A six part television adaptation based on the 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett and Neil Gaiman, is being shown on Amazon Video with A conventional broadcast on BBC Two following the initial release on Amazon Prime. The series is directed by Douglas Mackinnon, written by Gaiman, and produced by BBC Studios, Narrativia (the production company created by Pratchett before his death and now led by his daughter Rhianna) and The Blank Corporation
It stars David Tennant as the demon Crowley (the serpent who tempted Eve to eat the apple) and Michael Sheen as the angel Aziraphale, (the guardian of the Eastern Gate of Eden). Other actors include Jon Hamm, Anna Maxwell Martin, Josie Lawrence, Adria Arjona, Michael McKean, Jack Whitehall, Miranda Richardson and Nick Offerman
It starts when Crowley and Aziraphale decide to join forces to save the world from the approaching Armageddon. So they decide to keep an eye on the Antichrist, destined to be the son of a prominent American diplomat stationed in Britain, However Warlock, the child whom everyone thinks is the Anti-Christ, is just a normal eleven-year-old boy and the the real Anti-Christ is in fact someone completely different….
Meanwhile the events written in the book “The Nice and accurate prophecies of 17th century witch Agnes Nutter” start coming true. (Initially This book did not sell very well due to being incredibly cryptic) and Agnes Nutter only published the book so she could receive a free author’s copy. As with many other witches Agnes Nutter was tragically burned at the stake by an angry mob; however because she had the gift of prophecy she had foreseen her future and this went hilariously wrong. Now The book is currently owned by her multi-great granddaughter Anathema Device.
In the meantime, the Four Horsemen of the Apocalypse assemble: War (a female war correspondent), Death (a biker), Famine (a dietician and fast-food tycoon), and Pollution (a young man–Pestilence having retired after the discovery of penicillin). Now As the world descends into chaos, Anathema, Newton Pulsifer (one of the two last members of the Witchfinder Army), The Antichrist, Aziraphale and Crowley all gather to try and prevent the Horsemen from causing armageddon and stop the impending apocalypse….
Philip Lynott, the charismatic Irish singer-songwriter and guitarist with the band Thin Lizzy sadly died on 4 January 1986. He was born 20 August 1949.Thin Lizzy were formed in Dublin in 1969. Two of the founding members, drummer Brian Downey and bass guitarist/vocalist Phil Lynott, met while still in school. Lynott assumed the role of frontman and led them throughout their recording career of twelve studio albums. Thin Lizzy are best known for their songs “Whiskey in the Jar”, “Jailbreak” and “The Boys Are Back in Town”, all major international hits still played regularly on hard rock andclassic rock radio stations.
Growing up in Dublin in the 1960s, Lynott fronted several bands as a lead vocalist, most notably Skid Row alongside Gary Moore, before learning the bass guitar and forming Thin Lizzy in 1969. After initial success with Whiskey in the Jar, the band found strong commercial success in the mid-1970s with hits such as “The Boys Are Back in Town”, “Jailbreak” and “Waiting for an Alibi”, and became a popular live attraction due to the combination of Lynott’s vocal and songwriting skills and the use of dual lead guitars. Towards the end of the 1970s, Lynott also embarked upon a solo career and published two books of poetry.
Lynott, Thin Lizzy’s de facto leader, was composer or co-composer of almost all of the band’s songs, and the first black Irishman to achieve commercial success in the field of hard rock music. Thin Lizzy boasted some of the most critically acclaimed guitarists throughout their history, with Downey and Lynott as the rhythm section, on the drums and bass guitar. As well as being multiracial, the band drew their members not only from both sides of the Irish border but also from both the Catholic and Protestant communities during The Troubles. Their music reflects a wide range of influences, including blues, soul music, psychedelic rock, and traditional Irish folk music, but is generally classified as hard rock or sometimes heavy metal. Rolling Stone magazine describes the band as distinctly hard rock, “far apart from the braying mid-70s metal pack”. Allmusic critic John Dougan has written that “As the band’s creative force, Lynott was a more insightful and intelligent writer than many of his ilk, preferring slice-of-life working-class dramas of love and hate influenced byBob Dylan, Van Morrison, Bruce Springsteen, and virtually all of the Irish literary tradition.” Van Morrison, Jeff Beck and Jimi Hendrix were major influences during the early days of the band, and later influences included the pioneering twin lead guitars found in Wishbone Ash and American artists Little Feat andBob Seger.
