Ray Harryhausen

American-British artist, designer, visual effects creator, writer, and producer “Ray” Harryhausen was born June 29, 1920 in Los Angeles, California. He was greatly inspired After having seen King Kong (1933) on its initial release for the first of many times, and spent his early years experimenting in the production of animated shorts, inspired by science. The scenes utilising stop-motion animation (or model animation), those featuring creatures on the island or Kong, were the work of pioneer model animator Willis O’Brien. His work in King Kong inspired Harryhausen, and a friend arranged a meeting with O’Brien for him. O’Brien critiqued Harryhausen’s early models and urged him to take classes in graphic arts and sculpture to hone his skills. Meanwhile, Harryhausen became friends with an aspiring writer, Ray Bradbury, with similar enthusiasms. Bradbury and Harryhausen joined the Los Angeles-area Science Fiction League formed by Forrest J. Ackerman in 1939, and the three became lifelong friends. Harryhausen secured his first commercial model-animation job, on George Pal’s Puppetoons shorts, based on viewing his first formal demo reel of fighting dinosaurs from a project called Evolution of the World which was never finished.

During World War II, Harryhausen served in the United States Army Special Services Division under Colonel Frank Capra, as a loader, clapper boy, gofer and later camera assistant, whilst working at home animating short films about the use and development of military equipment. During this time he also worked with composer Dimitri Tiomkin and Ted Geisel (“Dr. Seuss”). Following the war he salvaged several rolls of discarded 16 mm surplus film from which he made a series of fairy tale-based shorts, which he called his “Teething-rings”.

One of Harryhausen’s most long-cherished dreams was to make H.G. Wells’ The War of the Worlds. After World War II, he shot a scene of an alien emerging from a Martian cylinder showing the fearsome being from Mars fatally succumbing to an earthly illness, contracted from the air the natives breathe harmlessly. It was part of an unrealized project to adapt the story using Wells’ original “octopus” concept for the Martians. In 1947 Harryhausen was hired as an assistant animator on what turned out to be his first major film, Mighty Joe Young (1949). O’Brien ended up concentrating on solving the various technical problems of the film, leaving most of the animation to Harryhausen. Their work won O’Brien the Academy Award for Best Special Effects that year.

Ray Harryhausen first film featuring his technical effects was The Beast from 20,000 Fathom based on a story by The writer Ray Bradbury, who was a long-time friend of Harryhausen. This was about a dinosaur drawn to a lone lighthouse by its foghorn. Because the story for Harryhausen’s film featured a similar scene, the film studio bought the rights to Bradbury’s story to avoid any potential legal problems. To film Beast from 20,000 fathoms  Harryhausen used a technique  called “Dynamation” that split the background and foreground of pre-shot live action footage into two separate images into which he would animate a model or models so seemingly integrating the live-action with the models. The background would be used as a miniature rear-screen with his models animated in front of it, re-photographed with an animation-capable camera to combine those two elements together, the foreground element matted out to leave a black space. Then the film was rewound, and everything except the foreground element matted out so that the foreground element would now photograph in the previously blacked out area. This created the effect that the animated model was “sandwiched” in between the two live action elements, right into the final live action scene.

In most of Harryhausen’s films, model animated characters interact with, and are a part of, the live action world, with the idea that they will cease to call attention to themselves as only “animation.” Most of the effects shots in his earliest films were created via Harryhausen’s careful frame-by-frame control of the lighting of both the set and the projector. This dramatically reduced much of degradation common in the use of back-projection or the creation of dupe negatives via the use of an optical printer. Harryhausen’s use of diffused glass to soften the sharpness of light on the animated elements allowed the matching of the soft background plates far more successfully than Willis O’Brien had achieved in his early films, allowing Harryhausen to match live and miniature elements seamlessly in most of his shots. By developing and executing most of this miniature work himself, Harryhausen saved money, while maintaining full technical control. Harryhausen then began working with color film to make The 7th Voyage of Sinbad, experimenting with color film stocks to overcome the color-balance-shift problems. Ray’s producer/partner Charles H. Schneer coined the word Dynamation as a “merchandising term” (modifying it to “SuperDynaMation” and then “Dynarama”. Harryhausen was always heavily involved in the pre-production conceptualizing of each film’s story, script development, art-direction, design, storyboards, and general tone of the his films, as much as any auteur director would have on any other film, which any “director” of Harryhausen’s films had to understand and agree to work under. Only the complexities of Director’s Guild rules in Hollywood prevented Harryhausen from being credited as the director of his films, resulting in the more modest credits he had in most of his films.

