I have recently listened to the second Audible Adaptation of Earthsea by Ursula Le Guin. It is Based on the novel Tehanu by Ursula Le Guin. It concerms Tenar, who has since married a farmer called Flint and Now has two grown up children, Apple and Spark who have all left home. Tenar is brought a severely injured child, whom She adopts and nurses back to health before giving the child the name Therru, which means “flame” in Tenar’s native Kargish language. Tenar returns from Havnar to the Island of Gont with Therru to the house ofGed’s old master Ogion, outside the town of Re Albi, only to discover that he is dying.
Soon after A Dragon named Kalessin returns to Gont with the apparently dead body of Ged, who is now Arch Mage in Roke. Ged slowly recovers, but he is a changed man. Then Men from King Lebannen’s domain Havnor arrive searching for Ged. However Ged flees. Then Tenar is confronted by the evil mage, Aspen, and Therru suddenly disappears. Later on Tenar is threatened by both Aspen and Handy, so she flees with Therru to Gont Port where she Takes refuge in the ship of the king himself. Lebannen Who takes Tenar and Therru to Valmouth.
Tenar eventually returns to Oak Farm however Handy and a group of men attempt to break into the house, luckily they are thwarted by Ged, who decides he wants to settle down on the Farm with Tenar and live an ordinary life, far from the concerns of an Archmage. However Tenar’s son Spark returns home suddenly. Tenar then receives word that Moss is dying and wants to see her. So She, Ged and Therru leave immediately for Re Albi. However, the message turns out to be a trap set by Aspen, who is a follower of the defeated wizard Cob and Tenar and Ged are captured. So Therru asksthe dragon Kalessin for help To try and rescue them…
March 25th has been designated Tolkien Reading Day in honour of the. English writer, poet, philologist, and university professor J R R Tolkien, CBE, who is Best known as the author of the classic high fantasy works The Hobbit, The Lord of the Rings, and The Silmarillion. Jonathathan Ronald Rheul Tolkien was Born on 3 January 1892 in Bloemfontein. His first novel was The Hobbit was Published on 21 September 1937 to wide critical acclaim.
The Hobbit is Set in a time “Between the Dawn of Færie and the Dominion of Men”, and follows the dangerous and exciting quest of Bilbo Baggins who joins the Wizard Gandalf and a company of thirteen dwarves led by Thorin Okenshield on a dangerous journey to the Lonely Mountain, to reclaim the Dwarf kingdom of Erabor and the many treasures which have been stolen by the fearsome dragon Smaug. Along the way they encounter many hazards including Cave Trolls, Giant Spiders, Hordes of Orcs and Imprisonment by the Elves of Mirkwood Forest. As if that wasn’t enough something decidedly dodgy is also stirring in the Fortress of Dol Gulder, to the South-East of Mirkwood which is taken over by an evil Necromancer. The story culminates in a big battle between the men of Dale, The Elves of Mirkwood, The Dwarves of Erabor, the Hordes of Orcs and the Eagles as they all try to reclaim the treasure stolen by Smaug.
THE LORD OF THE RINGS
Tolkien was asked to write a follow up to the Hobbit and his next novel The Lord of the Rings was Published as three volumes ,as The Fellowship of the Ring, The Two Towers, and The Return of the King. The title of the novel refers to the story’s main antagonist, the Dark Lord Sauron, who Long before the events of the novel created One Ring to rule the other Rings of Power as the ultimate weapon in his campaign to conquer and rule all of Middle-earth and corrupt everyone. He is defeated in battle, and Isildur cuts the One Ring from Sauron’s finger, claiming it as an heirloom for his line. Sadly Isildur is killed by Orcs in the Gladden Fields, and the Ring is lost in the River Anduin.
Over two thousand years later, the Ring is found by a river-dwelling stoor called Déagol. His friend Sméagol immediately falls under the Ring’s spell and strangles Deagol. Sméagol is banished and hides under the Misty Mountains, where the Ring extends his lifespan and gradually transforms him into a twisted, corrupted creature called Gollum. Sadly He loses the Ring during The Hobbit, and Bilbo Baggins finds it. Meanwhile, Sauron takes a new physical form and reoccupies his old realm of Mordor. Gollum sets out in search of the Ring, but is captured by Sauron, who learns from him that Bilbo Baggins now has it. Gollum is set loose, and Sauron, who needs the Ring to regain his full power, sends forth the evil Nazgûl, to seize it. Meanwhile back in the Shire, the hobbit Frodo Baggins inherits the Ring from Bilbo, his cousin and guardian. Neither is aware of its origin, however Gandalf the Grey, a wizard and old friend of Bilbo, suspects the Ring’s evil provenance and advises Frodo to take it away from the Shire. So Frodo leaves, accompanied by his gardener and friend, Samwise (“Sam”) Gamgee, and two cousins, Meriadoc (“Merry”) Brandybuck and Peregrin (“Pippin”) Took.