After Thin Lizzy disbanded, Phil Lynott assembled and fronted the band Grand Slam with Gary Moore and subsequently had major UK success with Moore with the song “Out in the Fields”, followed by a minor hit “Nineteen”, he was the leader before it folded in 1985. Following his tragic death he remains a popular figure in the rock world, and in 2005, a statue was erected in his memory. in 2012, Gorham and Downey also decided against recording new material as Thin Lizzy so a new band, Black Star Riders, was formed to tour and produce new releases such as the All Hell Breaks Loose album, although Thin Lizzy plan to reunite for occasional concerts.
British World Land and Water speed record holder Donald Malcolm Campbell, CBE was tragically killed on 4 January 1967 while trying to set a new world water speed record in his boat Bluebird. He was born 23 March 1921. He broke eight absolute world speed records in the 1950s and 1960s. He remains the only person to set both world land and water speed records in the same year (1964). Campbell began his speed record attempts using his father’s old boat Bluebird K4, but after a structural failure at 170 mph (270 km/h) on Coniston Water, Lancashire in 1951, and the death of John Cobb, who was killed in 1952 trying to break the water speed record, he decided that he would develop a new boat. Designed by Ken and Lew Norris, the Bluebird K7 was an all-metal jet-propelled 3-point hydroplane with a Metropolitan-Vickers Beryl jet engine producing 3,500 lbf (16 kN) of thrust. It was unveiled in late 1954, and taken, in January 1955, to Ullswater Westmorland in the English Lake District for its initial trials. After many, problems and a number of modifications to K7, Campbell finally succeeded on Ullswater on 23 July 1955, where he set a record of 202.15 mph (325.33 km/h), beating the previous record by some 24 mph (39 km/h) held by Stanley Sayres.The name “K7″ was derived from its Lloyd’s unlimited rating registration. It was carried in a prominent circular badge on its sponsons, underneath an infinity symbol. Campbell set a total of seven world water speed records in K7 between 1955 and 1964. The series of speed increases—216 mph (348 km/h) later in 1955, 225 mph (362 km/h) in 1956, 239 mph (385 km/h) in 1957, 248 mph (399 km/h) in 1958, 260 mph (420 km/h) in 1959—peaked on 31 December 1964 at Dumbleyung Lake, Western Australia when he reached 276.33 mph (444.71 km/h); he remains the world’s most prolific breaker of water speed records. Campbell was awarded the CBE in January 1957 for his water speed record breaking, and in particular his record at Lake Mead in the USA which earned him and Britain very positive acclaim.
In 1956, Campbell began planning a car to break the land speed record, which then stood at 394 mph (634 km/h). The Norris brothers designed Bluebird-Proteus CN7 with 500 mph (800 km/h) in mind. The CN7 was completed by the spring of 1960, and was powered by a Bristol-Siddeley Proteus free-turbine engine of 4,450 shp (3,320 kW). Following low-speed tests conducted at the Goodwood circuit in Sussex, England, the CN7 was taken to the Bonneville Salt Flats in Utah, USA, scene of his father’s last LSR triumph in 1935. The attempt was unsuccessful and CN7 was written off following a high-speed crash in September at Bonneville. Campbell was seriously hurt, suffering a fracture to his lower skull, and was by 1961 on the road to recovery and planning the rebuild of CN7. The rebuilt car was completed, with minor modifications, in 1962 and, by the end of the year, was shipped to Australia for a new attempt at Lake Eyre in 1963. The Lake Eyre location was chosen as it offered 450 square miles (1,170 km2) of dried salt lake, where rain had not fallen in the previous 20 years, and the surface of the 20-mile (32 km) track was as hard as concrete. As Campbell arrived in late March, with a view to a May attempt, the first light rain fell. Campbell and Bluebird were running by early May but once again more rain fell, and low-speed test runs could not progress into the higher speed ranges. By late May, the rain became torrential, and the lake was flooded. Campbell had to move the CN7 off the lake to save the car from being submerged by the rising flood waters.
