English novelist and journalist George Orwell,(Eric Arthur Blair) Was born on 25 June 1903, in Motihari, Bihar, in India,When Eric was one year old, his mother took him and his sister to England. His birthplace and ancestral house in Motihari has been declared a protected monument of historical importance. In 1904, Ida Blair settled with her children at Henley-on-Thames in Oxfordshire. Before the First World War, the family moved to Shiplake, Oxfordshire where Eric became friendly with the Buddicom family, especially their daughter Jacintha. Jacintha and Eric read and wrote poetry, and dreamed of becoming famous writers. He said that he might write a book in the style of H. G. Wells’s A Modern Utopia. During this period, he also enjoyed shooting, fishing and birdwatching with Jacintha’s brother and sister. In 1908 Eric and Marjorie ware sent as a day-boy to a Roman Catholic convent school run by French Ursuline nuns, in Henley-on-Thames, in September 1911 Eric arrived at St Cyprian’s. He boarded at the school for the next five years, returning home only for school holidays. While at St Cyprian’s, Blair wrote two poems that were published in the Henley and South Oxfordshire Standard. He also wrote the essay “Such, Such Were the Joys”, based on his time there. At St. Cyprian’s, Blair first met Cyril Connolly, who became a writer. Many years later, as the editor of Horizon, Connolly published several of Orwell’s essays. He came second to Connolly in the Harrow History Prize, had his work praised by the school’s external examiner, and earned scholarships to Wellington and Eton.He chose to stay at St Cyprian’s until December 1916, in case a place at Eton became available. In January, Blair arrived at Wellington, where he spent the Spring term. In May 1917 a place became available as a King’s Scholar at Eton. He remained at Eton until December 1921, when he left midway between his 18th and 19th birthday.His principal tutor was A. S. F. Gow, Fellow of Trinity College, Cambridge, who also gave him advice later in his career. Blair was briefly taught French by Aldous Huxley. Whilst at Eton he worked with Roger Mynors to produce a College magazine, The Election Times, joined in the production of other publications – College Days and Bubble and Squeak – and participated in the Eton Wall Game.
He joined the Imperial Police, in India. He passed the entrance exam, coming seventh out of the 26 candidates who exceeded the pass mark. His maternal grandmother lived at Moulmein, so he chose a posting in Burma. In October 1922 he sailed on board SS Herefordshire via the Suez Canal and Ceylon to join the Indian Imperial Police in Burma. A month later, he arrived at Rangoon and travelled to the police training school in Mandalay. After a short posting at Maymyo, he was posted to Myaungmya in the Irrawaddy Delta in 1924. Working as an imperial policeman gave him considerable responsibility while most of his contemporaries were still at university in England. When he was posted farther east in the Delta to Twante as a sub-divisional officer, he was responsible for the security of some 200,000 people. He was then promoted to Assistant District Superintendent and posted to Syriam, closer to Rangoon. In 1925 he went to Insein, the home of Insein Prison, the second largest jail in Burma.
In 1926 he moved to Moulmein, where his maternal grandmother lived and was assigned to Katha in Upper Burma, where he contracted dengue fever in 1927. He Returned to England in July due to his illness. While on leave in England and on holiday with his family in Cornwall in September 1927, he reappraised his life. Deciding against returning to Burma, he resigned from the Indian Imperial Police to become a writer. He drew on his experiences in the Burma police for the novel Burmese Days and the essays “A Hanging” and “Shooting an Elephant”. In Burma, he acquired a reputation as an outsider. He spent much of his time alone, reading or pursuing non-pukka activities, such as attending the churches of the Karen ethnic group.
