End as an Assassin features anti-hero André Warner, who is a Manhunter and assassin for hire.
Warners fortieth contract killing happens to be crime boss Fabrice Tillou. At face value the assassin appears to have gone smoothly. Having now earned buckets of money from being an assassin, he retires at only age 38, however Tillou’s mistress Gina happens to have witnessed the killing
Six months later, bored in retirement, André heads south from his Geneva home to his yacht in Monaco. But he thinks a car and a motorbike are tracking him. This soon escalates into attacks and André decides to draw the attackers out by returning to Geneva. However the first people to turn up on his doorstep are the police and they appear to have linked him to his last contract killing. A few days later this is followed by a phone call from Bonhomme, the man who paid André to carry out that killing. Shortly afterwards Gina arrives in Geneva. André discovers from Bonhomme that Tillou’s father knows he was the killer and wants revenge.
Lex Lander I Kill
In the next Lex Lander novel contract killer André Warner is Racked by guilt over his accidental killing of a young Italian girl, and has effectively retired himself from his ‘profession’ and taken to drink and other palliatives, while sinking slowly into a mire of depression. However A contract in Tangier to assassinate an Arab drug trafficker lures him out of retirement and self-pity.
Soon after his arrival he encounters attractive American widow, Clair Power, and her precocious sixteen year-old daughter, Lizzy, who bears such a striking resemblance to the girl Warner killed that his waning anguish is instantly rekindled. He attempts to assuage it by embarking on a fling with Clair which brings him into conflict with a mysterious Dutchman named Rik de Bruin, who also appears to have designs on her.
The contract on the drug merchant is cancelled with no explanation given, but Warner, now seriously involved with Clair, is more relieved than disappointed. Their budding romance is not destined to blossom however. Clair disappears and Warner is landed with the role of de facto guardian to Lizzy. Unfortunately In tracking down Clair, Warner crosses a line that brings him into conflict with the local police and he is deported from Tangier with a distraught Lizzy in tow. Back at his Andorra villa she slowly recovers from her mother’s disappearance and launches an assault on Warner’s good intentions. Her increasingly provocative behavior disturbs yet excites him, and when Rik de Bruin pitches up in Andorra and begins to take an interest in Lizzy too, Warner gets possessive the only way he knows.
The Bridgnorth Music and Arts Festival followed on from Bridgnorth Folk Festival which ran a free event in the High Street on the Sunday of August bank holiday weekend. This became incredibly popular and went from strenght to strength until 2006 they needed a much larger venue, so moved to Shrewsbury, leaving a void. So The Bridgnorth Music and Arts Festival was created to replace the event over the August Bank Holiday.
The festival features a series of events including a Rock Festival at the Edgar Davies Rugby Ground, a Short Film Festival at the Majestic Cinema, a concert in the High Street on the Sunday, live music performed on the Quayside on Bank Holiday Monday plus another Music event in the Castle grounds. During the week there is also an Art Exhibition in St Leonard’s Church and loads of other events and performances happening at various venues and Pubs all around the area.
11:00 – Bridgnorth and District Arts Society Annual Exhibition @
St Leonard’s Church
12:00 – 18:00 – Quads N Castles Childrens’ fun
@ Bridgnorth High Street
12:00 – 18:00 – Food Fair, Handmade Market Market
@ Bridgnorth High Street
12:00 – 18:00 HIGH STREET STAGE
12:00 – HIGH STREET BATTLE OF THE BANDS WINNER
13:00 – The Tramways
14:00 – annie & the make believe
15:00 – Booyaka
16:00 – Cadence Noir
17:00 – The White Feather Collective
12:00 – Maltfest Cider Festival & Electric Day @ The Malt Shovel Highley
13:00 – Claire Boswell @ The Bassa Villa Bridgnorth
14:00 – Cooper & Davies & Friends @ The Friars
15:00 – Butterfly Stone @ The Bassa Villa
16:00 – 21:00 Acoustic Stage in the Beer Garden – The Bear
17:00 – Music Festival, Live Bands & Acoustic Sets @ The Crown Bridgnorth
17:00 – Dave Busby at BamBoo Wine Bar
18:00 – Electric Garden Paty @ The Bassa Villa
18:00 – Karaoke @ The Vine Bridgnorth
18:30 – Drought on Mars @ The Old Castle
20:00 – Dan Sutton @ The Friars (Acoustic)
20:00 – Aaron Alvey at Bamboo Wine Bar
21:00 – The Rainbreakers @ The Old Castle
21:00 – Cooper and Davies at The George
21:00 – DJ Lil Bo Selecta @ The Bassa Villa
21:00 – Maddie Stimpson & Andy Wood @ The Black Boy
22:00 – DJ Gaffas Bank Holiday Session @ The Crown
Quayside Stage Bank holiday Monday 29th August.