Harryhausen’s often worked with his family His father did the machining of the metal armatures (based on his son’s designs) that were the skeletons for the models and allowed them to keep their position, while his mother assisted with some miniature costumes. After Harryhausen’s father died in 1973, Harryhausen contracted An occasional assistant, George Lofgren, a taxidermist, assisted Harryhausen with the creation of furred creatures. Another associate, Willis Cook, built some of Harryhausen’s miniature sets. Other than that, Harryhausen worked generally alone to produce almost all of the animation for his filmsThe same year that Beast was released, 1953, fledgling film producer Irwin Allen released a live action documentary about life in the oceans titled The Sea Around Us, which won an Oscar for best documentary feature film of that year. Harryhausen then worked on Allen’s sequel. He also met producer Charles H. Schneer, Their first tandem project was It Came from Beneath the Sea (aka Monster from Beneath the Sea, 1955), about a giant octopus attacking San Francisco. followed by Earth vs. the Flying Saucers. In 1954, Irwin Allen began work on a second feature-length documentary film, about animal life on land called The Animal World Needing an opening sequence about dinosaurs, Allen hired premier model animator Willis O’Brien and Harryhausen to animate the dinosaurs, many agreed that the dinosaur sequence of Animal World was the best part of the entire movie. (Animal World is available on the DVD release of O’Brien’s 1957 film The Black Scorpion).

Harryhausen then made 20 Million Miles to Earth (1957), about an American spaceship returning from Venus. The spaceship crashes into the ocean near Italy, which releases an on-board alien egg specimen that washes up on shore. The egg soon hatches a creature that, in Earth’s atmosphere, rapidly grows to gigantic size running amok  and terrifying the citizens of Rome. He refined and improved his animation techniques still further for the Venusian Ymir alien. Harryhausen then developed a technique to maintain proper color balances for his DynaMation process, resulting in The 7th Voyage of Sinbad (1958) The Three Worlds of Gulliver (1960), Mysterious Island and Jason and the Argonauts (1963). Among the film’s best sequences is an exciting fight between three actors and seven living skeletons, And the confrontation with Talos the bronze giant. Harryhausen next made First Men in the Moon (1964), his only film made in the 2.35:1 widescreen (AKA “CinemaScope”) format, based on the novel by H. G. Wells. Harryhausen was then hired by Hammer Film Productions to animate the dinosaurs for One Million Years B.C. (1966) featuringRaquel Welch in her second film. Harryhausen next went on to make another dinosaur film, The Valley of Gwangi.  This is Set in Mexico, and features cowboys who discover a forbidden valley inhabited by dinosaurs and manage to capture a living Allosaurus and bring him to the nearest Mexican city for exhibition. However the creature, escapes and wreaks havoc on the town. Harryhausen’s next film wasThe Golden Voyage of Sinbad, featuring a sword fight involving a statue of the six-armed goddess Kali this was followed by Sinbad and the Eye of the Tiger. Harryhausen and Shneer’s next film was Clash of the Titans featuring stars such as Laurence Olivier Ursula Andress, Burgess Meridith and Harry Hamlin and for which he was nominated for a Saturn Award for Best Special Effects. This features Perseus and his efforts to save the beautiful princess Andromeda from being sacrificed to the fearsome Kraken by undertaking a perilous journey to the Isle of the Dead Where he confronts the equally fearsome gorgon Medusa. sadly more sophisticated computer-assisted technology developed by ILM and others began to eclipse Harryhausen’s production techniques, with MGM and other studios refusing to fund his planned sequel, Force of the Trojans, sO Harryhausen and Schneer Retired from filmmaking.

