English painter, poet and printmaker William Blake sadly died 12 August 1827. He was born 28 November 1757 at 28 Broad Street (now Broadwick St.) in Soho, London. He attended school only long enough to learn reading and writing, leaving at the age of ten, and was otherwise educated at home by his mother Catherine Wright Armitage Blake. He was baptised on 11 December at St James’s Church, Piccadilly, London. Blake started engraving copies of drawings of Greek antiquities purchased for him by his father, a practice that was preferred to actual drawing. Within these drawings Blake found his first exposure to classical forms through the work of Raphael, Michelangelo, Maarten van Heemskerck and Albrecht Dürer. When William was ten years old, he was enrolled in drawing classes at Pars’s drawing school in the Strand. He read avidly on subjects of his own choosing. During this period, Blake made explorations into poetry; his early work displays knowledge of Ben Jonson, Edmund Spenser, and the Psalms. In 1772, Blake was apprenticed to engraver James Basire of Great Queen Street, at the sum of £52.10, for a term of seven years. At the end of the term, aged 21, he became a professional engraver.
On 8 October 1779, Blake became a student at the Royal Academy in Old Somerset House, near the Strand Where he became a friend of John Flaxman, Thomas Stothard and George Cumberland and shared radical views, with Stothard and Cumberland joining the Society for Constitutional Information. In 1782 Blake met his future wife Catherine Boucher and married her on 18 August 1782 in St Mary’s Church, Battersea. Blake’s first collection of poems, Poetical Sketches, was printed around 1783.After his father’s death, Blake and former fellow apprentice James Parker opened a print shop in 1784, and began working with radical publisher Joseph Johnson, whose house was a meeting-place for some leading English intellectual dissidents of the time: theologian and scientist Joseph Priestley, philosopher Richard Price, artist John Henry Fuseli, early feminist Mary Wollstonecraft and Anglo-American revolutionary Thomas Paine. Along with William Wordsworth and William Godwin. In 1784 Blake composed his unfinished manuscript An Island in the Moon.Blake illustrated Original Stories from Real Life (1788; 1791) by Mary Wollstonecraft and in 1793’s Visions of the Daughters of Albion, Blake condemned the cruel absurdity of enforced chastity and marriage without love and defended the right of women to complete self-fulfilmenti
In 1788, aged 31, Blake experimented with relief etching, a method he used to produce most of his books, paintings, pamphlets and Blake used this process for most of his well-known works, including Songs of Innocence and of Experience, The Book of Thel, The Marriage of Heaven and Hell and Jerusalem. Although Blake has become most famous for his relief etching, his commercial work largely consisted of intaglio engraving, the standard process of engraving in the 18th century in which the artist incised an image into the copper plate, a complex and laborious process.examples of Blake’s intaglio engraving include illustrations of the Book of Job.In 1800, Blake moved to a cottage at Felpham, in Sussex (now West Sussex), to take up a job illustrating the works of William Hayley, a minor poet. It was in this cottage that Blake began work on Milton. Blake had trouble with authority which came to a head in August 1803, when he was involved in a physical altercation with a soldier, John Schofield and was charged not only with assault, but with uttering seditious and treasonable expressions against the king. Blake returned to London in 1804 and began to write and illustrate Jerusalem (1804–20), his most ambitious work. Having conceived the idea of portraying the characters in Chaucer’s Canterbury Tales. In 1818 he was introduced to a group of artists who called themselves the Shoreham Ancients. The group shared Blake’s rejection of modern trends and his belief in a spiritual and artistic New Age.
Aged 65, Blake’s last years were spent at Fountain Court off the Strand where he began work on illustrations for the Book of Job and was then commissioned to do a series of engravings to illustrate Dante’s Divine Comedy in 1826. Despite being Largely unrecognised during his lifetime and considered mad by his contempories for his idiosyncratic views, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. His paintings and poetry have been characterised as part of the Romantic movement and “Pre-Romantic” and he was placed at number 38 in the BBC’s poll of the 100 Greatest Britons.
Dutch painter and draughtsman Hieronymus Bosch sadly died 9 August 1516. He was born around 1450 in Brabant. Little is known of Bosch’s life, though there are some records. He spent most of it in the town of ‘s-Hertogenbosch, where he was born in his grandfather’s house, Jan van Aken (died 1454), who was a painter and is first mentioned in the records in 1430. It is known that Jan had five sons, four of whom were also painters. Bosch’s father, Anthonius van Aken (died c. 1478), acted as artistic adviser to the Illustrious Brotherhood of Our Blessed Lady. The roots of his forefathers are in Nijmegen and Aachen (which is visible in his surname: Van Aken). His pessimistic and fantastical style cast a wide influence on northern art of the 16th century, with Pieter Bruegel the Elder being his best-known follower.
