Claude Monet

French impressionist painter Claude Monet was Born November 14th 1840. He was a founder of , and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perceptions before nature, especially as applied to plein-air landscape painting.The term Impressionism is derived from the title of his painting Impression, Sunrise (Impression, soleil levant). In 1851, Monet entered Le Havre secondary school of the arts. Locals knew him well for his charcoal caricatures, which he would sell for ten to twenty francs. Monet also undertook his first drawing lessons from Jacques- François Ochard, a former student of Jacques-Louis David. On the beaches of Normandy in about 1856/1857, he met fellow artist Eugène Boudin, who became his mentor and taught him to use oil paints. Boudin taught Monet “en plein air” (outdoor) techniques for painting.When Monet traveled to Paris to visit the Louvre, he witnessed painters copying from the old masters. Having brought his paints and other tools with him, he would go and sit by a window and paint what he saw. Monet was in Paris for several years and met other young painters who would become friends and fellow impressionists; among them was Édouard Manet. Disillusioned with the traditional art taught at art schools, in 1862 Monet became a student of Charles Gleyre in Paris, where he met Pierre-Auguste Renoir, Frédéric Bazille and Alfred Sisley.

Together they shared new approaches to art, painting the effects of light en plein air with broken color and rapid brushstrokes, in what later came to be known as Impressionism. Monet’s Camille or The Woman in the Green Dress (La femme à la robe verte), painted in 1866, brought him recognition and was one of many works featuring his future wife, Camille Doncieux; she was the model for the figures in Women in the Garden of the following year, as well as for On the Bank of the Seine, Bennecourt, 1868.After the outbreak of the Franco-Prussian War , Monet took refuge in England in September 1870, where he studied the works of John Constable and Joseph Mallord William Turner, both of whose landscapes would serve to inspire Monet’s innovations in the study of color. In the spring of 1871, Monet’s works were not included in the Royal Academy exhibition. In May 1871, he left London to live in Zaandam, in the Netherlands. He also paid a first visit to nearby Amsterdam. In October or November 1871, Monet moved to Argenteuil, a village on the right bank of the Seine river near Paris, and this was where he painted some of his best known works. In 1872, he painted Impression, Sunrise (Impression, soleil levant) depicting a Le Havre port landscape. It hung in the first Impressionist exhibition in 1874 and is now displayed in the Musée Marmottan Monet in Paris. the term “Impressionism” was coined from the painting’s title the painting titled Boulevard des Capucines was also in this exhibition.

Monet married Camille Doncieux and, after visiting London and Zaandam, they moved to Argenteuil. It was during this time that Monet painted various works of modern life. In 1878 Monet moved to the village of Vétheuil. in March 1878 Camille gave birth to her second child Michel Monet, Sadly though On 5 September 1879, she of died tuberculosis at the age of thirty-two. Monet painted her on her death bed & After several difficult months following the death of Camille a grief-stricken Monet (resolving never to be mired in poverty again) began in earnest to create some of his best paintings of the 19th century. In April 1883, whilst looking out the window of the little train between Vernon and Gasny, he discovered Giverny, and in 1883, he moved to Vernon, then to a house in Giverny in Normandy, where he lived the rest of his life, the barn doubled as a painting studio, and it was here that he painted several groups of landscapes and seascapes in what he considered to be campaigns to document the French countryside. His extensive campaigns evolved into his series’ paintings. with the surrounding landscape offering many suitable motifs for Monet’s work and Monet’s fortunes began to change for the better and Monet became prosperous enough to buy the house, the surrounding buildings and the land for his gardens.