12:00 – 1.00 – Drum workshop with Ronnie Prudence
1:00 – 1:30 – Battle of the Bands Quayside winner
1:40 – 2:15 – Jack In The Box
2:25 – 3.15 – Andy Richards Band
3:30 – 4:30 – Vala
4:45 – 5:45 – Michaela Wylde with her band
6:15 – 10:30 – Outdoor Cinema screenings in partnership with the Majestic Cinema.
Grease – the sing along version
Star Wars: The Force Awakens
English musician, singer and songwriter and Lead singer of Indie rock band Florence+The Machine, Florence Leontine Mary Welch was born 28 August 1986. She rose to fame as the lead singer of Florence + the Machine, an English indie rock band. The band’s debut album, Lungs, was released in 2009; on January 17, 2010, the album reached the top position, after being on the chart for 28 consecutive weeks. The group’s second studio album, Ceremonials, released in October 2011, debuted at number one in the UK and number six in the United States.
According to Welch, the “Florence + the Machine” as a band name “started off as a private joke that got out of hand. I made music with my friend, who we called Isabella Machine to which I was Florence Robot. When I was about an hour away from my first gig, I still didn’t have a name, so I thought ‘Okay, I’ll be Florence Robot/Isa Machine’, before realising that name was so long it’d drive me mad.” In 2006 Welch’s performances with Summers in small London venues under the joint name Florence Robot/Isa Machine began to attract notice. in 2007 Welch recorded with a band named Ashok, who released an album titled Plans on the Filthy Lucre/About Records label. This album included the earliest version of her later hit “Kiss with a Fist”, which at this point was titled “Happy Slap” She signed a contract for Ashok with a manager, but feeling that she was “in the wrong band” she resigned, which cancelled the contract Florence and the Machine is managed by Mairead Nash (one half of the DJ duo Queens of Noize), who decided to manage the singer when an inebriated Welch followed Nash into the toilets at a club and sang Etta James’ 1962 song “Something’s Got a Hold on Me”.
Florence and the Machine released their debut album Lungs in the United Kingdom on July 6, 2009. The album was officially launched with a set at the Rivoli Ballroom in Brockley, South East London. It peaked at number one in the UK and number two in Ireland. As of August 6, 2009, the album had sold over 100,000 copies in the UK and by 10 August it had been at number two for five consecutive weeks The album was produced by James Ford, Paul Epworth, Steve Mackey and Charlie Hugall .Welch contributed vocals to David Byrne and Fatboy Slim’s 2010 album Here Lies Love, an album about Imelda Marcos As of January 2011, Welch was working with Drake on material slated for his upcoming record.The band’s second album, Ceremonials, was released on October 31, 2011. It debuted at number one on the UK Albums Chart and number six on the US Billboard 200.On 12 January 2012, Florence and the Machine were nominated for two Brit Awards, with theawards ceremony taking place on 21 February 2012 at the O2 Arena, London. On 26 April 2012, the band released “Breath of Life”, a song which was recorded as the official theme song for the film Snow White and the Huntsman. On 5 July 2012, a remix of “Spectrum (Say My Name)” by Scottish musician Calvin Harris was released as the fourth single from Ceremonials, becoming the band’s first UK number-one hit.