In the early 1970s, Harryhausen also published a book, Film Fantasy Scrapbook (produced in three editions as his last three films were released) and supervising the restoration and release of his films to video, laserdisc, DVD, and Blu-ray. A second book followed, An Animated Life, written with author and friend Tony Dalton which details his techniques and history. This was then followed in 2005 by The Art of Ray Harryhausen, featuring sketches and drawings for his many projects. In 2008 Harryhausen and Dalton published a history of stop-motion model animation, A Century of Model Animation and to celebrate Harryhausen’s 90th birthday The Ray & Diana Harryhausen Foundation published Ray Harryhausen – A Life in Pictures. In 2011 the last volume, called Ray Harryhausen’s Fantasy Scrapbook, was also published. Harryhausen continued his lifelong friendship with Ray Bradbury until Bradbury’s death in 2012. Another long-time close friend was “Famous Monsters of Filmland” magazine editor, book writer, and sci-fi collector Forrest J Ackerman, another friend was long-time producer, Charles H. Schneer, who lived next door to him in a suburb of London until Schneer moved full-time to the USA. Harryhausen and Terry Moore appeared in small comedic cameo roles in the 1998 remake of Mighty Joe Young, and he has also provided the voice of a polar bear cub in the Will Ferrell film Elf. He also appears as a bar patron in Beverly Hills Cop III, and as a doctor in the John Landis film Spies Like Us. In 2010, Harryhausen had a brief cameo in Burke & Hare, a British film also directed by Landis. In 1986 Harryhausen formed The Ray & Diana Harryhausen Foundation, a registered charity in the UK and US, which preserves all of his collection and promotes the art of stop-motion animation. In 2002, young animators Seamus Walsh and Mark Caballero helped Harryhausen complete The Story of the Tortoise and the Hare. This was the sixth and final installment of the Harryhausen fairy tales. The film was started in 1952 and completed in 2002, 50 years later and went on to win the 2003 Annie award for best short film and gained worldwide attention. Ray Harryhausen was also given a special tribute at The BFI Southbank theater which was attended by all the top visual effects directors and technicians and was hosted by director John Landis. At this event he was presented by Peter Jackson with a special BAFTA award from the British Academy of Film and Television Arts. In 2009, he released colorized DVD versions of three of his classic black and white Columbia films: 20 Million Miles to Earth, Earth vs. the Flying Saucers, and It Came from Beneath the Sea, and of She (1935), in tribute to its producer Merian C. Cooper.In June 2010, it was announced that the Ray and Diana Harryhausen Foundation had agreed to deposit the animator’s complete collection of some 50,000 pieces with the National Media Museum in Bradford, England.

Ray Harryhausen sadly died on May 7, 2013 however his influence on today’s film makers is enormous, with luminaries; Steven Spielberg, James Cameron, Peter Jackson, George Lucas, John Landis and Nick Park citing Harryhausen as being the man whose work inspired their own creations. ( I used to really enjoy watching his films and then try making my own dinosaurs and monsters out of Plasticine)”. Peter Lord of Aardman animation also said  that Harryhausen was “a one-man industry and a one-man genre”. Shaun of the Dead director Edgar Wright said “I loved every single frame of Ray Harryhausen’s work … He was the man who made me believe in monsters.”  George Lucas also said, “Without Ray Harryhausen, there would likely have been no Star Wars”.Terry Gilliam said, “What we do now digitally with computers, Ray did digitally long before but without computers. Only with his digits.” James Cameron also paid tribute by saying, “I think all of us who are practitioners in the arts of science fiction and fantasy movies now all feel that we’re standing on the shoulders of a giant. If not for Ray’s contribution to the collective dreamscape, we wouldn’t be who we are.”

Ray Harryhausen left his collection, which includes all of his film related artefacts to the Ray & Diana Harryhausen Foundation, set up in 1986 to look after his extensive collection, to protect his name and to further the art of model stop-motion animation. The trustees are his daughter Vanessa Harryhausen, Simon Mackintosh, actress Caroline Munro who appeared in The Golden Voyage of Sinbad and film maker John Walsh who first met with Ray Harryhausen in 1988 as a film student of the London Film School and made a documentary entitled Ray Harryhausen: Movement Into Life narrated by Doctor Who actor Tom Baker (who also appeared in the Golden Voyage of Sinbad. The Foundation’s website charts progress on the restoration of the collection and future plans for Ray’s legacy. In 2016 the foundation launched The Ray Harryhausen Podcast. This included never before heard audio from Ray Harryhausen. Hosted by Collections Manager Connor Heaney and John Walsh. In 2013, the RH foundation and Arrow Films released a feature-length biography of Harryhausen and his films called “Ray Harryhausen – Special Effects Titan” on Blu-Ray. Featuring photos, artifacts, and film clips culled directly Harryhausen’s estate and never before seen by the public. a major exhibition of Ray Harryhausen’s models Entitled “Ray Harryhausen – Mythical Menagerie” the exhibition will open to the public from July 29th at the Science Museum Oklahoma. An exhibition at Tate Britain from the 26th June to the 19th November 2017 also features work from the Harryhausen collection and short film made by John Walsh on the restoration of a painting owned by Harryhausen which influenced his work.