Back In England, he settled back in the family home at Southwold, renewing acquaintance with local friends and attending an Old Etonian dinner. He visited his old tutor Gow at Cambridge for advice on becoming a writer. in 1927 he moved to Portabello Road London.he decided to write about the poorer parts of London and “ventured into the East End of London to discover for himself the world of poverty and the down-and-outers who inhabit it. He visited Limehouse Causeway, spending his first night in a common lodging house, possibly George Levy’s ‘kip’. For a while he “went native” in his own country, dressing like a tramp, adopting the name P. S. Burton and making no concessions to middle-class mores and expectations; he recorded his experiences of the low life for use in “The Spike”, his first published essay in English, and in the second half of his first book, Down and Out in Paris and London.
In 1928 he moved to Paris. He lived in the rue du Pot de Fer, a working class district in the 5th Arrondissement. His aunt Nellie Limouzin also lived in Paris and gave him social and, when necessary, financial support. He began to write novels, including an early version of Burmese Days, He became a journalist and published articles in Monde, a political/literary journal edited by Henri Barbusse (his first article as a professional writer, “La Censure en Angleterre”, appeared in that journal on 6 October 1928); G. K.’s Weekly, where his first article appeared in “A Farthing Newspaper”, and Le Progrès Civique (founded by the left-wing coalition Le Cartel des Gauches). Three pieces appeared in successive weeks in Le Progrès Civique: discussing unemployment, a day in the life of a tramp, and the beggars of London, respectively. He fell seriously ill in February 1929 and was taken to the Hôpital Cochin in the 14th arrondissement, a free hospital where medical students were trained. His experiences there were the basis of his essay “How the Poor Die”, published in 1946. Whether through necessity or to collect material, he undertook menial jobs such as dishwashing in a fashionable hotel on the rue de Rivoli, which he later described in Down and Out in Paris and London. In August 1929, he sent a copy of “The Spike” to John Middleton Murry’s New Adelphi magazine in London.
In 1929, after nearly two years in Paris, Blair returned to England and went directly to his parents’ house in Southwold, Suffolk, He became acquainted with many local people, including Brenda Salkeld, the clergyman’s daughter who worked as a gym-teacher at St Felix Girls’ School in the town. Although Salkeld rejected his offer of marriage, she remained a friend and regular correspondent for many years. He also renewed friendships with older friends, such as Dennis Collings, and his girlfriend Eleanor Jacques. In early 1930 he stayed briefly in Bramley, Leeds, with his sister Marjorie and her husband Humphrey Dakin, Blair began writing reviews for Adelphi and acting as a private tutor to a disabled child at Southwold. He then became tutor to three young brothers, one of whom, Richard Peters, later became a distinguished academic.He went painting and bathing on the beach, and there he met Mabel and Francis Fierz, who later influenced his career. Over the next year he visited them in London, often meeting their friend Max Plowman. He also often stayed at the homes of Ruth Pitter and Richard Rees. Jonathan Cape rejected A Scullion’s Diary, the first version of Down and Out. On the advice of Richard Rees, he offered it to Faber and Faber, but their editorial director, T. S. Eliot, also rejected it. Blair ended the year by deliberately getting himself arrested so that he could experience Christmas in prison, but the authorities did not regard his “drunk and disorderly” behaviour as imprisonable, so he went home.
In 1932 Blair became a teacher at The Hawthorns High School for boys in Hayes, West London, offering private schooling for children of local tradesmen and shopkeepers which only had 14 or 16 boys aged between ten and sixteen, and one other master. he became friendly with the curate of the local parish church and became involved with theiractivities . Victor Gollancz published A Scullion’s Diary in 1932. in August 1932, Blair returned to Southwold,
His essay “Clink”, describing his failed attempt to get sent to prison, appeared in the August 1932 number of Adelphi. He returned to teaching at Hayes and set about publishing his book, Down and Out in Paris and London.. He finally adopted the nom de plume George Orwell because, as he told Eleanor Jacques, “It is a good round English name.” it was also inspired by the River Orwell in the English county of Suffolk. His novel Down and Out in Paris and London was published on 9 January 1933, as Orwell continued to work on Burmese Days. In 1933 Blair left Hawthorns to become a teacher at Frays College, in Uxbridge, Middlesex. This was a much larger establishment with 200 pupils and a full complement of staff. He acquired a motorcycle and took trips through the surrounding countryside. Sadly he contracted pneumonia and was taken to Uxbridge Cottage Hospital. he was discharged in January 1934, and returned to Southwold to convalesce and, supported by his parents, never returned to teaching. Blair started work on the novel A Clergyman’s Daughter, drawing upon his life as a teacher and on life in Southwold. He left Sothwold in October, after sending A Clergyman’s Daughter to Moore, And went to London to work as a part-time assistant in Booklovers’ Corner, a second-hand bookshop in Hampstead run by Francis and Myfanwy Westrope, who were friends of his Aunt Nellie Limouzin. These experiences provided background for the novel Keep the Aspidistra Flying, He was also writing for the Adelphi and preparing the novel Burmese Days. A Clergyman’s Daughter was published In 1935. In early 1935 Blair met his future wife Eileen O’Shaughnessy, through his landlady, Rosalind Obermeyer, and also started writing reviews for the New English Weekly.