In October 2012, she featured on Scottish singer-songwriter and producer Calvin Harris’s song “Sweet Nothing”, which debuted and peaked at number one on the UK singles chart, marking Welch’s second number one. The song was taken from Harris’s third studio album 18 Months and is the fifth single from the album. “Sweet Nothing” also peaked at number one in Ireland and number two inAustralia and New Zealand. “Sweet Nothing” was certified Platinum in Australia. They made love several times during the recording.Florence has been compared to other female singers such as Kate Bush, Siouxsie Sioux, PJ Harvey, and Björk. During an interview, Welch cited Grace Slick as her influence and “hero”. Florence and the Machine’s style has been described as “dark, robust and romantic”. Their music is a mix of “classic soul and midnight-on-the-moors English art rock”. Florence Welch stated that her lyrics related to Renaissance artists : “We’re dealing with all of the same things they did : love and death, time and pain, heaven and hell”. Florence and the Machine’s third album How Big, How Blue, How Beautiful was released in 2014.
Hugh Cornwell lead singer with English Punk rock band the Stranglers was born 28 August. 1949 He startted his musical career in the band Johnny Sox but after reading an advertisement in the Melody Maker magazine. Cornwell joined Jet Black in The Stranglers in 1974.The Stranglers have had some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning four decades, the Stranglers are the longest-surviving and most “continuously successful” band to have originated in the UK punk scene of the mid to late 1970s. Beginning life as the Guildford Stranglers on 11 September 1974 in Guildford, Surrey, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude identified them as one of the instigators of the UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre and the group went on to explore a variety of musical styles, from New Wave,art rock and gothic rock through the sophisticated pop of some of their 1980s output.
They had major mainstream success with their single “Golden Brown”. Their other hits include “No More Heroes”, “Peaches”, “Always the Sun” and “Skin Deep”.The Stranglers’ early sound was driven by Jean-Jacques Burnel’s melodic bass, but also gave prominence to Dave Greenfield’s keyboards at a time when the instrument was seen as unfashionable. Their early music was also characterised by the growling vocals and sometimes misanthropic lyrics of both Jean-Jacques Burnel and Hugh Cornwell. Over time, their output gradually grew more refined and sophisticated. Summing up their contribution to popular music, critic Dave Thompson later wrote: “From bad-mannered yobs to purveyors of supreme pop delicacies, the group was responsible for music that may have been ugly and might have been crude – but it was never, ever boring.”His style is usually simple and jazz-influenced, although “Duchess” and “Down in the Sewer” are examples of Stranglers songs that feature more frantic drumming. In the mid-1980s, Black elected to cease playing acoustic drums in the recording studio and used aSimmons kit triggered by pick-ups, most notably on the Feline and Aural Sculpture albums.
In 1990 Hugh Cornwell decided that the band could go no further artistically. He recorded the album 10 with the band before leaving after sixteen years. After leaving The Stranglers, Cornwell worked with Roger Cook and Andy West as CCW. Their self-titled album was released in 1992, with five tracks co-produced by Neil Davidge. Cornwell has released several solo albums including Wolf (1988) produced by Ian Ritchie, Wired (1993), Guilty (1997), Hi Fi (2000), Footprints in the Desert (2002), Mayday (2002), In the Dock (2003), and Beyond Elysian Fields (2004). Wired, Guilty and Hi Fi were released under different names, and with slightly different track listings, in the United States. Beyond Elysian Fields was initially released by Track Records in the UK, followed by Invisible Hands Music in the rest of the world, with expanded artwork. In 2006 a live album in two forms appeared: People Places Pieces, a triple CD box set, accompanied by a simultaneously released mass-market highlights disc, Dirty Dozen. The 12-track highlights disc, Live It and Breathe It, was released in 2005 in advance of the box set.
