas, and others.The hit song “Soul Man”, written by Hayes and Porter and first performed by Sam & Dave, has been recognized as one of the most influential songs of the past 50 years by the Grammy Hall of Fame. It was also honored by The Rock and Roll Hall of Fame, byRolling Stone magazine, and by the RIAA as one of the Songs of the Century.During the late 1960s, Hayes also began recording music and he had several successful soul albums such as Hot Buttered Soul (1969) and Black Moses (1971).

In addition to his work in popular music, he worked as a composer of musical scores formotion pictures.He is well known for his musical score for the film Shaft (1971). For the “Theme from Shaft”, he was awarded the Academy Award for Best Original Song in 1972. He became the third African-American, after Sidney Poitier and Hattie McDaniel, to win anAcademy Award in any competitive field covered by Academy of Motion Picture Arts and Sciences. He also won two Grammy Awards for that same year. Later, he was given his third Grammy for his music album Black Moses.In 1992, in recognition of humanitarian work there, he was crowned the honorary king of the Ada, Ghana region. He also acted in motion pictures and television, such as in the movies Truck Turner and I’m Gonna Git You Sucka, and as Gandolf “Gandy” Fitch in the TV series The Rockford Files (1974–1980). From 1997 to 2005, he lent his distinctive, deep voice to the character “Chef” on the animated TV series South Park., but parted ways with the show after Matt Stone andTrey Parker lampooned Scientology ( Hayes being a devout Scientologist at this point)

Hayes influences included Percy Mayfield, Big Joe Turner, James Brown, Jerry Butler, Sam Cooke, Fats Domino, Marvin Gaye, Otis Redding, and psychedelic soul groups like The Chambers Brothers and Sly and the Family Stone. Allmusic.com says that Isaac Hayes is responsible for the evolution of disco and rap. On August 5, 2003, Hayes was honored as a BMI Icon at the 2003 BMI Urban Awards for his enduring influence on generations of music makers.Throughout his songwriting career, Hayes received five BMI R&B Awards, two BMI Pop Awards, two BMI Urban Awards and six Million-Air citations. Sadly though He sadly passed away 10 August 2008, however, his songs generated more than 12 million performances and still remain popular.

Ralf Hutter (Kraftwerk)

KraftwerkRalf Hütter, One of the founder members of Innovative Pioneering German Electronic Group Kraftwerk was born on 20th August in 1946. Kraftwerk , (meaning power plant or power station) are an influential electronic music band from Düsseldorf, Germany. The group was formed by Ralf Hütter and Florian Schneider in 1970, and was fronted by them until Schneider’s departure in 2008. The signature Kraftwerk sound combines driving, repetitive rhythms with catchy melodies, mainly following a Western Classical style of harmony, with a minimalistic and strictly electronic instrumentation. The group’s simplified lyrics are at times sung through a vocoder or generated by computer-speech software and they are considered pioneers in the field of electronic music/synthpop and were one of the first groups to popularize electronic music during the 70′s when their distinctive sound was considered revolutionary.

Kraftwerk’s inspirations continue to be contemporary. They are always revisiting previous songs and revamping and overhauling them in order to keep them sounding fresh. Today Kraftwerk remain as popular as ever and their influence has had a long lasting effect across many genres of modern music and has paved the way for many of todays electro/Techno bands and their influence can often stll be heard in much of today’s music and songs like The Robots, Autobahn, Tour De France, Trans Europe Express and Computer Love still remain popular today. Hütter also revealed recently that they they have almost finished new material and will be releasing a new album “soon” Which will be their 11th studio album and their first without Florian Schneider, who left the group some years ago.