His work is marked by clarity, intelligence and wit, awareness of social injustice, opposition to totalitarianism, and belief in democratic socialism. Although Orwell wrote literary criticism, poetry, fiction and polemical journalism. He is best known for the dystopian novel Nineteen Eighty-Four (1949) and the allegorical novella Animal Farm (1945), which together have sold more copies than any two books by any other 20th-century author. His book Homage to Catalonia (1938), an account of his experiences in the Spanish Civil War, is widely acclaimed, as are his numerous essays on politics, literature, language and culture. In 2008, The Times ranked him second on a list of “The 50 greatest British writers since 1945″. Orwell’s work continues to influence popular and political culture, and the term Orwellian — descriptive of totalitarian or authoritarian social practices — has entered the vernacular with several of his neologisms, such as doublethink, thoughtcrime, Big Brother and thought police.
During most of his career, Orwell was best known for his journalism, in essays, reviews, columns in newspapers and magazines and in his books of reportage: Down and Out in Paris and London (describing a period of poverty in these cities), The Road to Wigan Pier (describing the living conditions of the poor in northern England, and class division generally) and Homage to Catalonia. According to Irving Howe, Orwell was “the best English essayist since Hazlitt, perhaps since Dr Johnson.”
Modern readers are more often introduced to Orwell as a novelist, particularly through his enormously successful titles Animal Farm and Nineteen Eighty-Four. The former is often thought to reflect degeneration in the Soviet Union after the Russian Revolution and the rise of Stalinism; the latter, life under totalitarian rule. Nineteen Eighty-Four is often compared to Brave New World by Aldous Huxley; both are powerful dystopian novels warning of a future world where the state machine exerts complete control over social life. In 1984, Nineteen Eighty-Four and Ray Bradbury’s Fahrenheit 451 were honoured with the Prometheus Award for their contributions to dystopian literature. In 2011 he received it again for Animal Farm.
Coming Up for Air, his last novel before World War II is the most “English” of his novels; alarms of war mingle with images of idyllic Thames-side Edwardian childhood of protagonist George Bowling. The novel is pessimistic; industrialism and capitalism have killed the best of Old England, and there were great, new external threats. In homely terms, Bowling posits the totalitarian hypotheses of Borkenau, Orwell, Silone and Koestler: “Old Hitler’s something different. So’s Joe Stalin. They aren’t like these chaps in the old days who crucified people and chopped their heads off and so forth, just for the fun of it … They’re something quite new – something that’s never been heard of before”.
In an autobiographical piece that Orwell sent to the editors of Twentieth Century Authors in 1940, he wrote: “The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is W. Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills.” Elsewhere, Orwell strongly praised the works of Jack London, especially his book The Road. Orwell’s investigation of poverty in The Road to Wigan Pier strongly resembles that of Jack London’s The People of the Abyss, in which the American journalist disguises himself as an out-of-work sailor to investigate the lives of the poor in London. In his essay “Politics vs. Literature: An Examination of Gulliver’s Travels” Orwell wrote: “If I had to make a list of six books which were to be preserved when all others were destroyed, I would certainly put Gulliver’s Travels among them.”