In December 2006, Cornwell toured with Blondie in the UK, and in September 2007 with Robert Williams. Three new songs were previewed, “Bangin’ On”, “Please Don’t Put Me On A Slow Boat To Trowbridge” and “Delightful Nightmare”. After this tour, the drum stool was taken over by Chris Bell, with bassist Caroline Campbell completing the current trio. In June 2008, Cornwell followed in the footsteps of Radiohead and Nine Inch Nails by offering his new album Hooverdam as a free download on his website.. The album was accompanied by a film, Blueprint, which depicted the recording process of the album. Cornwell explained that the film was partly motivated by the risible quality of DVDs accompanying contemporary CD releases. Blueprint borrows from Godard’s “Sympathy For The Devil” and Jewison’s The Thomas Crown Affair”.The film had a limited theatre release in June 2008, with Cornwell attending each screening and taking part in a Q&A session at the end of the film. In February and March 2009, with the rhythm section of Campbell and Bell, Cornwell took Hooverdam on a tour of the UK and France. On 26 June 2009 they played at the Glastonbury Festival. In late 2009, Cornwell and his band toured the US and the UK playing Both Hooverdam and Rattus Norvegicus (album) albums. In 2010, Cornwell toured the US with Steve Fishman on bass and vocals and Clem Burke from Blondie on drums. At the Mercury Lounge they were also joined onstage with Tim Wheeler. Hugh Cornwell’s latest album solo “Totem & Taboo was released 10 September 2012.
Popular English poet, writer and broadcaster Sir John Betjeman, CBE was born 28 August 1906. He was a founding member of the Victorian Society and a passionate defender of Victorian architecture. He Started his career as a journalist, and ended it as one of the most popular British Poets Laureates and a much-loved figure on British television. Betjeman’s early schooling was at the local Byron House and Highgate School, where he was taught by the poet T. S. Eliot. After this, he boarded at the Dragon School preparatory school in North Oxford and Marlborough College, a public school in Wiltshire. In his penultimate year, he joined the secret ‘Society of Amici’ in which he was a contemporary of both Louis MacNeice and Graham Shepard. While at school, his exposure to the works of Arthur Machen won him over to High Church Anglicanism, a conversion of importance to his later writing and conception of the arts.Betjeman studied at the newly created School of English Language and Literature at Magdalen College , Oxford University ,where he dedicated most of his time to cultivating his social life, his interest in English ecclesiastical architecture, and to private literary pursuits.He also had a poem published in Isis, the university magazine and was editor of the Cherwell student newspaper during 1927. His first book of poems was privately printed with the help of fellow-student Edward James.
Betjeman left Oxford without a degree but made the acquaintance of people who would influence his work. After university, Betjeman worked briefly as a private secretary, school teacher and film critic for the Evening Standard. He was employed by the Architectural Review between 1930 and 1935, as a full time assistant editor, following their publishing of some of his freelance work. At this time, while his prose style matured, he joined the MARS Group, an organisation of young modernist architects and architectural critics in Britain.The Shell Guides, were developed by Betjeman and Jack Beddington, a friend who was publicity manager with Shell-Mex Ltd. The series aimed to guide Britain’s growing number of motorists around the counties of Britain and their historical sites. They were published by the Architectural Press and financed by Shell. By the start of World War II 13 had been published, of which Cornwall (1934) and Devon (1936) had been written by Betjeman. A third, Shropshire, was written with and designed by his good friend John Piper in 1951.
Upon the outbreak of World War II In 1939, Betjeman was rejected for active service but found work with the films division of the Ministry of Information. During his time he wrote a number of poems based on his experiences in “Emergency” World War II Ireland including “The Irish Unionist’s Farewell to Greta Hellstrom in 1922″ (actually written during the war) which contained the refrain “Dungarvan in the rain”. “After the war Betjaman published more work and By 1948 he had published more than a dozen books. Five of these were verse collections and The popularity of the book prompted Ken Russell to make a film about him, John Betjeman: A Poet in London which was first shown in England on BBC’s Monitor programme. He continued writing guidebooks and works on architecture during the 1960s and 1970s and started broadcasting. He was also a founder member of The Victorian Society (1958). In 1973 he made a widely acclaimed television documentary for the BBC called Metro-land, directed by Edward Mirzoeff. Betjeman was also fond of the ghost stories of M.R. James and supplied an introduction to Peter Haining’s book M.R. James – Book of the Supernatural.