Hebecame of the most notable representatives of the Early Dutch painting school. His work contains fantastic illustrations of religious concepts and narratives. Within his lifetime his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell. Today he is seen as a hugely individualistic painter with deep insight into humanity’s desires and deepest fears. Attribution has been especially difficult; today only about twenty-five paintings are confidently given to his hand along with eight drawings. Approximately another half dozen paintings are confidently attributed to his workshop. His most acclaimed works consist of a few triptych altarpieces, including The Garden of Earthly Delights. (Below)
World Colouring Book day takes place annually on 2 August in recognition of the terapeutic, educational and, calming effect colouring books can bring to stressed-out children and adults alike. A coloring book (or colouring book, or colouring page) is a type of book containing line art to which people are intended to add color using crayons, colored pencils, marker pens, paint or other artistic media. Traditional coloring books and coloring pages are printed on paper or card. Some coloring books have perforated edges so their pages can be removed from the books and used as individual sheets. Others may include a story line and so are intended to be left intact. Today many children’s coloring books feature popular cartoon characters. They are often used as promotional materials for animated motion pictures. Coloring books may also incorporate other activities such as connect the dots, mazes and other puzzles. Some also incorporate the use of stickers.
Colouring books have a long history. The first coloring book was published in the late 1800’s by the McLoughlin Brothers when they first released ‘The Little Folks Painting Book’. Paint books and coloring books emerged in the United States as part of the “democratization of art” process, inspired by a series of lectures by British artist Joshua Reynolds, and the works of Swiss educator Johann Heinrich Pestalozzi and his student Friedrich Fröbel. Many educators concluded that all, regardless of background, students stood to benefit from art education as a means of enhancing their conceptual understanding of the tangible, developing their cognitive abilities, and improving skills that would be useful in finding a profession, as well as for the children’s spiritual edification
The McLoughlin Brothers are credited as the inventors of the coloring book, when, in the 1880s, they produced The Little Folks’ Painting Book, in collaboration with Kate Greenaway. They continued to publish coloring books until the 1920s, when the McLoughlin Brothers became part of the Milton Bradley Company. Another pioneer in the genre was Richard F. Outcault. He authored Buster’s Paint Book in 1907, featuring the character of Buster Brown, which he had invented in 1902. It was published by the Stokes Company. This launched a trend to use coloring books to advertise a wide variety of products, including coffee and pianos. Until the 1930s, books were designed with the intent for them to be painted instead of colored. Even when crayons came into wide use in the 1930s, books were still designed so that they could be painted or colore
Today There are also many Books full of highly detailed intricate and beautiful illustrations such as Mandalas, fantasy art, Doctor Who, Game of Thrones, Star Trek, Star Wars and Landscapes which are designed specifically for adults. Since they were introduced Coloring books have been used for everything from educational purposes (coloring books are in every school), to aiding in therapy and health. In addition to colouring books themselves There are also colouring book Apps which you can down such as Veraxen and Amuseum. I myself have been using Veraxen to calm me down everytime i get stressed (I haven’t throttled anybody since i downloaded it😀) there are also a large number of line drawings which can be downloaded from places like Pinterest (so far Ive downloaded Neuschwannstein and Frauenkirche Dresden).
International Beer Day
International Beer Day (IBD) takes place on the first Friday of every August. The event was founded in 2007 in Santa Cruz, California by Jesse Avshalomov. The purpose of international Beer Day is To gather with friends and enjoy the taste of beer. To celebrate those responsible for brewing and serving beer. To unite the world under the banner of beer, by celebrating the beers of all nations together on a single day.
Beer is one of the oldest and most widely consumed alcoholic drinks in the world, and the third most popular drink overall after water and tea. Beer is brewed from cereal grains—most commonly from malted barley, though wheat, maize (corn), and rice are also used. During the brewing process, fermentation of the starch sugars in the wort produces ethanol and carbonation in the resulting beer. Most modern beer is brewed with hops, which add bitterness and other flavours and act as a natural preservative and stabilizing agent. Other flavouring agents such as gruit, herbs, or fruits may be included or used instead of hops. In commercial brewing, the natural carbonation effect is often removed during processing and replaced with forced carbonation.