Campbell and his team returned to Lake Eyre in 1964, but the surface never returned to the promise it had held in 1962 and Campbell had to battle with CN7 to reach record speeds (over 400 mph (640 km/h)). After more light rain in June, the lake finally began to dry enough for an attempt to be made. On 17 July 1964, Campbell set a record of 403.10 mph (648.73 km/h) for a four-wheeled vehicle (Class A). Campbell was disappointed with the record as the vehicle had been designed for much higher speeds. CN7 covered the final third of the measured mile at an average of 429 mph (690 km/h), peaking as it left the measured distance at over 440 mph (710 km/h). In 1969, after Campbell’s fatal accident, his widow, Tonia Bern-Campbell negotiated a deal with Lynn Garrison, President of Craig Breedlove and Associates, that would see Craig Breedlove run Bluebird on Bonneville’s Salt Flats. This concept was cancelled when the parallel Spirit of America supersonic car project failed to find support.Campbell now reverted to Bluebird K7 for a further attempt on the water speed record. After more delays, he finally achieved his seventh WSR at Lake Dumbleyung near Perth, Western Australia, on the last day of 1964, at a speed of 276.33 mph (444.71 km/h). He had become the first, and so far only, person to set both land and water speed records in the same year. Campbell’s land record was short-lived, because rule changes meant that Craig Breedlove’s Spirit of America, a pure jet car, would begin setting records later in 1964 and 1965. Campbell’s 429 mph (690 km/h) speed on his final Lake Eyre run remained the highest speed achieved by a wheel-driven car until 2001; Bluebird CN7 is now on display at the National Motor Museum in Hampshire, England, her potential only partly realised.
Donald Campbell decided a massive jump in speed was called for following his successful 1964 LSR attempt in Bluebird CN7. His vision was of a supersonic rocket car with a potential maximum speed of 840 mph (1,350 km/h). Norris Brothers were requested to undertake a design study Bluebird Mach 1.1 (CMN-8) was a design for a rocket-powered supersonic land speed record car. Bluebird Mach 1.1 was to be rocket-powered. Ken Norris had calculated using rocket motors would result in a vehicle with very low frontal area, greater density, and lighter weight than if he went down the jet engine route. Bluebird Mach 1.1 would also be a relatively compact and simple design. Norris specified two off-the-shelf Bristol Siddeley BS.605 rocket engines. The 605 had been developed as a take-off assist rocket engine for military aircraft and was fuelled with kerosene, using hydrogen peroxide as the oxidizer. Each engine was rated at 8,000 lbf (36 kN) thrust. In Bluebird Mach 1.1 application. In order to increase publicity for his rocket car venture, in the spring of 1966, Campbell decided to try once more for a water speed record. This time the target was 300 mph (480 km/h). Bluebird K7 was fitted with a lighter and more powerful Bristol Orpheus engine, taken from a Folland Gnat jet aircraft, which developed 4,500 pounds-force (20,000 N) of thrust. The modified boat was taken back to Coniston in the first week of November 1966. The trials did not go well. The weather was appalling, and K7 suffered an engine failure when her air intakes collapsed and debris was drawn into the engine. By the middle of December, some high-speed runs were made, in excess of 250 mph (400 km/h) but still well below Campbell’s existing record.
On 4 January 1967, weather conditions were finally suitable for an attempt. Campbell commenced the first run of his last record attempt at just after 8.45 am. Bluebird moved slowly out towards the middle of the lake, where she paused for a brief second as Donald lined her up. With a deafening blast of power, Campbell now applied full throttle and Bluebird began to surge forward. Clouds of spray issued from the jet-pipe, water poured over the rear spar and after a few hundred yards, at 70 mph, Bluebird unstuck from the surface and rocketed off towards the southern end of the lake, producing her characteristic comet’s tail of spray. She entered the measured kilometre at 8.46. Leo Villa witnessed her passing the first marker buoy at about 285 mph (459 km/h) in perfect steady planing trim, her nose slightly down, still accelerating. 7.525 seconds later, Keith Harrison saw her leave the measured kilometre at a speed of over 310 mph (500 km/h). The average speed for the first run was 297.6 mph (478.9 km/h). Campbell lifted his foot from the throttle about 3/10 of a second before passing the southern kilometre marker. As Bluebird left the measured kilometre, Keith Harrison and Eric Shaw in a course boat at the southern end of the measured kilo both noticed that she was very light around the bows, riding on her front stabilising fins. Her planing trim was no worse than she had exhibited when equipped with the Beryl engine, but it was markedly different to that observed by Leo Villa at the northern end of the kilometre, when she was under full acceleration.