They are nearly captured by the Nazgûl, but escape, aided by the enigmatic Tom Bombadil, who seems curiously unaffected by the Ring’s corrupting influence. After stopping in the town of Bree they meet Aragorn, Isildur’s heir. They flee from Bree after narrowly escaping another assault, but the Nazgûl attack them on the hill of Weathertop, wounding Frodo with a Morgul blade. Aragorn leads the hobbits toward the Elven refuge of Rivendell, while Frodo gradually succumbs to the wound. The Ringwraiths nearly overtake Frodo at the Ford of Bruinen. Frodo recovers in Rivendell under the care of Lord Elrond. The Council of Elrond reveals much significant history about Sauron and the Ring, as well as the news that Sauron has corrupted Gandalf’s fellow wizard, Saruman. The Council decides that the best course of action is to destroy the Ring, which can only be done by returning it to the flames of Mount Doom in Mordor, where it was forged. So the hobbits Frodo Baggins, Samwise “Sam” Gamgee, Meriadoc “Merry” Brandybuck and Peregrin “Pippin” Took, aided by Aragorn, a Human Ranger; Boromir, son of the Ruling Steward Denethor of the realm of Gondor; Gimli, a Dwarf warrior; Legolas, an Elven prince; and Gandalf, a Wizard set off on a perilous quest across Middle Earth to destroy the Ring in the Fires of Mount Doom. Encountering many dangers along the way including The Machinations of corrupted wizard Saruman, The Nazgul, Hordes of vicious orcs, and The Ancient Demonic and fiery Balrog. However They are helped along by Galadriel and Celeborn after they take refuge in the Elven forest of Lothlórien.
THE TWO TOWERS
Merry & Pippin are captured by Orcs but manage to escape and are befriended by Treebeard, the oldest of the tree-like Ents. who roused from their customarily peaceful ways by Merry and Pippin, attack Isengard, Saruman’s stronghold, and trap the wizard in the tower of Orthanc. The rest of the company ride to Edoras, the capital of Rohan, where they meet Théoden, King of Rohan, whom Gandalf convinces to ride to the ancient fortress of Helm’s Deep to engage Saruman’s forces, and are joined by company of the Rohirrim. Gandalf then convinces Treebeard to send an army of Huorns to the aid of Théoden at Helm’s Deep, and the Huorns destroy Saruman’s army. Frodo and Sam capture Gollum, who had been following them from Moria, and force him to guide them to Mordor. Finding Mordor’s Black Gate too dangerous to attempt, they travel instead to a secret passage Gollum knows. Torn between his loyalty to Frodo and his desire for the Ring, Gollum eventually betrays Frodo by leading him to the great spider Shelob in the tunnels of Cirith Ungol. Frodo is felled by Shelob’s bite, but Sam fights her off. Sam takes the Ring and leaves Frodo, believing him to be dead. When orcs find Frodo, Sam overhears them say that Frodo is only unconscious, and Sam determines to rescue him.
THE RETURN OF THE KING
Having been defeated at Helm’s Deep Sauron unleashes a heavy assault upon Gondor. Gandalf arrives with Pippin at Minas Tirith to alert Denethor, the Steward of Gondor, of the impending attack. The city is besieged, and Denethor, under the influence of Sauron through another palantír, despairs and commits suicide, nearly taking his remaining son Faramir with him. With time running out, Aragorn, Legolas and Gimli take the Paths of the Dead, where Aragorn raises an undead army of oath-breakers bound by an ancient curse. The ghostly army help them to defeat the Corsairs of Umbar invading southern Gondor. The forces of Gondor and Rohan break the siege of Minas Tirith. Sam rescues Frodo from the tower of Cirith Ungol, and they cross Mordor. Meanwhile, in order to distract Sauron, Aragorn leads the the armies of Gondor and Rohan in a march on the Black Gate of Mordor where His vastly outnumbered troops fight desperately against Sauron’s armies. Meanwhile At the edge of the Cracks of Doom, Frodo is unable to resist the Ring any longer, and claims it for himself then Gollum suddenly reappears wanting “his precious” back.