Betjeman also wrote a great many poems which are often humorous and in broadcasting he exploited his bumbling and fogeyish image. His wryly comic verse is accessible and has attracted a great following for its satirical and observant grace. Betjeman s religious beliefs come through in some of his poems .Betjeman became Poet Laureate in 1972, the first Knight Bachelor ever to be appointed (the only other, Sir William Davenant, had been knighted after his appointment). This role, combined with his popularity as a television performer, ensured that his poetry eventually reached an enormous audience.Betjeman also had a fondness for Victorian architecture and was a founding member of Victorian Society and also wrote on this subject in First and Last Loves (1952) and more extensively in London’s Historic Railway Stations in 1972, defending the beauty of the twelve of London’s railway stations. He led the campaign to save Holy Trinity, Sloane Street in London when it was threatened with demolition in the early 1970s. He fought a spirited but ultimately unsuccessful campaign to save the Propylaeum, known commonly as the Euston Arch, London. He is considered instrumental in helping to save the famous façade of St Pancras railway station, London and was commemorated when it re-opened as an international and domestic terminus in November 2007. He called the plan to demolish St Pancras a “criminal folly”. ” On the re-opening St Pancras in 2007, a statue of Betjeman was commissioned from curators Futurecity. A proposal by artist Martin Jennings was selected from a shortlist. The finished work was erected in the station at platform level, including a series of slate roundels depicting selections of Betjeman’s writings.Betjeman responded to architecture as the visible manifestation of society’s spiritual life as well as its political and economic structure. He attacked speculators and bureaucrats for what he saw as their rapacity and lack of imagination.
Betjeman sadly passed away on 19 May 1984, aged 77 and is buried half a mile away in the churchyard at St Enodoc’s Church. During his life he recieved many honours including the Queen’s Medal for Poetry, CBE (Commander of the Order of the British Empire), Companion of Literature, the Royal Society of Literature, a Knight Bachelor he was also made an Honorary Member, the American Academy of Arts in 1973 and was made poet Laureate in 1972. To commemorate Betjeman A memorial window, designed by John Piper, is set in All Saints’ Church, Farnborough, Berkshire, where Betjeman lived in the adjoining Rectory and there is also The Betjeman Millennium Park at Wantage in Oxfordshire as well as a statue of John Betjeman at St Pancras station by sculptor Martin Jennings which was unveiled in 2007. The John Betjeman Young People’s Poetry Competition was inaugurated in 2006 to celebrate Betjeman’s centenary, this is open to 11–14 year olds living anywhere in the British Isles and the Republic of Ireland and is intended to encourage young people to understand and appreciate the importance of place.
English engineer, businessman,and co-founder of Rolls-Royce Limited Charles Rolls, was born 27 August 1877. He was intorduced to Henry Royce at the Midland Hotel in Manchester on 4 May 1904 . Royce first started an electrical and mechanical business and made his first car, a two-cylinder Royce 10, in his Manchester factory in 1904, and of that year. Rolls was proprietor of an early motor car dealership, C.S.Rolls & Co. in Fulham.In spite of his preference for three or four cylinder cars, Rolls was impressed with the Royce 10, and in a subsequent agreement of 23 December 1904 agreed to take all the cars Royce could make. All would be badged as Rolls-Royces, and be sold exclusively by Rolls.The first Rolls-Royce car, the Rolls-Royce 10 hp, was unveiled at the Paris Salon in December 1904. Rolls-Royce Limited was formed on 15 March 1906, by which time it was apparent that new premises were required for production of cars. After considering sites in Manchester, Coventry, Bradford and Leicester, they moved to Derby. The new factory was largely designed by Royce, and production began in early 1908, with a formal opening on 9 July 1908 by Sir John Montagu. During 1906 Royce had been developing an improved six-cylinder model with more power than the 30hp. Initially designated the 40/50 hp, this was the company’s first all-new model. In March 1908 Claude Johnson, Commercial Managing Director and sometimes described as the hyphen in Rolls-Royce,succeeded in persuading Royce and the other directors that Rolls-Royce should concentrate exclusively on the new model, and all the earlier models were duly discontinued. After the First World War, Rolls-Royce successfully avoided attempts to encourage the British car manufacturers to merge