Instead of refuelling and waiting for the wash of this run to subside, Campbell decided to make the return run immediately. This was not an unprecedented diversion from normal practice, as Campbell had used the advantage presented i.e. no encroachment of water disturbances on the measured kilometre by the quick turn-a-round, in many previous runs. The second run was even faster once severe tramping subsided on the run-up from Peel Island (caused by the water-brake disturbance). Once smooth water was reached some 700 metres or so from the start of the kilometre, K7 demonstrated cycles of ‘ground’ effect hovering before accelerating hard at 0.63g to a peak speed of 328 mph (530 km/h) some 200 metres or so from the southern marker buoy. Bluebird was now experiencing bouncing episodes of the starboard sponson with increasing ferocity. At the peak speed, the most intense and long-lasting bounce caused severe deceleration (328 mph – 296 mph, -1.86g) as K7 dropped back onto the water. Engine flame-out then occurred and, without thrust nose-down momentum, K7 experienced a gliding episode in strong ground effect with increasing angle-of-attack (AoA), before completely leaving the water at her static stability pitch-up limit of 5.2°. Bluebird then executed an almost complete somersault (~ 320° and slightly off-axis) before plunging into the water (port sponson marginally in advance of the starboard), approximately 230 metres from the end of the measured kilometre. The boat then cartwheeled across the water before coming to rest. The impact broke K7 forward of the air intakes (where Donald was sitting) and the main hull sank shortly afterwards. Campbell had been killed instantly. Mr Whoppit, Campbell’s teddy bear mascot, was found among the floating debris and the pilot’s helmet was recovered. Royal Navy divers made efforts to find and recover the body but, although the wreck of K7 was found, they called off the search, after two weeks, without locating his body.
English celebrity chef, restaurateur and television presenter.
Christopher Richard “Rick” Stein, CBE was born 4 January 1947 in Churchill, Oxfordshire. Stein was educated at Wells Court, a preparatory school just outside Tewkesbury, then Wells House, the Court’s bigger sister-school at Malvern Wells, and then Uppingham School. He took A-levels in English, history and geography, but failed all of them. He moved to a cram school in Brighton, gaining E grades in English and history.
Stein partially completed a hotel management traineeship with British Transport Hotels at its Great Western Royal Hotel in Paddington. He worked there as a chef for six months. Distraught by his father’s suicide, at age 19 he went to Australia, where he worked as a labourer in an abattoir and as a clerk in a naval dockyard. He travelled to New Zealand and Mexico around that time to “take some time out”.Being on his own, he read widely, reflected on his attitude to education, and applied successfully to New College, Oxford; where he earned an English degree in 1971. Shortly after that, he moved to Padstow.
After graduating, he converted a mobile disco in Padstow, which he had run as a student, into a quayside nightclub with his friend, Johnny. It became known for its freeze-dried curries. However, the nightclub lost its licence and was closed down by the police, mainly due to frequent brawls with local fishermen. The pair still had a licence for a restaurant in another part of the building, so they continued with that to avert bankruptcy. Stein ran the kitchen using the experience he had gained as a commis chef. Eventually he converted it into a small harbour-side bistro, “The Seafood Restaurant”, with his wife Jill in 1975. As of 2015, his business operates four restaurants, a bistro, a cafe, a seafood delicatessen, a pâtisserie shop, a gift shop and a cookery school. In 2007 threats against Stein’s businesses were made by Cornish nationalists. His impact on the economy of Padstow is such that it has been nicknamed “Padstein”. In 2009 Stein made his first acquisition in the nearby village of St Merryn, 3½ miles from Padstow, taking over the Cornish Arms public house on the village’s outskirts, intending to keep it as a traditional Cornish pub.
In 2009, Stein and his fiancée, the publicist Sarah Burns, opened “Rick Stein at Bannisters” in Mollymook, Australia. Stein said at the time of opening, “Ever since a memorable weekend eating Pambula oysters and flathead in Merimbula in the sixties, I’ve had the image of the clean blue sea and sweet seafood of the South Coast fixed in my head so when I was introduced to Mollymook about six years ago I knew that one day I would open up a restaurant celebrating local fish and shellfish but keeping it really simple.” In November 2014, Stein and his partner Jill took over the lease of the former “Clay Quay” restaurant by Porthleven’s harbour, renaming it “Rick Stein”.