Tolkien’s publisher requested a sequel to The Hobbit, so Tolkien sent them an early draft of The Silmarillion which comprises five parts. The first part, Ainulindalë, tells of the creation of Eä, the “world that is”. Valaquenta, the second part, gives a description of the Valar and Maiar, the supernatural powers in Eä. The next section, Quenta Silmarillion, which forms the bulk of the collection, chronicles the history of the events before and during the First Age, including the wars over the Silmarils. The fourth part, Akallabêth, relates the history of the Downfall of Númenor and its people, which takes place in the Second Age. The final part, “Of the Rings of Power and the Third Age”, is a brief account of the circumstances preceding The Lord of the Rings.
The first section of The Silmarillion, Ainulindalë (“The Music of the Ainur”), takes the form of a primary creation narrative. Eru (“The One”, also called Ilúvatar (“Father of All”), first created the Ainur, a group of eternal spirits or demiurges, called “the offspring of his thought”. Ilúvatar brought the Ainur together and showed them a theme, from which he bade them make a great music. Melkor — whom Ilúvatar had given the “greatest power and knowledge” of all the Ainur — broke from the harmony of the music to develop his own song. Some Ainur joined him, while others continued to follow Ilúvatar, causing discord in the music. This happened thrice, with Eru Ilúvatar successfully overpowering his rebellious subordinate with a new theme each time. Ilúvatar then stopped the music and showed them a vision of Arda and its peoples. The vision disappeared after a while, and Ilúvatar offered the Ainur a chance to enter into Arda and govern over the new world. Many Ainur descended, taking physical form and becoming bound to that world. The greater Ainur became known as Valar, while the lesser Ainur were called Maiar. The Valar attempted to prepare the world for the coming inhabitants (Elves and Men), while Melkor, who wanted Arda for himself, repeatedly destroyed their work; this went on for thousands of years until, through waves of destruction and creation, the world took shape. Valaquenta “Account of the Valar” describes Melkor and each of the 14 Valar in detail, as well as a few of the Maiar. It also reveals how Melkor seduced many Maiar — including Sauron into serving him.
Quenta Silmarillion (“The History of the Silmarils”) is a series of interconnected tales set in the First Age concerning three jewels, called the Silmarils. It features the God-like Valar, who create the world for Elves and Men, but are continually plagued by the evil Melkor, who keeps destroying their work. First Melkor destroys the two lights that illuminated the world leaving the world in darkness, so the Valar move to Aman, a continent to the west of Middle-earth, and establish Valinor, illuminated by Two trees. Soon stars began to shine on Middle Earth waking the Elves so the Valar try to keep them safe from Melkor, who is eventually captured. The Elves are invited to live in Aman and some leave, while others stay in Middle Earth, including the Sindar, who are ruled by the Elf King Thingol and Melian, a Maia. Three Elf tribes set out- the Vanyar, Noldor, and the Teleri. Fëanor, son of Finwë, King of the Noldor, then creates the Silmarils, which glow with the light of the Two Trees.
However after being released Melkor, destroyd the Two Trees with the help of Ungoliant, kills Finwë, and steals the Silmarils, fleeing to Middle-earth, and attacking the Elvish kingdom of Doriath. However he is defeated in the first of five battles of Beleriand, and barricades himself in his northern fortress of Angband. So Fëanor and his sons swear an oath of vengeance against Melkor and anyone who withholds the Silmarils from them, inclluding the Valar. The Noldor pursue Melkor, whom Fëanor renames Morgoth. Fëanor’s sons seize ships from the Teleri, attacking and killing many of them, and leave the other Noldor to make the voyage by foot. Upon arriving in Middle-earth, the Noldor under Fëanor attack Melkor and defeat him, though Fëanor is killed by a Balrog . After a period of peace, Melkor attacks the Noldor but is defeated and besiege for 400 years before eventually breaking the siege and driving the Noldor back. Following the destruction of the Trees and the theft of the Silmaril, the Valar create the moon and sun, which awakens Men who settle in Beleriand and ally themselves to the Elves.
Beren a man who had survived the latest battle, arrives in Doriath, falls in love with the elf named Lúthien, the king’s daughter. However the king tries to prevent their marriage by imposing an impossible task: retrieving one of the Silmarils from Melkor. So Beren and Lúthien set out to retrieve a Silmaril but are caught and imprisoned by Sauron a powerful servant of Melkor, however the manage to escape and get inside Melkor’s fortress at Angband before taking a Silmaril from Melkor’s Crown. Having achieved the task, the first union of man and elf was formed, though Beren was soon mortally wounded and Lúthien also died of grief. The Noldor, seeing that a mortal and an elf-woman could infiltrate Angband, attacked again with a great army of Elves, Dwarves and Men. But are deceived by Melkor, and defeated. However, many Men remained loyal to the Elves and were honoured thereafter.