Dave Brock (Hawkwind)

Hawkwind1Dave Brock, musician with Hawkwind was born 20 August 1941. Hawkwind are one of the earliest space rock groups and are known for playing “space-rock”, a hybrid of hard-rock and acid-rock that united the sonic power of the former and the free improvisation of the latter. Formed in November 1969, Hawkwind have gone through many changes and styles of music. Dozens of musicians, dancers and writers have worked with the group since their inception. The 1970 debut album was entltled Hawkwind. Although it was not a commercial success, it did bring them to the attention of the UK underground scene finding them playing free concerts, benefit gigs, and festivals. Playing free outside the Bath Festival, they encountered another Ladbroke Grove based band, the Pink Fairies, who shared similar interests in music and recreational activities; a friendship developed which led to the two bands becoming running partners and performing as “Pinkwind”. Their use of drugs, however, led to the departure of Harrison, who did not imbibe, to be replaced briefly by Thomas Crimble (about July ’70 – March ’71). Crimble played on a few BBC sessions before leaving to help organise the Glastonbury Free Festival 1971; Lloyd-Langton also quit, after a bad LSD trip at the Isle of Wight Festival led to a nervous breakdown.

Hawkwind2Their follow up album, 1971’s X In Search of Space, brought greater commercial success, reaching number 18 on the UK album charts, and also saw the band’s image and philosophy take shape, courtesy of graphic artist Barney Bubbles and underground press writerRobert Calvert, as depicted in the accompanying Hawklog booklet which would further be developed into the Space Ritual stage show. Science fiction author Michael Moorcock and dancer Stacia also started contributing to the band. Dik Mik left the band, replaced by sound engineer Del Dettmar, but chose to return for this album giving the band two electronics players. Bass player Dave Anderson, who had been in the German band Amon Düül II, had also joined and played on the album but departed before its release because of personal tensions with some other members of the band.Anderson and Lloyd-Langton then formed the short-lived band Amon Din. Meanwhile, Ollis quit, however. The addition of bassist Ian “Lemmy” Kilmister and drummer Simon King propelled the band to greater heights.

Electric_Tepee_-_HawkwindOne of the early gigs this band played was a benefit for the Greasy Truckers at The Roundhouse on 13 February 1972. A live album of the concert Greasy Truckers Party was released, and after re-recording the vocal, a single “Silver Machine” was also released, reaching number 3 in the UK charts. This generated sufficient funds for the subsequent album Doremi Fasol Latido Space Ritual tour. The show featured dancers Stacia and Miss Renee, mime artist Tony Carrera and a light show by Liquid Len and was recorded on the elaborate package Space Ritual. At the height of their success in 1973, the band released the single “Urban Guerrilla” which coincided with an IRA bombing campaign in London, so the BBC refused to play it and the band’s management reluctantly decided to withdraw it fearing accusations of opportunism, despite the disc having already climbed to number 39 in the UK chart. Dik Mik and Calvert departed during 1973. so Simon House was recruited as keyboardist and violinist playing live shows, a North America tour and recording the 1974 album Hall of the Mountain Grill. Dettmar also left whilst Alan Powell deputised for King on the European tour, and later joined King. In 1975, the band recorded the album Warrior on the Edge of Time in collaboration with Michael Moorcock.

Sonic_Attack_-_HawkwindThen during a North America tour in May, Lemmy was caught in possession of amphetamine crossing the border from the USA into Canada. The border police mistook the powder for cocaine and he was jailed, forcing the band to cancel some shows. Fed up with his erratic behaviour, the band fired the bass player. replacing him with their long-standing friend and former Pink Fairies guitarist Paul Rudolph. Lemmy then teamed up with another Pink Fairies guitarist, Larry Wallis, to form Motörhead, named after the last song he had written for Hawkwind. Robert Calvert made a guest appearance with band for their headline set at the Reading Festival in August 1975, after which he chose to rejoin the band as a full-time vocalist and front man. Amazing Music is the first album of this era and highlights both Calvert’s well-crafted lyrics written with stage performance in mind and a greater proficiency and scope in the music. But on the eve of recording the follow-up Back on the Streets single, Turner was sacked for his erratic live playing and Powell was deemed surplus to requirements. After a tour to promote the single and during rehearsals for the next album, Rudolph was also sacked for allegedly trying to steer the band into a musical direction at odds with Calvert and Brock’s vision.