During the 1890s, Monet built a greenhouse and a second studio & from the 1880s through the end of his life in 1926, Monetworked on “series” paintings, in which a subject was depicted in varying light and weather conditions. His first series exhibited as such was of Haystacks, painted from different points of view and at different times of the day. Fifteenof the paintings were exhibited at the Galerie Durand-Ruel in 1891. He later produced several series of paintings including: Rouen Cathedral, Poplars, the Parliament, Mornings on the Seine, and the Water Lilies that were painted on his property at Giverny. Monet was fond of painting controlled nature: his own gardens in Giverny, with its water lilies, pond, and bridge. He also painted up and down the banks of the Seine, producing paintings such as Break-up of the ice on the Seine. Between 1883 and 1908, Monet traveled to the Mediterranean, where he painted landmarks, landscapes, and seascapes, such as Bordighera. He painted an important series of paintings in Venice, Italy, and in London he painted two important series—views of Parliament and views of Charing Cross Bridge. His second wife, Alice, died in 1911 & It was during this time that Monet began to develop the first signs of cataracts. During World War I, Monet painted a series of weeping willow trees as homage to the French fallen soldiers. Sadly Monet died of lung cancer on 5 December 1926 at the age of 86 and is buried in the Giverny church cemetery. His home, garden and waterlily pond were bequeathed by his son Michel, & then to the French Academy of Fine Arts (part of the Institut de France) in 1966. Through the Fondation Claude Monet, his house and gardens were opened for visits in 1980.

The Taj Mahal

I have recently painted a picture of the Taj Mahal using Verexan. The Taj Mahal Arabic: تاج محل‎, lit. ‘Place or Position of the Crown’, is an ivory-white marble Islamic mausoleum on the south bank of the Yamuna river in the Indian city of Agra. It was commissioned in 1632 by the Mughal emperor Shah Jahan (reigned from 1628 to 1658) to house the tomb of his favourite wife, Mumtaz Mahal; it also houses the tomb of Shah Jahan himself. The tomb is the centrepiece of a 17-hectare (42-acre) complex, which includes a mosque and a guest house, and is set in formal gardens bounded on three sides by a crenellated wall.

Construction of the mausoleum was essentially completed in 1643, but work continued on other phases of the project for another 10 years. The Taj Mahal complex is believed to have been completed in its entirety in 1653 at a cost estimated at the time to be around 32 million rupees, which in 2015 would be approximately 52.8 billion rupees (U.S. $827 million). The construction project employed some 20,000 artisans under the guidance of a board of architects led by the court architect to the emperor, Ustad Ahmad Lahauri.

The Taj Mahal was designated as a UNESCO World Heritage Site in 1983 for being “the jewel of Muslim art in India and one of the universally admired masterpieces of the world’s heritage”. It is regarded by many as the best example of Mughal architecture and a symbol of India’s rich history. The Taj Mahal attracts 7–8 million visitors a year and in 2007, it was declared a winner of the New7Wonders of the World (2000–2007) initiative.

William Hogarth

English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist William Hogarth was born 10 November 1697. He has been credited with pioneering western sequential art. His work ranged from realistic portraiture to comic strip-like series of pictures called “modern moral subjects”. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as “Hogarthian” He first worked as an engraver in 1720, engraving coats of arms, shop bills, and designing plates for booksellers. Then in 1727, he was hired by Joshua Morris, a tapestry worker, to prepare a design for the Element of Earth. In 1757 he was appointed Serjeant Painter to the King. Early satirical works included an Emblematical Print on the South Sea Scheme, about the disastrous stock market crash known as the South Sea Bubble, in which many English people lost a great deal of money. This features Protestant, Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is “Who’l Ride”. Other early works include The Lottery ; The Mystery of Masonry brought to Light by the Gormogons ; A Just View of the British Stage ; some book illustrations; and the small print, Masquerades and Operas. He continued this theme in 1727, with the Large Masquerade Ticket.

In 1726 Hogarth prepared twelve large engravings for Samuel Butler’s Hudibras including The Assembly at Wanstead House. he then turned his attention to the production of small “conversation pieces” . Among his paintings were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of The Beggar’s Opera. Hogarth’s depiction of John Dryden’s The Indian Emperor, or The Conquest of Mexico at the home of John Conduitt, master of the mint, in St George’s Street, Hanover Square, A Midnight Modern Conversation, Southwark Fair , The Sleeping Congregation Before andAfter, Scholars at a Lecture’ The Company of Undertakers (Consultation of Quacks), The Distrest Poet (1, The Four Times of the Day, and Strolling Actresses Dressing in a Barn are also Masterpeices.