Stein has become a popular television presenter on food. After appearing once as guest chef in Keith Floyd’s 1985 series Floyd On Fish and in his 1986 series Floyd on Food, he was offered the chance to present his own series – like the “travelogue” style of cookery show pioneered by Floyd – on BBC television. However
This caused some rivalry, even feud, only resolved shortly before Floyd’s death. His shows have included Rick Stein’s Taste of the Sea, Fruits of the Sea, Seafood Odyssey, Fresh Food, Seafood Lovers’ Guide, Food Heroes, French Odyssey, Mediterranean Escapes, Far Eastern Odyssey, Rick Stein’s Spain and Rick Stein’s India. In the last five series, he set out in search of the best in the region’s foods. Until 2007, Stein was often accompanied by his Jack Russell terrier, Chalky. A book has accompanied each series, and his book English Seafood Cookery won the Glenfiddich Award for Food Book of the Year in 1989. Stein was awarded the Officer of the Order of the British Empire (OBE) in the 2003 New Year Honours for services to tourism in Cornwall and the Commander of the Order of the British Empire (CBE) in the 2018 New Year Honours for services to the economy.
Bernard Sumner Vocalist with New Order and member of Joy Division was born 4th January 1956. Joy Division were formed in 1976 in Salford, Greater Manchester. Originally named Warsaw, the band primarily consisted of Ian Curtis (vocals and occasional guitar), Bernard Sumner (guitar and keyboards), Peter Hook (bass guitar and backing vocals) and Stephen Morris (drums and percussion). They evolved from their initial punk rock influences to develop a sound and style that pioneered the post-punk movement of the late 1970s. They self-released their debut EP, An Ideal for Living in 1978 and an album, Unknown Pleasures, in 1979 which drew critical acclaim from the British press. Despite the band’s growing success, vocalist Ian Curtis was beset with depression and personal difficulties, including a dissolving marriage and his diagnosis of epilepsy and found it increasingly difficult to perform at live concerts, and often having seizures during performances. On the eve of the band’s first American tour in May 1980, Curtis committed suicide. Joy Division’s posthumously released second album, Closer (1980), and the single “Love Will Tear Us Apart” became the band’s highest charting releases.
After the untimely demise of Curtis in 1980, the remaining members formed New Order, with Bernard Sumner on vocals, guitars, synthesisers), Peter Hook playing bass, synthesisers and Stephen Morris playing drums, electronic drums, synthesisers, they were also joined by Gillian Gilbert playing keyboards, guitars, synthesizers. By combining post-punk and New Wave with electronic dance music, New Order became one of the most critically acclaimed and influential bands of the 1980s. Though the band’s early years were shadowed by the legacy and basic sound of Joy Division, their experience of the early 1980s New York City club scene increased their knowledge of dance music and saw them incorporate elements of that style into their work. The band’s 1983 hit Blue Monday”, the best-selling 12-inch single of all time, is one example of how the band transformed their sound. Thanks to fantastic albums like SUBSTANCE and TECHNIQUE New Order became the flagship band for Factory Records.
Their minimalist album sleeves and “non-image” (the band rarely gave interviews and were known for performing short concert sets with no encores) reflected the label’s aesthetic of doing whatever the relevant parties wanted to do, including an aversion to including singles as album tracks. Sadly In 1993 the band broke-up amidst tension between bandmembers, but reformed in 1998. In 2001, Phil Cunningham (guitars, synthesisers) replaced Gilbert, who left the group due to family commitments. In 2007, Peter Hook left the band and the band broke-up again, with Sumner saying in 2009 that he no longer wishes to make music as New Order. The band reunited in 2011 with Gilbert returning and Tom Chapman replacing Hook on bass. During the band’s career and in between lengthy breaks, band members have also been involved in several solo projects, such as Sumner’s Electronic and Bad Lieutenant; Hook’s Monaco and Revenge and Gilbert’s and Morris’ The Other Two. New Order’s latest albums include Music Complete and Nomc15(Live).