Space_Ritual_Sundown_V._2_-_HawkwindAdrian “Ade” Shaw, who as bass player for Magic Muscle had supported Hawkwind on the Space Ritual tour, came in for the 1977 album Quark, Strangeness and Charm. The band continued to enjoy moderate commercial success, but Calvert’s mental illness often caused problems. A manic phase saw the band abandon a European tour in France, while a depression phase during a 1978 North American tour convinced Brock to disband the group. In between these two tours, the band had recorded the album PXR5 in January 1978, but its release was delayed until 1979.On 23 December 1977 in Barnstaple, Brock and Calvert had performed a one-off gig with Devon band Ark as the Sonic Assassins, and looking for a new project in 1978, bassist Harvey Bainbridge and drummer Martin Griffin were recruited from this event. Steve Swindells was recruited as keyboard player. The band was named Hawklords, and recording took place on a farm in Devon using a mobile studio, resulting in the album 25 Years On. King had originally been the drummer for the project but quit during recording sessions to return to London, while House, who had temporarily left the band to join a David Bowie tour, elected to remain with Bowie full-time, but nevertheless contributed violin to these sessions. At the end of the band’s UK tour, Calvert, wanting King back in the band, fired Griffin, then promptly resigned himself, choosing to pursue a career in literature.Swindells left to record a solo album

In late 1979, Hawkwind reformed with Brock, Bainbridge and King being joined by Huw Lloyd-Langton (who had played on the debut album) and Tim Blake (formerly of Gong), embarking upon a UK tour resulting in the Live Seventy Nine album, quickly followed by the studio album Levitation. However, during the recording of Levitation King quit and Ginger Baker was drafted in for the sessions, but he chose to stay with the band for the tour, and Brock and Bainbridge elected to handle synthesizers and sequencers themselves, with drummer Griffin from the Hawklords rejoining. This band headlined the 1981 Glastonbury Festival and made an appearance at the 1982 Donington Monsters of Rock Festival, as well as continuing to play the summer solstice at Stonehenge Free Festival.In the early 1980s Nik Turner had returned as a guest for the 1982 Choose Your Masques tour and was invited back permanently. . The Earth Ritual tour was filmed for Hawkwind’s first ever video release, Night of the Hawk. Then a young fan named Alan Davey sent a tape of his playing to Brock and Brock chose to oust Reeves moving Bainbridge from bass to keyboards in order to accommodate Davey. This experimental line-up played at the Stonehenge Free Festival in 1984, which was filmed and release as Stonehenge 84. Subsequent personal and professional tensions between Brock and Turner led to the latter’s expulsion at the beginning of 1985. Clive Deamer, who was deemed “too professional” for the band, was eventually replaced in 1985 by Danny Thompson Jr, a friend of bassist Alan Davey, and remained almost to the end of the decade.

Hawkwind’s most ambitious project, The Chronicle of the Black Sword, was based loosely around the Elric series of books . Moorcock contributed lyrics, but only performed some spoken pieces on some live dates. The tour was recorded and issued as an album Live Chronicles and video The Chronicle of the Black Sword. A headline appearance at the 1986 Reading Festival was followed by a UK tour to promote the Live Chronicles album which was filmed and released as Chaos. In 1988 the band recorded the album The Xenon Codex , but soon after, both Lloyd-Langton and Thompson departed. Drummer Richard Chadwick, who joined in the summer of ’88, was initially invited simply to play with the band, but eventually replaced stand in drummer Mick Kirton to become the band’s drummer to the present day. violinist Simon House was re-instated into the lineup in 1989 and, Hawkwind embarked on their first US visit in 11 years The successfully received full American tour was the first of several over the coming years, in an effort by the band to reintroduce themselves to the American market. Bridget Wishart also joined to become the band’s one and only frontwoman. This band produced two albums, 1990s Space Bandits and 1991’s Palace Springs and also filmed a 1-hour appearance for the Bedrock TVseries.1990 saw Hawkwind tour the USA again, ultimately bringing Hawkwind back into recognition across the Atlantic. bassist Davey left, forming his own Middle-Eastern flavoured hard-rock group Bedouin and a Motörhead tribute act named Ace of Spades. And His bass playing role was reluctantly picked up by singer Tree and the band were joined full-time by lead guitarist Jerry Richards for the albums Distant Horizons and In Your Area. Rasta chanter Captain Rizz also joined the band for guest spots during live shows.”Hawkestra”—