Some of humanity’s earliest known writings refer to the production and distribution of beer: the Code of Hammurabi included laws regulating beer and beer parlours, and “The Hymn to Ninkasi”, a prayer to the Mesopotamian goddess of beer, served as both a prayer and as a method of remembering the recipe for beer in a culture with few literate people. Beer is distributed in bottles and cans and is also commonly available on draught, particularly in pubs and bars. The brewing industry is a global business, consisting of several dominant multinational companies and many thousands of smaller producers ranging from brewpubs to regional breweries. The strength of modern beer is usually around 4% to 6% alcohol by volume (ABV), although it may vary between 0.5% and 20%, with some breweries creating examples of 40% ABV and above.
Participants of International Beer Day are encouraged to give one another the ‘gift of beer’ by buying each other drinks, and to express gratitude to brewers, bartenders, and other beer technicians. In the international spirit of the holiday, it is also suggested that participants step out of their domestic/locally brewed comfort zone and sample a beer from another culture. International Beer Day began as a celebration at the founders’ local bar, but has since expanded to become a worldwide event. Celebrations are planned throughout the United States as well as in Argentina, Armenia, Australia, Austria, Belgium, Brazil, Bulgaria, Canada, Colombia, Costa Rica, El Salvador, England, France, Greece, Honduras, Hong Kong, Hungary, India, Ireland, Israel, Italy, Japan, Latvia, Lebanon, Lithuania, Luxembourg, Macedonia, Malaysia, Mexico, New Zealand, Nicaragua, Norway, Peru, Poland, Portugal, Puerto Rico, Romania, Scotland, Serbia, Singapore, Slovakia, Slovenia, South Africa, Spain, Sri Lanka, Sweden, Thailand, the Philippines, Turkey, Uganda, Ukraine, United Arab Emirates, Uruguay, Vanuatu, and Venezuela.
Beer forms part of the culture of many nations and is associated with social traditions such as beer festivals, as well as a rich pub culture involving activities like pub crawling and pub games. International Beer Day Events include: Tapping of new or rare beers, all-day happy hours, beer flights, trivia nights, binge drinking and other games (such as beer pong), beer/food pairings and beer gear giveaways. From 2007 through 2012, International Beer Day was celebrated on August 5. After International Beer Day 2012, the founders took a poll of fans and chose to move the holiday to the first Friday in August. Since its inception, International Beer Day has grown from a small localized event in the western United States into a worldwide celebration spanning 207 cities, 80 countries and 6 continents.
Prolific English portrait and landscape painter Thomas Gainsborough sadly died 2 August 1788. He was christened 14 May in 1727. in Sudbury, Suffolk, the youngest son of John Gainsborough, a weaver and maker of woollen goods, and his wife, the sister of the Reverend Humphry Burrough One of Gainsborough’s brothers, Humphrey, had a faculty for mechanics and was said to have invented the method of condensing steam in a separate vessel, which was of great service to James Watt; another brother, John, was known as Scheming Jack because of his passion for designing curiosities. The artist spent his childhood at what is now Gainsborough’s House, on Gainsborough Street (he later resided there, following the death of his father in 1749). The original building still survives and is now a dedicated House to his life and art. During childhood he impressed his father with his drawing and painting skills, and he almost certainly had painted heads and small landscapes by the time he was ten years old, including a miniature self-portrait.
In 1740, he left home to study art in London with Hubert Gravelot, Francis Hayman, and William Hogarth. He assisted Francis Hayman in the decoration of the supper boxes at Vauxhall Gardens, and contributed to the decoration of what is now the Thomas Coram Foundation for Children. In 1746, he married Margaret Burr, and the couple became the parents of two daughters. He moved to Bath in 1759 where fashionable society patronised him, he studied portraits by van Dyck and was eventually able to attract a fashionable clientele. In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 he submitted works to the Royal Academy’s annual exhibitions. He selected portraits of well-known or notorious clients in order to attract attention. The exhibitions helped him acquire a national reputation.