Other writers admired by Orwell included: Ralph Waldo Emerson, George Gissing, Graham Greene, Herman Melville, Henry Miller, Tobias Smollett, Mark Twain, Joseph Conrad and Yevgeny Zamyatin. He was both an admirer and a critic of Rudyard Kipling, Calling him gifted writer and a “good bad poet” whose work is “spurious” and “morally insensitive and aesthetically disgusting,” but undeniably seductive and able to speak to certain aspects of reality.He also admired G. K. Chesterton, whom he regarded as a writer of considerable talent who had chosen to devote himself to “Roman Catholic propaganda”.
Nineteen Eighty-Four was published in 1949. It is a dystopian and satirical novel set in Oceania, where society is tyrannized by The Party and its totalitarian ideology. The Oceanian province of Airstrip One is a world of perpetual war, omnipresent government surveillance, and public mind control, dictated by a political system euphemistically named English Socialism (Ingsoc) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as thoughtcrimes.
Their tyranny is headed by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. Big Brother and the Party justify their rule in the name of a supposed greater good. The novel’s protagonist Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (Minitrue), which is responsible for propaganda and historical revisionism. As a sort of Spin Doctor. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother.
As literary political fiction and as dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, and memory hole, have entered everyday use since its publication in 1949. Nineteen Eighty-Four spawned the term Orwellian, to describe official deception, secret surveillance, and manipulation of the past by a totalitarian or authoritarian state. In 2005 the novel was chosen by TIME magazine as one of the 100 best English-language novels from 1923 to 2005. It was awarded a place on both lists of Modern Library 100 Best Novels, reaching number 13 on the editor’s list, and 6 on the reader’s list. In 2003, the novel was listed at number 8 on the BBC’s survey The Big Read.
Animal Farm is an allegorical novella which addresses corruption, wickedness, ignorance, greed, myopia and indifference. It was published in England in 1945 and reflects events leading up to the Russian Revolution of 1917, and then on into the Stalin era in the Soviet Union. Orwell, a democratic socialist, was a critic of Joseph Stalin and hostile to Moscow-directed Stalinism, especially after his experiences with the NKVD and the Spanish Civil War. The Soviet Union he believed, had become a brutal dictatorship, built upon a cult of personality and enforced by a reign of terror. In a letter to Yvonne Davet, Orwell described Animal Farm as his novel “contre Stalin” and in his essay of 1946, Why I Write, he wrote that Animal Farm was the first book in which he had tried, with full consciousness of what he was doing, “to fuse political purpose and artistic purpose into one whole”.
The original title was Animal Farm: A Fairy Story, but the subtitle was dropped by U.S. publishers for its 1946 publication. Other variations in the title include: A Satire and A Contemporary Satire. Orwell suggested the title Union des républiques socialistes animales for the French translation, which recalled the French name of the Soviet Union, Union des républiques socialistes soviétiques, and which abbreviates to URSA, the Latin for “bear”, a symbol of Russia. It was written Between November 1943-February 1944, when the wartime alliance with the Soviet Union was at its height and Stalin was held in highest esteem in Britain both among the people and intelligentsia, a fact that Orwell hated.
It was initially rejected by a number of British and American publishers, including one of Orwell’s own, Victor Gollancz. Although Its publication was delayed it became a great commercial success when it appeared— partly because the Cold War so quickly followed WW2. Time magazine chose the book as one of the 100 best English-language novels (1923 to 2005); it also places at number 31 on the Modern Library List of Best 20th-Century Novels. It won a Retrospective Hugo Award in 1996 and is also included in the Great Books of the Western World. Both 1984 and Animal Farm have also been adapted for film and television numerous times, notably starring John Hurt as Winston Smith. There is also an animated version of Animal Farm and I wouldn’t be surprised if someone was doing an anthropomorphic version of Animal Farm using digital effects.