None received more honour than the brothers Húrin and Huor. Melkor captured Húrin, and cursed him to watch the downfall of his kin. Húrin’s son, Túrin Turambar, was sent to Doriath, leaving his mother and unborn sister behind in his father’s kingdom (which had been overrun by the enemy). Túrin achieved many great deeds of valor, the greatest being the defeat of the dragon Glaurung. Despite his heroism, however, Túrin was plagued by the curse of Melkor, which led him unwittingly to murder his friend Beleg and to marry and impregnate his sister Nienor, whom he had never met before, and who had lost her memory through Glaurung’s enchantment. Before their child was born, the bewitchment was lifted as the dragon lay dying. Nienor, realizing what grew within her, took her own life. Upon learning the truth, Túrin threw himself on his sword.
Huor’s other son, Tuor, became involved in the fate of the hidden Noldorin kingdom of Gondolin. He married Idril, daughter of Turgon, Lord of Gondolin (the second union between Elves and Men). When Gondolin fell, betrayed from within by Maeglin, Tuor saved many of its inhabitants from destruction. All of the Elvish kingdoms in Beleriand eventually fell, and the refugees fled to a haven by the sea created by Tuor. The son of Tuor and Idril, Eärendil the Half-elven, was betrothed to Elwing, herself descended from Beren and Lúthien. Elwing brought Eärendil the Silmaril of Beren and Lúthien, and using its light Eärendil travelled across the sea to Aman to seek help from the Valar. The Valar obliged; they attacked and defeated Melkor, completely destroying his fortress Angband and sinking most of Beleriand; and they expelled Melkor from Arda. This ended the First Age of Middle-earth. Eärendil and Elwing had two children: Elrond and Elros. As descendants of immortal elves and mortal men, they were given the choice of which lineage to belong to: Elrond chose to belong to the Elves, while his brother Elros became the first king of Numenor
Akallabêth (“The Downfallen” recounts the rise and fall of the island kingdom of Númenor, inhabited by the Dúnedain. After the defeat of Melkor, the Valar gave the island to the three loyal houses of Men who had aided the Elves in the war against him. Through the favor with the Valar, the Dúnedain were granted wisdom and power and life more enduring than any other of mortal race had possessed, making them comparable to the High-Elves of Aman. Indeed, the isle of Númenor lay closer to Aman than to Middle-earth. But their power lay in their bliss and their acceptance of mortality. The fall of Númenor was brought about by the corrupted Maia Sauron (formerly a chief servant of Melkor), who arose during the Second Age and tried to conquer Middle-earth.The Númenóreans moved against Sauron, who saw that he could not defeat them with force and allowed himself to be taken as a prisoner to Númenor. There he quickly enthralled the king, Ar-Pharazôn, urging him to seek out the immortality that the Valar had apparently denied him, thus nurturing the seeds of envy that the Númenóreans had begun to hold against the Elves of the West and the Valar. So it was that all the knowledge and power of Númenor was turned towards seeking an avoidance of death; but this only weakened them and sped the gradual waning of the lifespans to something more similar to that of other Men. Sauron urged them to wage war against the Valar themselves to win immortality, and to worship his old master Melkor, whom he said could grant them their wish. Ar-Pharazôn created the mightiest army and fleet Númenor had seen, and sailed against Aman.
The Valar and Elves of Aman, stricken with grief over their betrayal, called on Ilúvatar for help. When Ar-Pharazôn landed, Ilúvatar destroyed his fleet and drowned Númenor itself as punishment for the rebellion against the rightful rule of the Valar. Ilúvatar created a great wave, such as had never before been seen, which utterly destroyed and submerged the isle of Númenor, killing all but those Dúnedain who had already sailed east, and changing the shape of all the lands of Middle-earth. Sauron’s physical manifestation was also destroyed in the ruin of Númenor, but as a Maia his spirit returned to Middle-earth, now robbed of the fair form he once had. Some Númenóreans who had remained loyal to the Valar were spared and were washed up on the shores of Middle-earth, where they founded the kingdoms of Arnor and Gondor. Among these survivors were Elendil their leader, and his two sons Isildur and Anárion who had also saved a seedling from Númenor´s white tree, the ancestor of that of Gondor. They founded the Númenórean Kingdoms in Exile: Arnor in the north and Gondor in the south. Elendil reigned as High-king of both kingdoms, but committed the rule of Gondor jointly to Isildur and Anárion. The power of the kingdoms in exile was greatly diminished from that of Númenor, “yet very great it seemed To the Wild Men of Mddle Earth.