In 1731, Hogarth completed the earliest of the series of moral works A Harlot’s Progress. This features six scenes, concerning the miserable downfall of a country girl who who starts off happy and healthy in the Countryside then moves to town where she is forced Into a career as a prostitute to make money and her life gradually goes downhill and gets more shameful and degrading until eventually she dies of venereal disease and has a merciless funeral ceremony. This was followed in 1735 by the sequel A Rake’s Progress which portrays the reckless life of Tom Rakewell, the son of a rich merchant, who starts off promisingly, but wastes all his money on luxurious living, whoring, and gambling, until he ultimately finishes his life in locked up in Bedlam.

 

In 1743–1745, Hogarth painted the six pictures of Marriage à-la-mode, a moralistic satire of upper-class 18th-century society which shows the miserable tragedy of an ill-considered marriage for money rather than love. They are set in a Classical interior, and show the story of the fashionable marriage of the son of bankrupt Earl Squanderfield to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl’s mansion and ending with the murder of the son by his wife’s lover and the suicide of the daughter after her lover is hanged at Tyburn for murdering her husband.

In the twelve prints of Industry and Idleness (1747) Hogarth shows the progression in the lives of two apprentices, one of whom is dedicated and hard working, the other idle. This shows that those who work hard such as the industrious apprentice get rewarded, and he becomes Sheriff, Alderman, and finally the Lord Mayor of London. Whilst idle apprentice, begins with being “at play in the churchyard”, holes up “in a Garrett with a Common Prostitute” after turning highwayman) and is eventually “executed at Tyburn” after being sent to the gallows by the industrious apprentice himself. Later important prints include his pictorial warning of the unpleasant consequences of alcoholism in Beer Street and Gin Lane, which shows a happy city drinking the ‘good’ beverage of English beer, versus Gin Lane which showed the effects of drinking gin which, as a harder liquor, caused more problems for society. People are shown as healthy, happy and prosperous in Beer Street, while in Gin Lane they are scrawny, lazy and careless. The prints were published in support of what would become theGin Act 1751.

Another print The Four Stages of Cruelty, is a cautionary print in which Hogarth depicts what happens to people who are cruel to animals and people. It features the downfall of Tom Nero, a coach driver whose cruelty to his horse causes it to break its leg. Tom is then depicted murdering a woman, until in the last print titled Reward of Cruelty, Tom gets his comeuppance and is executed for his crimes and is shown being dissected by scientists after his execution. The method of execution, and the dissection, reflect the 1752 Act of Parliament. Other notable prints include The Pool of Bethesda and The Good Samaritan, Moses brought before Pharaoh’s Daughter, Paul before Felix, his altarpiece for St. Mary Redcliffe, Bristol and The Gate of Calais. Hogarth sadly died in London on 26 October 1764 and was buried at St. Nicholas’s Churchyard, Chiswick Mall, Chiswick, London.

Henri Matisse

French artist Henri Matisse sadly passed away on November 3rd 1954. Born 31 December 1869 in Le Cateau-Cambrésis, Nord, he is known for his use of colour and his fluid and original draughtsmanship. Matisse was a draughtsman, printmaker, and sculptor, but is known primarily as a painter commonly regarded, along with Picasso and Marcel Duchamp, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. Although he was initially labelled a Fauve (wild beast), by the 1920s he was increasingly hailed as an upholder of the classical tradition in French painting. His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.

Matisse was also recognized as a leader of an artistic movement known as Fauvism which began 1900 and continued beyond 1910. The leaders of the movement were Matisse & André Derain; who were friendly rivals, each with his own followers. Other members were Georges Braque, Raoul Dufy and Maurice de Vlaminck. The Symbolist painter Gustave Moreau (1826–1898) was the movement’s inspirational teacher who pushed his students to think outside of the lines of formality and to follow their visions. In 1905, Matisse and a group of artists exhibited together & The paintings expressed emotion with wild, often dissonant colours, without regard for the subject’s natural colours. Matisse showed Open Window and Woman with the Hat at the Salon. Matisses’s fondnes for bright and expressive colour became more pronounced after he spent the summer of 1904 painting in St. Tropez with the neo-Impressionists Signac and Henri Edmond Cross. In 1904 he painted the most important of his works , Luxe, Calme et Volupté. In 1905 he travelled southwards again to work with André Derain. His paintings of this period are characterized by flat shapes and controlled lines, and use pointillism in a less rigorous way than before.