A reunion event featuring appearances from past and present members intended to coincide with the band’s 30th anniversary and the release of the career spanning Epocheclipse – 30 Year Anthology set took place 21 October 2000 at the Brixton Academy with about 20 members taking part in a 3+ hour set which was filmed and recorded. Guests included Samantha Fox who sang “Master of the Universe.” The Hawkestra had set a template for Brock to assemble a core band of Tree, Brock, Richards, Davey, Chadwick and for the use of former members as guests on live shows and studio recordings. The 2000 Christmas Astoria show was recorded with contributions from House, Blake, Rizz, Moorcock, Jez Huggett and Keith Kniveton and released as Yule Ritual the following year. In 2001, Davey agreed to rejoin the band permanently, but only after the departure of Tree and Richards.Meanwhile, Turner organised further Hawkestra gigs resulting in the formation of xhawkwind.com, a band consisting mainly of ex-Hawkwind members and playing old Hawkwind songs. An appearance at Guilfest in 2002 led to confusion as to whether this actually was Hawkwind, sufficiently irking Brock into taking legal action to prohibit Turner from trading under the name Hawkwind. Turner lost the case and the band now performs as Space Ritual.

In 2005 the long anticipated new album Take Me to Your Leader was released. Recorded by the core band of Brock/Davey/Chadwick, contributors included new keyboardist Jason Stuart, Arthur Brown, tabloid writer and TV personality Matthew Wright, 1970s New Wave singer Lene Lovich, Simon House and Jez Huggett. This was followed in 2006 by the CD/DVD Take Me to Your Future. Alan Davey left in 2007 And was replaced by Roadie Mr Dibs”, a long-standing member of the road crew. The band performed at their annual Hawkfest festival and headlined the US festival Nearfest and played gigs in PA and NY. At the end of 2007, Tim Blake once again joined the band filling the lead role playing keyboards and theremin. The band played 5 Christmas dates, the London show being released as an audio CD and video DVD under the title Knights of Space. Sadly On 8 September 2008 keyboard player Jason Stuart died due to a brain haemorrhage. In October 2008, Niall Hone joined Hawkwind for their Winter 2008 tour playing guitar, along with returning synth/theremin player Tim Blake. During this period, Hone also occasionally played bass guitar alongside Mr Dibs and used laptops for live electronic improvisation.In 2009, the band began occasionally featuring Jon Sevink, from The Levellers as guest violinist at some shows. Later that year, Hawkwind embarked on a winter tour to celebrate the band’s 40th anniversary, including two gigs on 28 and 29 August marking the anniversary of their first live performances.