Micheal Stipe the lead singer of R.E.M was born January 4th 1960. REM First emerged in 1980s from the college radio scene, and at first they were scrappy and lo-fi, abrasive but somehow beautiful, and the development of this sound helped them become bona-fide stadium-fillers later on in their their career. They played their first gig in a church on 5 April 1980 under the name of Twisted Kites, and they played with a mixture of post-punk poise and jangly guitars which made them seem simultaneously cutting-edge and a romantic reminder of rock’s past and they soon became popular. Their music was influenced by their small-town surroundings and is closer to real life stating that “It’s great just to bring out an emotion… better to make someone feel nostalgic or wistful or excited or sad. REM’s breakthrough came when they released the single “The One I Love” which was taken from the 1987 Album “Document”. The next single “Freaks” saw REM outgrow the university centred underground music scene which had so-far sustained them, and they hit the big time, and Their next release 1988′s “Green” was released by a major label and was seen by many as their true peak. Lyrically, the album saw the band dealing with a number of important issues – World leader Pretend is a deft criticism of the remote ruling classes, while Pop Song ’89 tackles claims the band had sold out by purporting to be, in Stipe’s words, “the prototype of, and hopefully the end of, a pop song”.
The next album “Out of Time” proved to be an even bigger hit. Featuring the career-defining singles Losing My Religion, which some regard to be the touchstone of alternative rock and Shiny Happy People, featuring fellow Athenian Kate Pierson from the B52′s. With this album it seems that The band were aiming to make a massively successful, mainstream record without embarrassing, or compromising, themselves – They certainly succeeded. Michael Stipe’s inner demons also came to the fore In the next album, 1992′s Automatic For The People, which is A more sombre, reflective album that features string arrangements by Led Zeppelin’s John Paul Jones. This album was also to yield some wonderful songs like “The Sidewinder Sleeps Tonight” and “Everybody Hurts”.The band’s next two albums Monster and New Adventures In Hi-Fi were largely recorded live – some tracks taken from soundchecks taken during the massive stadium tour, and featured some new classics, such as Let Me In, a tribute to the recently deceased Kurt Cobain.
Unfortunately drummer Bill Berry suffered a brain aneurysm and quit the band in 1997, and things never quite returned to the giddy heights of “Out of Time” and Moments of brilliance, such as The Great Beyond or Imitation Of Life, became less frequently. Leading some band members to pursue side-projects, Stipe pursued his film work,while Peter Buck concentrated more on his country supergroup Tired Pony. Despite this REM continued to be unbeatable live performers to the end and their final album, Collapse Into Now, was hailed, like many of its predecessors, as a return to form. Certainly, the band sounded rejuvenated and a lot more energetic than on some of the previous work. In addition They also recently re-released an earlier album ”Lifes Rich Pageant”. On November 14th 2011 , REM released a definitive retrospective greatest hits Double CD album, entitled: “R.E.M., PART LIES, PART HEART, PART TRUTH, PART GARBAGE, 1982 – 2011. ″ through Warner Bros, the album contained tracks from the band’s entire back catalogue, including tracks from both the IRS and Warner years plus three brand-new songs, as a final farewell.
Aside from REM Michael Stipe has also been involved in a number of other projects. In 2011, Stipe participated in a live online Facebook chat with fans following the premiere of a new R.E.M. video on Dazed & Confused’s website, Dazed Digital. The video for “Walk It Back” was taken from R.E.M.’s 15th album, Collapse into Now. In 2012, Stipe appeared with Chris Martin of Coldplay, live at Madison Square Garden and online to perform “Losing My Religion”, in the 12-12-12 concert raising money for relief from Hurricane Sandy. In 2013 a new recording from Stipe was revealed featuring Courtney Love. The song, “Rio Grande”, is taken from Johnny Depp’s pirate themed album Son of Rogue’s Gallery. In 2014, Stipe inducted the American grunge band Nirvana into the Rock and Roll Hall of Fame and also created the soundtrack for The Cold Lands, a film by Stipe’s friend, director Tom Gilroy. In 2017, he debuted his first solo composition at Moogfest and teamed with Fischerspooner on the new song “Have Fun Tonight” from the album Sir.