In 1769, he became a founding member of the Royal Academy, but his relationship with the organisation was thorny and he sometimes withdrew his work from exhibition. Gainsborough moved to London in 1774, and painted portraits of the King and Queen, but the King was obliged to name as royal painter Gainsborough’s rival Joshua Reynolds. In his last years, Gainsborough painted relatively simple landscapes and is credited (with Richard Wilson) as the originator of the 18th century British landscape school. In 1774, Gainsborough and his family moved to London to live in Schomberg House, Pall Mall. A commemorative blue plaque was put on the house in 1951. In 1777, he again began to exhibit his paintings at the Royal Academy, including portraits of contemporary celebrities, such as the Duke and Duchess of Cumberland. Exhibitions of his work continued for the next six years. Gainsborough began experimenting with printmaking using the then-novel techniques of aquatint and soft-ground etching.
During the 1770s and 1780s Gainsborough developed a type of portrait in which he integrated the sitter into the landscape. A splendid example of this is his portrait of Frances Browne, Mrs John Douglas (1746-1811) which can be seen at Waddesdon Manor. The sitter has withdrawn to a secluded and overgrown corner of a garden to read a letter, her pose recalling the traditional representation of Melancholy. Gainsborough emphasised the relationship between Mrs Douglas and her environment by painting the clouds behind her and the drapery billowing across her lap with similar silvery mauves and fluid brushstrokes. This portrait was included in his first private exhibition at Schomberg House in 1784.
Gainsborough sadly passed away from the effects of cancer in 1788 and is interred at St. Anne’s Church, Kew, Surrey. However he has left the world with some wonderful paintings most of which are characterised by a light palette and easy strokes. He preferred landscapes to portraits. There have also been many films based on his life and Cecil Kellaway portrayed him in the 1945 film Kitty.
Italian artist Michelangelo Merisi Amerighi da Caravaggio sadly died 18 July 1610 at the age of 38, under mysterious circumstances in Porto Ercole, while on his way to Rome to receive a pardon. He was born 29 September 1571 in Milan where his father, Fermo (Fermo Merixio), was a household administrator and architect-decorator to the Marchese of Caravaggio, a town not far from the city of Bergamo.[ His mother, Lucia Aratori (Lutia de Oratoribus), came from a nearby property owning family. In 1576 the family moved to Caravaggio (Caravaggius) to escape a plague that ravaged Milan, of which Caravaggio’s father and grandfather both died in 1577. The artist grew up in Caravaggio, but his family kept up connections with the Sforzas and with the powerful Colonna family, who were allied by marriage with the Sforzas and destined to play a major role later in Caravaggio’s life.
Caravaggio’s mother died in 1584, and following her death he began his four-year apprenticeship to the Milanese painter Simone Peterzano, described in the contract of apprenticeship as a pupil of Titian. Caravaggio stayed in the Milan-Caravaggio area after his apprenticeship ended, and visited Venice where he saw the works of Giorgione, he became familiar with the art treasures of Milan, including Leonardo da Vinci’s Last Supper, and with the regional Lombard art, Which used simplicity and attention to naturalistic detail and was closer to the naturalism of Germany than to the stylised formality and grandeur of Roman Mannerism. Following his initial training under Simone Peterzano, in 1592 Caravaggio left Milan for Rome, in flight after “certain quarrels” and the wounding of a police officer.
In Rome he forged some extremely important friendships, with the painter Prospero Orsi, the architect Onorio Longhi, and the sixteen-year-old Sicilian artist Mario Minniti. Orsi, established in the profession, introduced him to influential collectors; while Longhi, introduced him to the dubious world of Roman street-brawls. A few months later he was painting for the highly successful Giuseppe Cesari, Pope Clement VIII’s favourite artist, “painting flowers and fruit” and developed a considerable name as an artist, In Rome there was demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious art that was tasked to counter the threat of Protestantism. Caravaggio’s innovation was a radical naturalism that combined close physical observation with a dramatic, even theatrical, use of chiaroscuro that came to be known as tenebrism. Minniti served Caravaggio as a model and, years later, would be instrumental in helping him to obtain important commissions in Sicily. Known works from this period include a small Boy Peeling a Fruit (his earliest known painting), a Boy with a Basket of Fruit, and the Young Sick Bacchus, supposedly a self-portrait done during convalescence from a serious illness that ended his employment with Cesari.