In 2010, Hawkwind held their annual Hawkfest at the site of the original Isle Of Wight Festival, marking the 40th anniversary of their appearance there. On 21 June 2010, Hawkwind released a studio album entitled Blood of the Earth. Since early 2011 Hone has primarily played bass onstage, while Mr. Dibs has moved to a more traditional lead singer role, supplemented with occasional cello work. April 2012 saw the release of a new album, Onward, on the Plastichead’s Eastworld Records imprint. Keyboardist Dead Fred rejoined Hawkwind for the 2012 tour in support of Onward and has continued to perform with the band on subsequent tours.In November 2012, a power trio subset (Brock, Chadwick and Hone) of the current touring line-up released an album under the name “Hawkwind Light Orchestra,” titled Stellar Variations, on the Esoteric Recordings sub-label of Cherry Red Records.At the end of March 2013, Hawkwind held a two-day festival, “Hawkeaster”, at Seaton Town Hall in Devon. The band chose the Town Hall in an effort to save the venue from closure. Hawkeaster 2013 included the first two Hawkwind performances of The Warrior 2013 Tour, in which the band perform their 1975 album Warrior On The Edge Of Time in its entirety to celebrate the album’s 40th anniversary re-release.

Robert Plant (Led Zeppelin)

LedzepFormer Vocalist with Rock band Led Zeppelin and successful solo artist Robert Plant, was born 20th August 1948. Led Zeppelin are widely considered to be one of the most successful, innovative and influential rock groups in the history of music and were formed in 1968 after former Yardbirds Guitarist Jimmy Page recruited vocalist Robert Plant, drummer John Bonham, and John Paul Jones. The name Led Zeppelin stemmed from an old joke by Keith Moon and John Entwistle, of “The Who”, and Page stuck with that name to use for his new band. The name was subsequently changed to “Led Zeppelin”, to avoid a mispronunciation of “Leed Zeppelin.”Jimmy Page had a very specific idea in mind as to what he wanted Led Zeppelin to be, and wanted to add acoustic textures. Zeppelin’s sound became a marriage of blues, hard rock and acoustic music topped with heavy choruses – a combination that had never been done back in the 1960′s. Led Zeppelin’s sound has since become a prototype for countless rock bands ever since, and was one of the major driving forces behind the rock sound of the 1970′s.

ledZepCelebDay0Led Zeppelin released relatively few singles, preferring their albums to be viewed as indivisible, whole listening experiences, helping to promote the concept of album-orientated rock. Their first two albums, with their heavy, guitar-driven blues rock sound, led to Led Zeppelin being regularly cited as one of the progenitors of heavy metal and hard rock, even though the band’s individualistic style drew from varied sources and transcends any single music genre. Their next two albums incorporated wider musical influences, particularly from folk music; the tracks “Stairway to Heaven“, and “Kashmir” are among the most popular and influential works in rock music, and cemented the status of the group as “superstars”.Led Zeppelin broke up in 1980 following the death of drummer John Bonham, and Page refused to touch a guitar out of sadness for the loss of his friend Bonham, After the break up , Plant briefly considered teaching, but nevertheless embarked on a successful solo career beginning with Pictures at Eleven in 1982, followed by 1983′s The Principle of Moments. Popular tracks from this period include “Big Log” (a Top 20 hit in 1983), “In the Mood” (1983), “Little by Little” (from 1985′s Shaken ‘n’ Stirred), “Far Post” “Tall Cool One” and “I Believe”, another song written for and dedicated to his late son, Karac. In 1984, Plant formed a short-lived all-star group with Jimmy Page and Jeff Beck called The Honeydrippers, who had a No. 3 hit with a remake of the Phil Phillips’ tune, “Sea of Love” and a followup hit with a cover of Roy Brown’s “Rockin’ at Midnight”.

Although Plant avoided performing Led Zeppelin songs through much of this period (he occasionally would improvise his unique Zeppelin screams into his set), his tours in 1983 (with drummer Phil Collins) and 1985 were very successful, often performing to sold-out arena-sized venues. Plant and Page occasionally collaborated on various projects, including The Honeydrippers: Volume One album in 1984. In the spring 2 years later Robert performed at the Birmingham Heart Beat Charity Concert 1986. The pair again worked together in the studio on the 1988 Page solo effort, Outrider, and in the same year Page contributed to Plant’s album Now and Zen. Also, on 15 May 1988 Plant appeared with Page as a member of Led Zeppelin (and in his own right as a solo artist) at the Atlantic Records 40th Anniversary concert. Plant released the solo album Mighty Rearranger, and In 2007, Plant released Raising Sand, an album produced by T-Bone Burnett with American bluegrass soprano Alison Krauss, which won the 2009 Grammy Award for Album of the Year at the 51st Grammy Awards. Page also released “Band of Joy” in 2010 featuring the song “Little Angel Dance” and Plant’s latest album “Lullaby and the Ceaseless Roar” was released in 2014.