Posted on January 4, 2018 by rich1698 • Posted in Health • Tagged Health • Leave a comment • Edit
Louis Braille, French teacher of the blind and inventor of braille Was Born 4 January 1809 in Coupvray, France, a small town located east of Paris. He had an unfortunate accident At the age of three when he was toying with some of the tools, trying to make holes in a piece of leather with an awl. Squinting closely at the surface, he pressed down hard to drive the point in, and the awl glanced across the tough leather and struck him in one of his eyes. A local physician bound and patched the affected eye and even arranged for Louis to be met the next day in Paris by a highly-respected surgeon, but no treatment could save the damaged organ. Braille suffered for weeks as the wound became severely infected and spread to his other eye and by the age of five he was completely blind in both eyes. He learned to navigate the village and country paths with canes his father hewed for him, and he grew up seemingly at peace with his disability.
His bright and creative mind impressed the local teachers and priests, and he was encouraged to seek higher education. Braille studied in Coupvray until the age of ten. Because of his combination of intelligence and diligence, Braille was permitted to attend one of the first schools for blind children in the world, the National Institute for Blind Youth in Paris. The school was an underfunded, ramshackle affair, but it provided a stable environment for blind children to learn and associate together. The children were taught how to read by a system devised by the school’s founder, Valentin Haüy. Not blind himself, Haüy was a committed philanthropist who devoted his life to helping the blind. He designed and manufactured a small library of books for the children using a technique of embossing heavy paper with the raised imprints of Latin letters. Readers would trace their fingers over the text, comprehending slowly but in a traditional fashion which Haüy could appreciate.
Braille was helped by the Haüy books, but he also despaired over their lack of depth: the amount of information kept in such books was necessarily small. Because the raised letters were made using a complex process, the children could not hope to “write” by themselves. The handcrafted Haüy books all came in uncomfortable sizes and weights, were laboriously constructed, exquisitely delicate, and greatly expensive to obtain. Haüy promoted their use with zeal: the books presented a new and handsome system which could be readily comprehended by those with eyesight. Braille and his schoolmates, however, could detect the books’ limitations. Nonetheless, Haüy’s well-intentioned efforts still provided a breakthrough achievement – the recognition of the sense of touch as a workable strategy for sightless reading. Braille proved to be a highly proficient student and, after he had exhausted the school’s curriculum, he was immediately asked to remain as a teacher’s aide. By 1833, he was elevated to a full professorship. For much of the rest of his life, Braille stayed at the Institute where he taught history, geometry, and algebra. Braille’s ear for music also enabled him to become an accomplished cellist and organist, his musical talents led him to play the organ for churches all over France. He held the position of organist in Paris at the Church of Saint-Nicolas-des-Champs and the Church of Saint-Vincent-de-Paul.
Braille was determined to fashion a system of reading and writing that could bridge the critical gap in communication between the sighted and the blind. In 1821, Braille learned of a communication system devised by Captain Charles Barbier of the French Army. Barbier willingly shared his invention called “night writing” which was a code of dots and dashes impressed into thick paper. which could be interpreted entirely by the fingers, letting soldiers share information on the battlefield without having light or needing to speak.The captain’s code turned out to be too complex to use in its original military form, but it inspired Braille to develop a system of his own and he worked tirelessly on his ideas, which were largely completed by 1824, when he was just fifteen years of age. From Barbier’s night writing, he innovated by simplifying its form and maximizing its efficiency. He made uniform columns for each letter, and he reduced the twelve raised dots to six. He published his system in 1829, and by the second edition in 1837 had discarded the dashes because they were too difficult to read. Crucially, Braille’s smaller cells were capable of being recognized as letters with a single touch of a finger. Braille created his own raised-dot system by using an awl, the same kind of implement which had blinded him. In the process of designing his system, he also designed an ergonomic interface for using it, based on Barbier’s own slate and stylus tools which would keep the lines straight and readable. he system was later extended to include braille musical notation.
Passionate about his own music, Braille also took meticulous care in its planning to ensure that the musical code would be “flexible enough to meet the unique requirements of any instrument. In 1829, he published the first book about his system, Method of Writing Words, Music, and Plain Songs by Means of Dots, for Use by the Blind and Arranged for Them. Ironically this book was first printed by using the Haüy system. In 1839, Braille published details of a method he had developed for communication with sighted people, using patterns of dots to approximate the shape of printed symbols. his friend Pierre Foucault was also working on the development of a device that could emboss letters in the manner of a typewriter.