Caravaggio led a tumultuous life and was a violent amd easily provoked individual. He was jailed on several occasions, vandalized his own apartment, and ultimately had a death warrant issued for him by the Pope. He was also notorious for brawling, even in a time and place when such behavior was commonplace, and the transcripts of his police records and trial proceedings fill several pages. In 1606, he killed, possibly unintentionally, a young man named Ranuccio Tomassoni from Terni (Umbria). The circumstances of the brawl and the death of Ranuccio Tomassoni remain mysterious. Several contemporary avvisi referred to a quarrel over a gambling debt and a tennis game. Whatever the details, it was a serious matter. Previously his high-placed patrons had protected him from the consequences of his escapades, but this time they could do nothing. Caravaggio, outlawed, fled from Rome to Naples.
In Naples, outside the jurisdiction of the Roman authorities Caravaggio was protected by the Colonna family. Whose connections led to a stream of important church commissions, including the Madonna of the Rosary, and The Seven Works of Mercy, this painting depicts the seven corporal works of mercy as a set of compassionate acts concerning the material needs of others. The painting is still housed in, the church of Pio Monte della Misericordia in Naples. Caravaggio combined all seven works of mercy in one composition which became the church’s altarpiece. Despite his success in Naples, after only a few months in the city Caravaggio left for Malta, the headquarters of the Knights of Malta, presumably hoping that the patronage of Alof de Wignacourt, Grand Master of the Knights, could help him secure a pardon for Tomassoni’s death. De Wignacourt proved so impressed at having the famous artist as official painter to the Order that he inducted him as a knight, and the early biographer Bellori records that the artist was well pleased with his success. Major works from his Malta period include a huge Beheading of Saint John the Baptist (the only painting to which he put his signature) and a Portrait of Alof de Wignacourt and his Page, as well as portraits of other leading knights. In 1608 he was arrested and imprisoned as the result of yet another brawl, during which the door of a house was battered down and a knight seriously wounded. He was imprisoned by the knights and managed to escape. By December he had been expelled from the Order “as a foul and rotten member.”
In 1607 Caravaggio made his way from Naples to Sicily To gain a papal pardon for his sentence. In Sicilly met his old friend Mario Minniti, who was now married and living in Syracuse. Together they set off on what amounted to a triumphal tour from Syracuse to Messina and, maybe, on to the island capital, Palermo. In Syracuse and Messina Caravaggio continued to win prestigious and well-paid commissions. Among other works from this period are Burial of St. Lucy, The Raising of Lazarus, and Adoration of the Shepherds. His style continued to evolve, showing now friezes of figures isolated against vast empty backgrounds. “His great Sicilian altarpieces isolate their shadowy, pitifully poor figures in vast areas of darkness; they suggest the desperate fears and frailty of man, and at the same time convey, with a new yet desolate tenderness, the beauty of humility and of the meek, who shall inherit the earth.”.
In 1609 After only nine months in Sicily, an increasingly paranoid Caravaggio returned to Naples. He was being pursued by enemies while in Sicily and felt it safest to place himself under the protection of the Colonnas until he could secure his pardon from the pope (now Paul V) and return to Rome. In Naples he painted The Denial of Saint Peter, a final John the Baptist (Borghese), and his last picture, The Martyrdom of Saint Ursula. In Naples, an attempt was made on his life, Which seriously disfigured his face. He painted a Salome with the Head of John the Baptist (Madrid), showing his own head on a platter, and sent it to de Wignacourt, he also painted David with the Head of Goliath, which he sent to the art-loving Cardinal Scipione Borghese, nephew of the pope, who had the power to grant or withhold pardons. Throughout his life Caravaggio had displayed bizarre behaviour, and courted controvery. This got worse after Malta and Questions about his mental state arose from his erratic and bizarre behavior. In the summer of 1610 he took a boat northwards to receive the pardon, which seemed imminent thanks to his powerful Roman friends. With him were three last paintings, gifts for Cardinal Scipione.
Sadly though Caravaggio died 28 July 1610 under uncertain circumstances while on his way from Naples to Rome. Reports stated that he died of a fever, but suggestions have been made that he was murdered or that he died of lead poisoning. Recent research suggest that the artist died of a fever in Porto Ercole, near Grosseto in Tuscany. Human remains found in a church in Porto Ercole in 2010 are believed to almost certainly belong to Caravaggio. Some argue that Caravaggio was murdered by the same “enemies” that had been pursuing him since he fled Malta, possibly Wignacourt and/or factions in the Order of St. John.
Despite his tempestuous life, Caravaggio’s innovations inspired many Baroque paintings and his influence on the new Baroque style can be seen in the work of Rubens, Jusepe de Ribera, Bernini, Rembrandt and the “Caravaggisti” or “Caravagesques”, as well as Tenebrists or “Tenebrosi” (“shadowists”) who incorporated the drama of chiaroscuro without the psychological realism.