Throughout their career, Led Zeppelin also collected many honours and awards. They were inducted into the Rock and Roll Hall of Fame in 1995, and the UK Music Hall of Fame in 2006. Among the band’s awards are an American Music Award in 2005, and the Polar Music Prize in 2006. Led Zeppelin were the recipient of a Grammy Lifetime Achievement Award in 2005, and four of their recordings have been inducted into the Grammy Hall of Fame. They have been awarded five Diamond albums, as well as fourteen Multi-Platinum albums, four Platinum albums and one Gold album in the United States, while in the UK they have five Multi-Platinum albums, six Platinum albums, one Gold album and four Silver albums.With a career spanning more than 40 years, Plant is regarded as one of the most significant singers in the history of rock music, and has influenced contemporaries and later singers such as Freddie Mercury and Axl Rose. In 2006, heavy metal magazine Hit Parader named Plant the “Greatest Metal Vocalist of All Time”. In 2009, Plant was voted “the greatest voice in rock” in a poll conducted by Planet Rock. In 2011, Plant was also first place of the Rolling Stone magazine’s “Best Lead Singers of All Time”, and was also honoured as a Commander of the Order of the British Empire (CBE) for his services to popular music in 2009. The band are ranked number one on VH1′s 100 Greatest Artists of Hard Rock and Classic Rock’s “50 Best Live Acts of All Time”. They were awarded an Ivor Novello Award for “Outstanding Contribution to British Music” in 1977, as well as a “Lifetime Achievement Award” at the 42nd Annual Ivor Novello awards ceremony in 1997. The band were honoured with the “Best Live Act” prize for their one-off reunion at MOJO Awards 2008, where they were described as the “greatest rock and roll band of all time”.

Ian Fillan (Deep Purple)

DP-LOGOEnglish rock vocalist and songwriter Ian Gillan was born 19 August 1945 . He originally found commercial success as the lead singer and lyricist for Deep Purple.Initially influenced by Elvis Presley, Gillan fronted several groups in the mid sixties, most notably Episode Six, but first found widespread commercial success after joining Deep Purple in 1969. After an almost non-stop workload, during which time he recorded six albums in four years, and problematic relationships with other band members, particularly guitarist Ritchie Blackmore, Gillan resigned from the band in June 1973, having given a lengthy notice period to their managers.After a short time away from the music business, he resumed his music career with solo bands the Ian Gillan Band and Gillan, before a year-long stint as the vocalist for Black Sabbath. He rejoined a reformed Deep Purple in 1984, but was fired in 1989. He rejoined the band for a second time in 1992 for their twenty-fifth anniversary, and following the recruitment of guitarist Steve Morse in 1994, has helped transform the group into a regular touring outfit, which he has fronted ever since.

In addition to his main work—performing with Deep Purple and other bands during the 1970s and 1980s—he sang the role of Jesus in the original recording of Andrew Lloyd Webber’s rock opera Jesus Christ Superstar, performed in the charity supergroup Rock Aid Armenia, and engaged in a number of business investments and ventures, including a hotel, a motorcycle manufacturer, and music recording facilities at Kingsway Studios. More recently, he has performed solo concerts concurrently with his latter career in Deep Purple, and his work and affinity with Armenia, combined with his continued friendship with Tony Iommi since his brief time in Black Sabbath, has led to him to form the supergroupWhoCares with Iommi. His solo career outside of Deep Purple was given a comprehensive overview with the Gillan’s Inn box set in 2006.