In 1992 The Academy of Motion Picture Arts and Sciences awarded Ray Harryhausen a Gordon E.Sawyer Award to acknowledge Harryhausen’s contribution to the film industry and for “technological contributions to the industry. He also made” A long series of appearances at film festivals, colleges, and film seminars around the world soon followed as Harryhausen met many of the millions of people who had grown up enjoying his work.The work of Ray Harryhausen was celebrated in an exhibition at London’s Museum of the Moving Image (MOMI) in 1990. In 2010 A theater at Sony Pictures Digital Productions was named in honor of Harryhausen.The Science Fiction Hall of Fame inducted Harryhausen in 2005,  He also received the annual British Fantasy Society Wagner Award in 2008 for his lifetime contribution to the genre and in 2003, Harryhausen was honored with a star on the Hollywood Walk of Fame.

Hal Lindes (Dire Straits)

Hal Lindes, The American-English singer-songwriter and former guitarist with Dire Straits , Was Born 30 June 1953. Dire Straits were formed in 1977 by Brothers Mark (lead vocals and lead guitar)and David Knopfler (rhythm guitar and backing vocal), and friends John Illsley (bass guitar and backing vocals, and Pick Withers (drums and percussion), they recorded a five-song demo tape which included their future hit single, “Sultans of Swing”, as well as “Water of Love”, “Down to the Waterline”, “Wild West End” and David Knopfler’s “Sacred Loving”.

The group’s first album, was intitled Dire Straits the album had little promotion when initially released in the United Kingdom However, the album came to the attention of A&R representative Karin Berg, working at Warner Bros. Records in New York City. She felt that it was the kind of music audiences were hungry for, That same year, Dire Straits began a tour as opening band for the Talking Heads after the re-released “Sultans of Swing” which scaled the charts to number four in the United States and number eight in the United Kingdom. The song was one of Dire Straits’ biggest hits and became a fixture in the band’s live performances. “ Recording sessions for the group’s second album, Communiqué, took place in December 1978, Released in June 1979 Communiqué Featured the single “Lady Writer”, the second album continued in a similar vein as the first and displayed the expanding scope of Knopfler’s lyricism on the opening track, “Once Upon a Time in the West”. In 1980, Dire Straits were nominated for two Grammy Awards for Best New Artist and Best Rock Vocal Performance by a Duo or Group for “Sultans Of Swing.

In July 1980 the band started recording tracks for their third album. Making Movies which featured longer songs with more complex arrangements, a style which would continue for the rest of the band’s career. The album featured many of Mark Knopfler’s most personal compositions. The most successful chart single was “Romeo and Juliet” and was released in October 1980. Dire Straits’ fourth studio album Love Over Gold, an album of songs filled with lengthy, experimental passages, was well received when it was released in September 1982, going gold in America and spending four weeks at number one in the United Kingdom, its main chart hit, “Private Investigations”, gave Dire Straits their first top 5 hit single in the United Kingdom, where it reached the number 2 position despite its almost seven-minute length, and became another of the band’s most popular live songs. along with “Industrial Disease”, a song that looks at the decline of the British manufacturing industry in the early 1980s. In 1983, a four-song EP titled ExtendedancEPlay was released while Love Over Gold was still in the album charts. It featured the hit single “Twisting By the Pool”. Dire Straits also embarked on a world tour. wgich resulted in The double album Alchemy Live, a recording of two live concerts of the group at London’s Hammersmith Odeon in July 1983, was released in March 1984.