Faced with falling sales of the 40/50 (later known as Silver Ghost) the company introduced the smaller, cheaper Twenty in 1922, effectively ending the one-model policy followed since 1908.After the introduction of the Phantom model in 1925 this 40/50 model was referred to as the Silver Ghost. The new 40/50 was responsible for the company’s early reputation with over 6,000 built. In 1921, the company opened a second factory in Springfield, Massachusetts in the United States (to help meet demand), where a further 1,701 “Springfield Ghosts” were built. This factory operated for 10 years, closing in 1931. Its chassis was used as a basis for the first British armoured car used in both world wars.In 1931 Rolls-Royce acquired the much smaller rival car maker Bentley after the latter’s finances failed to weather the onset of the Great Depression. From soon after World War II until 2002 standard Bentley and Rolls-Royce cars were often identical apart from the radiator grille and minor details.In 1933, the colour of the Rolls-Royce radiator monogram was changed from red to black because the red sometimes clashed with the coachwork colour selected by clients, and not as a mark of respect for the passing of Royce as is commonly stated.Rolls-Royce and Bentley car production moved to Crewe in 1946 where they began to assemble complete cars with bodies from the Pressed Steel Company (the new standard steel models) for the first time. Previously they had built only the chassis, leaving the bodies to specialist coach-builders.
Rolls-Royce also started to produce diesel engines in 1951. Initially, these were intended for heavy tractors and earth-movers but, later, they were installed in lorries (e.g. Scammell), railcars, diesel multiple units and Sentinel shunting locomotives. Rolls-Royce took over Sentinel’s Shrewsbury factory for diesel engine production in 1956. The Rolls-Royce diesel business was acquired by Perkins in the 1980s. In 1971, Rolls-Royce was crippled by the costs of developing the advanced RB211 jet engine, resulting in the nationalization of the company as Rolls-Royce (1971) Limited. In 1973, the car division was separated from the parent company as Rolls-Royce Motors. Rolls Royce also made Torque converters and railcar engines were often used with Twin Disc torque converters which were built by Rolls-Royce under licence from Twin Disc of the USA. “Twin Disc” is the name of the company (which originally manufactured friction clutches) and does not describe the construction of the torque converter.Sadly in 1971 Financial problems caused largely by development of the new RB211 turbofan engine led – after several cash subsidies – to the company being nationalised by the government. (Delay in production of the RB211 engine has been blamed for the failure of the technically advanced Lockheed TriStar, which was beaten to launch by its chief competitor, the Douglas DC-10.)In 1973 the motor car business was spun off as a separate entity, Rolls-Royce Motors. The main business of aircraft and marine engines remained in public ownership until 1987, when it was privatised as Rolls-Royce plc, one of many privatisations of the Thatcher government.
These days Rolls-Royce Motor Cars Limited still engineers, manufactures and distributes luxury automobiles and automobile parts worldwide. Rolls-Royce Motor Cars Limited is a wholly owned subsidiary of BMW AG established in 1998 after BMW licensed the rights to the Rolls-Royce brand name and logo from Rolls-Royce PLC and acquired the rights to the Spirit of Ecstasy and Rolls-Royce grill shape trademarks from Volkswagen AG. Rolls-Royce Motor Cars Limited operates from purpose built administrative and production facilities opened in 2003 across from the historic Goodwood Circuit in Goodwood, West Sussex, England, United Kingdom. Rolls-Royce Motors Cars Limited is the exclusive manufacturer of Rolls-Royce branded motor cars since 2003.