Around April 1906 he met Pablo Picasso, & The two became lifelong friends as well as rivals and are often compared; one key difference between them is that Matisse drew and painted from nature, while Picasso was much more inclined to work from imagination. The subjects painted most frequently by both artists were women and still life. Matisse and Picasso were first brought together at the Paris salon of Gertrude Stein and her companion Alice B. Toklas, who became important collectors and supporters of Matisse’s paintings during the first decade of the 20th century. They also collected many paintings by Renoir, Cézanne, and Picasso at the Salon. Gertrude Stein’s two American friends , the Cone sisters Claribel and Etta,also became major patrons of Matisse and Picasso, collecting hundreds of their paintings. The Cone collection is now exhibited in the Baltimore Museum of Art.

In 1917 Matisse relocated to Cimiez on the French Riviera, a suburb of the city of Nice. His work of the decade or so following this relocation shows a relaxation and a softening of his approach. After 1930 a new vigor and bolder simplification appeared in his work. American art collector Albert C. Barnes convinced him to produce a large mural for the Barnes Foundation, The Dance II, completed 1932; the Foundation owns several dozen other Matisse paintings. This move towards simplification and a foreshadowing of the cutout technique are also evident in his painting Large Reclining Nude.In 1941, he underwent surgery and started using a wheelchair, and was cared for by , Lydia Delektorskaya who was formerly one of his models, Then With the aid of assistants he set about creating cut paper collages, often on a large scale, called gouaches découpés. His Blue Nudes series feature prime examples of this technique he called “painting with scissors”;


During World War II Matisse, was shocked to learn that his daughter Marguerite, was active in the Résistance and had been captured & tortured in Rennes prison and sentenced to the Ravensbrück concentration camp, but avoided further imprisonment by escaping from the Ravensbrück-bound train and survived in the woods until rescued by fellow members of the Resistance. In 1947 Matisse published Jazz, a limited-edition book containing about one hundred prints based on his colorful paper cutouts accompanied by his written thoughts. In the 1940s he also worked as a graphic artist and produced black-and-white illustrations for several books and over one hundred original lithographs at the Mourlot Studios in Paris. Matisse was much admired and repeatedly referred to by the Greek Nobelist poet Odysseas Elytis. Elytis was introduced to Matisse through their common friend Tériade, during the work on the Cutouts. Matisse had painted the wall of the dining room of Tériade’s residence, the Villa Natacha in Saint-Jean-Cap-Ferrat.

In 1951 Matisse finished designing the interior, the glass windows and the decorations of the Chapelle du Rosaire de Vence, often referred to as the Matisse Chapel. This project was the result of the close friendship between Matisse and Sister Jacques-Marie’ He had hired her as a nurse and model in 1941 before she became a Dominican nun and they met again in Vence and started the collaboration. In 1952 he established a museum dedicated to his work, the Matisse Museum in Le Cateau, and this museum is now the third-largest collection of Matisse works in France. Matisse’s final work was the design for a stained-glass window installed at the Union Church of Pocantico Hills near the Rockefeller estate north of New York City. “It was his final artistic creation; the maquette was on the wall of his bedroom when he died in November of 1954 of a heart attack at the age of 84. He is interred in the cemetery of the Monastère Notre Dame de Cimiez, near Nice. A large amount of Nazi plundered art worth €1bn in Munich, including lost works by Picasso and Matisse, has also recently been discovered.