Braille had always been a sickly child, and his condition worsened in adulthood. A persistent respiratory illness, long believed to be tuberculosis, dogged him, and by the age of forty, he was forced to relinquish his position as a teacher. When his condition reached mortal danger, he was taken back to his family home in Coupvray, where he passed away on 6th January 1852, two days after he had reached the age of forty-three. Through the overwhelming insistence of the blind pupils, Braille’s system was finally adopted by the Institute in 1854. The system spread throughout the French-speaking world, but was slower to expand in other places. In the Netherlands though, braille was already taught at the institute for the blind in Amsterdam at least as early as 1846. braille was officially adopted by schools for the blind in the United States in 1916, and a universal braille code for English was formalized in 1932. New variations in braille technology continue to grow, including such innovations as braille computer terminals; RoboBraille email delivery service; and Nemeth Braille, a comprehensive system for mathematical and scientific notation. Braille’s revolutionary form of communication that transcended blindness and transformed the lives of millions. After two centuries, the braille system remains an invaluable tool of learning and communication for the blind, and it has been adapted for languages worldwide.
Best Known for writing Grimm’s Fairy Tales, German philologist and folklorist Jakob Grimm was born 4th January 1785. First published in 1812 by the Grimm brothers, Jacob and Wilhelm. The collection is commonly known today as Grimm’s Fairy Tales (German: Grimms Märchen).The first volume of the first edition was published, containing 86 stories; the second volume of 70 stories followed in 1814. For the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837; fourth edition, 1840; fifth edition, 1843; sixth edition, 1850; seventh edition, 1857. Stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were extensively illustrated, first by Philipp Grot Johann and, after his death in 1892, by Robert Leinweber.
the first volumes were much criticized because, although they were called “Children’s Tales”, they were not regarded as suitable for children, both for the scholarly information included and the subject matter. Many changes through the editions – such as turning the wicked mother of the first edition in Snow White and Hansel and Gretel (shown in original Grimm stories as Hansel and Grethel) to a stepmother, were probably made with an eye to such suitability. They removed sexual references—such as Rapunzel’s innocently asking why her dress was getting tight around her belly, and thus naïvely revealing her pregnancy and the prince’s visits to her stepmother—but, in many respects, violence, particularly when punishing villains, was increased.
The influence of these books was widespread. W. H. Auden praised the collection, during World War II, as one of the founding works of Western culture. The tales themselves have been put to many uses. The Nazis praised them as folkish tales showing children with sound racial instincts seeking racially pure marriage partners, and so strongly that the Allied forces warned against them; for instance, Cinderella with the heroine as racially pure, the stepmother as an alien, and the prince with an unspoiled instinct being able to distinguish. Writers who have written about the Holocaust have combined the tales with their memoirs, as Jane Yolen in her Briar Rose.
the work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence. Among those influenced were the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjørnsen and Jørgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales.There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, “What Perrault began, the Grimms completed”. Three individual works of Wilhelm Grimm include Altdänische Heldenlieder, Balladen und Märchen (‘Old Danish Heroic Lays, Ballads, and Folktales’) in 1811, Über deutsche Runen (‘On German Runes’) in 1821, and Die deutsche Heldensage (‘The German Heroic Legend’) in 1829.
Among the best known of Grimm’s Fairy Tales are: Snow White, Rapunzel, Hansel and Gretel, Cinderella, Rumpelstiltskin, Little Red Riding Hood, The Riddle, Mother Hulda, The Frog King, or Iron Heinrich, Cat and Mouse in Partnership, Mary’s Child, The Wolf and the Seven Young Kids, Trusty John or Faithful John,The Good Bargain,The Wonderful Musician or The Strange Musician,The Twelve Brothers, The Pack of Ragamuffins, The Three Little Men in the Wood, The Three Snake-Leaves, The Fisherman and His Wife, The Seven Ravens, Clever Elsie, The White Snake, The Valiant Little Tailor, The Mouse, the Bird, and the Sausage, Town Musicians of Bremen, The Singing Bone, The Devil With the Three Golden Hairs,The Louse and the Flea,Thumbling (Tom Thumb), Thumbling’s Travels and The Elves and the Shoemaker. many of the stories have also been adapted for film and television.