Although the Rolls-Royce brand has been in use since 1906, the Rolls-Royce Motor Cars subsidiary of BMW AG has no direct relationship to Rolls-Royce branded vehicles produced prior to 2003. The Bentley Motors Limited subsidiary of Volkswagen AG is the direct successor to Rolls-Royce Motors and various other predecessor entities that produced Rolls-Royce and Bentley branded cars between the foundation of each company and 2003, when the BMW-controlled entity started producing cars under the Rolls-Royce brand. The Rolls-Royce Phantom 4-door sedan was the first product offered for sale in 2003. Since then, Rolls-Royce Motor Cars has expanded its product line up to include an extended wheelbase version of the Phantom sedan, a Phantom 2-door coupé and Phantom convertible version and the less expensive Ghost 4-door sedan and Wraith 2-door coupé.
English novelist Cecil Scott “C. S.” Forester was born 27 August 1899. (Cecil Louis Troughton Smith) who rose to fame with tales of naval warfare. His most notable works were the 12-book Horatio Hornblower series, depicting a Royal Navy officer during the Napoleonic era, and The African Queen (1935; filmed in 1951 by John Huston). His novels A Ship of the Line and Flying Colours were jointly awarded the 1938 James Tait Black Memorial Prize for fiction. Forester was born in Cairo and, after a family breakup at an early age, he moved with his mother to London and was educated at Alleyn’s School, Dulwich College, south London, and Guy’s Hospital, London, but did not complete his studies at the last named. “Forester had always worn glasses and been thin. Later, trying to enlist in the army he failed his physical and was told there was not a chance that we would be accepted even though he was of good height and somewhat athletic. In about 1921, after studying medicine for several years, he left academia and began writing seriously using his pen name.” During World War II, Forester moved to the United States where he worked for the British Information Service and wrote propaganda to encourage the US to join the Allies. He eventually settled in Berkeley, California. While living in Washington, D.C., he met a young British intelligence officer named Roald Dahl, whose experiences in the RAF he had heard of, and encouraged him to write about them. In 1947, he secretly married a woman named Dorothy Foster.
Forester wrote many novels, among them The African Queen (1935) and The General (1936); Peninsular War novels in Death to the French (published in the United States as Rifleman Dodd) and The Gun (filmed as The Pride and the Passion in 1957); and seafaring stories that did not involve Hornblower, such as Brown on Resolution (1929); The Captain from Connecticut (1941); The Ship (1943) and Hunting the Bismarck (1959), which was used as the basis of the screenplay for the 1960 film Sink the Bismarck! Several of his works were filmed, most notably the 1951 film The African Queen, directed by John Huston. Forester is also credited as story writer for several movies not based on his published fiction, including Commandos Strike at Dawn (1942).
He wrote several volumes of short stories set during the Second World War. Those in The Nightmare (1954) were based on events inNazi Germany, ending at the Nuremberg Trials. Stories in The Man in the Yellow Raft (1969) followed the career of the destroyer USSBoon, while many of those in Gold from Crete (1971) followed the destroyer HMS Apache. The last of the stories in the latter book – “If Hitler had invaded England” – offers an imagined sequence of events starting with Hitler’s attempt to implement Operation Sea Lion, and culminating in the early military defeat of Nazi Germany in the summer of 1941. His non-fiction seafaring works include The Age of Fighting Sail (1956), an account of the sea battles between Great Britain and the United States in the War of 1812.In addition to his novels of seafaring life, Forester also published two crime novels, Payment Deferred (1926), and Plain Murder (1930), and two children’s books. One, Poo-Poo and the Dragons (1942), was created as a series of stories told to his younger son George to encourage him to finish his meals. George had mild food allergies that kept him feeling unwell, and he needed encouragement to eat.
The second, The Barbary Pirates (1953), is a children’s history of those early 19th-century pirates.He can be seen as a contestant on 1 November 1956 edition of You Bet Your Life, commenting that his latest book is The Age of Fighting Sail. Forester sadly passed away 2 April 1966, however his novels still remain popular and in 2003 a “lost” novel of Forester’s, The Pursued, was discovered and bought at an auction and was published by Penguin Classics on 3 November 2011. British author Roald Dahl’s writing career began after he met Forester in early 1942. According to Dahl’s autobiographical Lucky Break, Forester asked Dahl about his experiences as a fighter pilot. This prompted Dahl to write his first story, “A Piece of Cake.