Dutch painter and etcher Rembrandt Harmenszoon van Rijn was born 15 July 1606. His contributions to art came during a period of great wealth and cultural achievement that historians call the Dutch Golden Age which was very different to the Baroque style that dominated Europe, he was extremely prolific and innovative. As a boy he attended Latin school and was enrolled at the University of Leiden, although according to a contemporary he had a greater inclination towards painting and was soon apprenticed to a Leiden history painter, Jacob van Swanenburgh, with whom he spent three years. After a brief but important apprenticeship of six months with the famous painter Pieter Lastman in Amsterdam, Rembrandt opened a studio in Leiden in 1624 or 1625, which he shared with friend and colleague Jan Lievens. In 1627, Rembrandt began to accept students, among them Gerrit Dou. In 1629, Rembrandt was discovered by the statesman Constantijn Huygens, the father of Dutch mathematician and physicist Christiaan Huygens, who procured commissions from the court of The Hague. As a result of this connection, Prince Frederik Hendrik continued to purchase paintings from Rembrandt until 1646.
The Polish Rider
In 1631 Rembrandt moved to Amsterdam, then rapidly expanding as the new business capital of the Netherlands, and began work as a professional portrait artist with great success. Throughout his career the themes of portraiture, landscape and narrative painting were his primary subjects and he produced over 600 paintings, nearly 400 etchings and 2,000 drawings including a number of biblical works, including The Raising of the Cross, Joseph Telling His Dreams and The Stoning of Saint Stephen, he was especially praised by his contemporaries, who extolled him as a masterly interpreter of biblical stories for his skill in representing emotions and attention to detail.During Rembrandt’s Leiden period (1625–1631) his Paintings were rather small, but rich in details (for example, in costumes and jewelry). Religious and allegorical themes were favored. In 1626 Rembrandt produced his first etchings, the wide dissemination of which would largely account for his international fame In 1629 he completed Judas Repentant, Returning the Pieces of Silver and The Artist in His Studio, works that evidence his interest in the handling of light and variety of paint application, and constitute the first major progress in his development as a painter.
Between 1632 and 1636 Rembrandt painted dramatic biblical and mythological scenes in high contrast and of large format (The Blinding of Samson, 1636, Belshazzar’s Feast, c. 1635 Danaë, 1636), seeking to emulate the baroque style of Rubens. With the occasional help of assistants in his workshop, he painted numerous portrait commissions both small (Jacob de Gheyn III) and large (Portrait of the Shipbuilder Jan Rijcksen and his Wife, 1633, Anatomy Lesson of Dr. Nicolaes Tulp, By the late 1630s Rembrandt had produced a few paintings and many etchings of landscapes. Often these landscapes highlighted natural drama, featuring uprooted trees and ominous skies (Cottages before a Stormy Sky, and The Three Trees. From 1640 his work became less exuberant and more sober in tone, possibly reflecting personal tragedy. Biblical scenes were now derived more often from the New Testament than the Old Testament, as had been the case before. In 1642 he painted The Night Watch and in the decade following the Night Watch, Rembrandt’s paintings varied greatly in size, subject, and style. The previous tendency to create dramatic effects primarily by strong contrasts of light and shadow gave way to the use of frontal lighting and larger and more saturated areas of color.
However these graphic works of natural drama eventually made way for quiet Dutch rural scenes and by the 1650s, Rembrandt’s style changed again. Colors became richer and brush strokes more pronounced. With these changes, Rembrandt distanced himself from earlier work and current fashion, which increasingly inclined toward fine, detailed works. In later years biblical themes were still depicted often, but emphasis shifted from dramatic group scenes to intimate portrait-like figures (James the Apostle, 1661). In his last years, Rembrandt painted his most deeply reflective self-portraits, and several moving images of both men and women in love, in life, and before God.Although he achieved youthful success as a portrait painter, Rembrandt’s later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt’s greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. His self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity. In his paintings and prints he exhibited knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt’s knowledge of the specific text, his assimilation of classical composition, and his observations of Amsterdam’s Jewish population. Rembrandt sadly passed away on 4th October 1669) but his legacy lives on in the form of many wonderful paintings and because of his empathy for the human condition, he is also sometimes referred to as “one of the great prophets of civilization.”