Roy Lichtenstein🎨

American pop artist Roy Fox Lichtenstein was born October 27, 1923 . During the 1960s he became a leading exponent of Pop Art along with Andy Warhol, Jasper Johns, and James Rosenquist. Favoring the comic strip as his main inspiration, Lichtenstein produced hard-edged, precise compositions that documented while it parodied often in a tongue-in-cheek humorous manner. His work was heavily influenced by popular advertising and the comic book style. His paintings were exhibited at the Leo Castelli Gallery in New York City and Drowning Girl ,Whaam! and Look Mickey are regarded as his most influential works and The painting “Woman with Flowered Hat” holds the record for highest Lichtenstein auction price.

Lichtenstein Studied at the Ohio State University. However His studies were interrupted by a three-year stint in the army between 1943 and 1946 where he trained in languages, engineering, and pilot training, Before serving as an orderly, draftsman, and artist. Lichtenstein was discharged from the army with eligibility for the G.I. Bill and returned to Ohio State University, Where he studied under Hoyt L. Sherman. After graduating from Ohio State he was hired as an art instructor and received a Master of Fine Arts degree. In 1951 Lichtenstein had his first solo exhibition at the Carlebach Gallery in New York an moved to Cleveland commuting frequently to New York. In between painting he undertook jobs as varied as a draftsman to a window decorator. His work fluctuating between Cubism and Expressionism. In 1954, his first son, David Hoyt Lichtenstein, now a songwriter, was born. His second son, Mitchell Lichtenstein, was born in 1956.

In 1957, Lichtenstein moved to New York and in 1958 he began teaching at the State University of New York in Oswego, adopting the Abstract Expressionism style and incorporating hidden images of cartoon characters such as Mickey Mouse and Bugs Bunny into his abstract works. In 1960, he started teaching at Rutgers University, where he was influenced by fellow teacher Allan Kaprow. In 1961, Lichtenstein began his first pop paintings using cartoon images and techniques derived from the appearance of commercial printing. His first work to feature the large-scale use of hard-edged figures and Ben-Day dots was Look Mickey, and he produced six other paintings that year, Leo Castelli also started displaying Lichtenstein’s work at his gallery in New York And Lchtenstein had his first one-man show at the Castelli gallery in 1962; The entire collection being bought by influential collectors before the show even opened. A group of paintings produced between 1961-1962 focused on solitary household objects such as sneakers, hot dogs, and golf balls and in September 1963 he took a leave of absence from his teaching position at Douglass College at Rutgers. Lichtenstein began to find worldwide fame and moved back to New York where he resigned fromRutgers University in 1964 to concentrate on his painting.

On of Lichtenstein best known works, drowning Girl (1963), was appropriated from the lead story in DC Comics’ Secret Hearts #83. And features thick outlines, bold colors and Ben-Day dots, as if created by photographic reproduction.Lichtenstein’s work was reproduced the way the mass media portrays them. He would never take himself too seriously unlike many Art Critics who challenged his paintings originality and criticized them as vulgar and empty. Another of Lichtenstein’s most celebrated image is Whaam!, one of the earliest known examples of pop art, adapted acomic-book panel from a 1962 issue of DC Comics’ All-American Men of War The painting depicts a fighter aircraft firing a rocket into an enemy plane, with a red-and-yellow explosion. The cartoon style is heightened by the use of the onomatopoeic lettering “Whaam!” and the boxed caption “I pressed the fire control… and ahead of me rockets blazed through the sky…” Whaam! follows the comic strip-based themes of some of his previous paintings and is part of a body of war-themed work created between 1962 and 1964. It is one of his two notable large war-themed paintings. Around 1964 Lichtenstein began experimenting with sculpture, producing Head of Girl (1964), and Head with Red Shadow (1965), collaborating with a ceramicist To create the same sort of graphic motifs that he used in his paintings; the application of black lines and Ben-Day dots to three-dimensional objects resulting in a flattening of the form. Most of Lichtenstein’s best-known works are relatively close, but not exact, copies of comic book panels, a subject he largely abandoned in 1965.