Dire Straits returned to the recording studios at the end of 1984 to record their biggest selling album to date, Brothers in Arms, which has so far sold over 30 million copies and contains the songs “Money for Nothing”, “Walk of Life”, “So Far Away”, “Your Latest Trick” and “Brothers in Arms”. Released in May 1985, Brothers In Arms entered the UK Albums Chart at number 1 and spent a total of 228 weeks in the charts, It went on to become the best-selling album of 1985 in the UK, “Money for Nothing” was also the first video ever to be played on MTV in Britain and featured guest vocals by Sting, who is credited with co-writing the song with Mark Knopfler, although in fact, it was just the inclusion of the melody line from “Don’t Stand So Close To Me”.Brothers in Arms was among the first albums recorded on digital equipment due to Knopfler pushing for improved sound quality The album’s title track is reported to be the world’s first CD single. The album is listed in the Guinness Book of World Records as the first compact disc to sell a million copies, and has been credited with helping to popularise the CD forma

Their sound drew from a variety of musical influences, including jazz, folk, blues, and came closest to beat music within the context of rock and roll. Despite the prominence of punk rock during the band’s early years, the band’s stripped-down sound contrasted with punk, demonstrating a more “rootsy” influence that emerged out of pub rock. Many of Dire Straits’ compositions were melancholic and they have gone on to became one of the world’s most commercially successful bands, with worldwide album sales of over 120 million. making them One of the world’s best selling music artists, and their fifth album, Brothers in Arms, has won many accolades. In November 2009, Dire Straits were honoured by the new PRS for Music Heritage Award. A special blue plaque was erected at Farrer House, Church Street, Deptford in south London, where the original group, Mark Knopfler, David Knopfler, John Illsley and Pick Withers once shared a council flat and performed their first ever gig in 1977. PRS for Music has set up the Heritage Award to recognise the unusual “performance birthplaces” of famous bands and artists. Dire Straits have also won numerous music awards during their career, including four Grammy Awards, three Brit Awards—winning Best British Group twice, and two MTV Video Music Awards. The band’ most popular songs include “Sultans of Swing”, “Romeo and Juliet”, “Tunnel of Love”, “Private Investigations” .Dire Straits’ career spanned 18 years. Mark Knopfler and John Illsley were the only two original bandmates who remained until Dire Straits disbanded in 1995.

International Asteroid Day

Asteroid Day is an annual global awareness movement held on June 29. The aim of Asteroid Day is to teach people around the world about asteroids and what we can do to protect our planet, our families, communities, and future generations. Asteroid Day is held on the anniversary of the June 30, 1908 Siberian Tunguska event, the largest asteroid impact on Earth in recent history. It was co-founded by filmmaker Grigorij Richters and Dr. Brian May, Queen guitarist and astrophysicist. Over 100 astronauts, scientists, technologists and artists, including Richard Dawkins, Bill Nye, Peter Gabriel, Jim Lovell, Alexei Leonov, Bill Anders, Kip Thorne, Lord Martin Rees, Chris Hadfield, Rusty Schweickart and Brian Cox co-signed the Asteroid Day Declaration. Asteroid Day was officially launched on December 3, 2014.

In February 2014, Brian May, astrophysicist and guitarist for the rock band Queen, Composed the music for the film 51 Degrees North, which tells the story of a fictional asteroid impact on London and the human condition resulting from such an event. After screening the film at the 2014 Starmus Festival, Richters and May co-founded Asteroid Day in October of 2014 which they officially announced during a press conference with Lord Martin Rees, Rusty Schweickart, Ed Lu, Thomas Jones, Ryan Watt and Bill Nye. The event was live streamed from the Science Museum in London, the California Academy of Sciences, New York and São Paulo. The workgroup of Asteroid Day created a signatory called “100X Declaration”, which appeals to all scientists and technologists who are supporting the idea of saving the earth from asteroids. Many astronauts and cosmonauts participated in activities on the day to raise awareness about the threat posed by asteroid impacts. Institutions such as the Natural History Museum in Vienna, the American Natural History Museum, the California Academy of Sciences, the Science Museum in London, the SETI institute,the European Space Agency and the UK Space Agency, among others participated in educational activities, marking the first official Asteroid Day, June 30, 2015. The main three goals are:

1. Employ available technology to detect and track Near-Earth Asteroids that threaten human populations via governments and private and philanthropic organisations.

2. A rapid hundred-fold acceleration of the discovery and tracking of Near-Earth Asteroids to 100,000 per year within the next ten years.

3. Global adoption of Asteroid Day, heightening awareness of the asteroid hazard and our efforts to prevent impacts,