Although he would still occasionally incorporate comics panels originally drawn by such comics artists as Jack Kirby and DC Comics artists Russ Heath, Tony Abruzzo, Irv Novick, and Jerry Grandenetti into his work, without giving credit. This also attracted more criticism from those who Saw Lichtenstein’s use of comic-book imagery and art pieces as endorsement of a patronizing view of comics by the art mainstream and engendered a widespread debate about their merits .In the early 1960s, Lichtenstein reproduced masterpieces by Cézanne, Mondrian and Picasso before embarking on the Brushstroke series in 1965. Lichtenstein continued to revisit this theme later in his career with works such asBedroom at Arles that derived from Vincent van Gogh’s Bedroom in Arles.

ln 1970, Lichtenstein was commissioned by the Los Angeles County Museum of Art to make a film. With the help of Universal Film Studios, and he produced, Three Landscapes, a film of marine landscapes, directly related to a series of collages with landscape themes he created between 1964 and 1966. Lichtenstein originally planned on producing 15 short films, however the three-screen installation turned out to be the artist’s only film. In 1970, Lichtenstein purchased a former carriage house in Southampton, Long Island, built a studio on the property, Lichtenstein then began a series of Mirrors paintings in 1969. By 1970, while continuing on the Mirrors series, he started work on the subject of entablatures which consisted of a first series of paintings from 1971–72, followed by a second series in 1974-76, and the publication of a series of relief prints in 1976. He produced a series of “Artists Studios” which incorporated elements of his previous work. A notable example being Artist’s Studio, which incorporates five other previous works, fitted into the scene.

During a trip to Los Angeles in 1978, Lichtenstein became fascinated by lawyer Robert Rifkind’s collection of German Expressionist prints and illustrated books And began to produce works that borrowed stylistic elements found in Expressionist paintings such as The White Tree (1980) And Dr. Waldmann (1980) Lichtenstein also painted more surreal works such as Pow Wow. A major series of Surrealist-Pop paintings from 1979–81 is based on Native American themes Such as Amerind Figure (1981), and Amerind Landscape (1979). These took their themes, like the other parts of the Surrealist series, from contemporary art and other sources, including books on American Indian design from Lichtenstein’s small library. Lichtenstein’s Still Life paintings, sculptures and drawings cover a variety of motifs and themes, including fruit, flowers, and vases and Interiors.

Lichtenstein was also inspired by the monochromatic prints of Edgar Degas featured in a 1994 exhibition at the Metropolitan Museum of Art in New York, using Ben Day dots and hard edged Block colours. The nude is a recurring element in Lichtenstein’s work of the 1990s, such as in Collage for Nude with Red Shirt. Lichtenstein also made over 300 prints, mostly in screen printing and in 1969, Lichtenstein was commissioned by Gunter Sachs to create Composition and Leda and the Swan, for the collector’s Pop Art bedroom suite at the Palace Hotel in St. Moritz. During the 1980s, Lichtenstein received major commissions for works in public places: such as the sculptures Lamp, Mermaid, Brushstrokes in Flight andthe five-storey high Mural with Blue Brushstroke at the Equitable Center, New York; and El Cap de Barcelona. In 1994, Lichtenstein created the 53-foot-long, enamel-on-metal Times Square Mural that now hovers over pedestrians in the Times Square subway station.In 1977, he was commissioned by BMW to paint a Group 5 Racing Version of the BMW 320i for the third instalment in the BMW Art Car .

Roy Lichtenstein Sadly died of pneumonia in 1997 at New York University Medical Centre, where he had been hospitalised for several weeks. He was survived by his second wife, Dorothy Herzka, and by his sons, David and Mitchell, from his first marriage.After the artist’s death in 1997, the Roy Lichtenstein Foundation was established in 1999. In 2011, the foundation’s board decided the benefits of authenticating did not outweigh the risks of protracted lawsuits and In late 2006, the foundation sent out a holiday card featuring a picture of Electric Cord (1961), a painting that had been missing since 1970 after being sent out to art restorer Daniel Goldreyer by the Leo Castelli Gallery. The card urged the public to report any information about its whereabouts, luckily it was subsequently found in 2012 in a New York City warehouse.