The Children of Húrin was also published posthumously by Christopher Tolkien and tells the story of the Children of Hurin Thalion who was chained to a rock by the evil Melkur/Morgoth and forced to watch the ultimately tragic downfall of his son Túrin Turambar who is separated from his sister Nienor from an early age and sent to Doriath. At first Turin proves himself to be a mighty warrior and achieves many great deeds in Middle Earth and defeats many enemies. However he falls foul of the sinister machinations of the evil dragon Glaurung around the fall of Elven kingdom of Gondolin.
Many other novels have also been published under the Tolkien name including The Fall of Gondolin, Sigurd and Gudrun, Beren and Luthien, Beowulf and King Arthur. These have been written Using material compiled by Christopher Tolkien from The Silmarillion, Unfinished Tales, The History of Middle-earth, and other manuscripts such as the Poetic Edda.
English illustrator, graphic humourist, and political cartoonist Sir John Tenniel was born 28 February 1820 in Bayswater, West London, Tenniel had five siblings; two brothers and three sisters. One sister, Mary, was later to marry Thomas Goodwin Green, owner of the pottery that produced Cornishware. Tenniel was a quiet and introverted person, both as a boy and as an adult. In 1840, while practising fencing with his father, Tenniel received a serious eye wound from his father’s foil, which had accidentally lost its protective tip. Over the years Tenniel gradually lost sight in his right eye.
Tenniel became a student of the Royal Academy of Arts in 1842 and was admitted after making several copies of classical sculptures to provide the necessary admission portfolio. While Tenniel’s more formal training at the Royal Academy and at other institutions was beneficial in nurturing his artistic ambitions, it failed in Tenniel’s mind because he disagreed with the school’s teaching methods, resulting in Tenniel educating himself for his career. Tenniel studied classical sculptures through painting; but was frustrated that he was never taught how to draw. Tenniel would draw the classical statues at the London’s Townley Gallery, copied illustrations from books of costumes and armor in the British museum, and drew the animals from the zoo in Regent’s Park as well as the actors from the London theatres, which were drawn from the pits.
It was during these studies that Tenniel learned to appreciate detail; however, he became impatient with his work and was the happiest when he could draw from memory. Tenniel was blessed with a photographic memory, undermining his early training and seriously restricting his artistic ambitions. Tenniel also participated in an artists group, free from the rules of the academy which had previously stifled Tenniel.
In the mid-1840s Tenniel joined the Artist’s Society or Clipstone Street Life Academy. Tenniel’s first book illustration was for Samuel Carter Hall’s The Book of British Ballads. During 1842 various Government backed contests were also taking place in London, To combat the growing Germanic Nazarenes style and promote a truly national English school of art. Tenniel planned to enter the 1845 House of Lords competition for the chance to design the mural decoration of the new Palace of Westminster and submitted the cartoon, An Allegory of Justice, for which he received a £200 premium and a commission to paint a fresco in the Upper Waiting Hall (or Hall of Poets) in the House of Lords.
Tenniel began incorporating more detail in backgrounds and figures and started producing more precisely-designed illustrations which depicted specific moments of time, locale, and individual character instead of just generalized scenes. Tenniel also developed a new interest in human types, expressions, and individualized representation. This style probably stemmed from his earlier interest in caricature. In Tenniel’s first years on Punch he developed this caricaturist’s interest in the uniqueness of persons and things, giving anthropomorphic qualities to inanimate objects and buildings. He also began using vigorously hand-drawn hatching greatly intensifying darker areas
In 1850 he was invited by Mark Lemon to fill the position of joint cartoonist (with John Leech) on Punch. He had been selected on the strength of his recent illustrations to Aesop’s Fables. He contributed his first drawing in the initial letter appearing on p. 224, vol. xix. His first cartoon was Lord Jack the Giant Killer, which showed Lord John Russell assailing Cardinal WisemaIn 1861, Tenniel was offered a position at Punch, as political cartoonist; however, Tenniel still maintained some sense of decorum and restraint into the heated social and political issues of the day. John Tenniel’s satirical, often radical and at times vitriolic images of the world, remained a steadfast social commentary of the sweeping national, political and social reforms taking place. Tenniel’s work, was often scathing in it’s depiction of the issues of working class radicalism, labour, war, economy, and other national themes.
Many of Tenniel’s political cartoons expressed strong hostility to Irish Nationalism, with Fenians depicted as monstrous, brutes, while “Hibernia”—the personification of Ireland—was depicted as a beautiful, helpless young girl threatened by these “monsters” and turning for protection to “her elder sister”, the powerful armoured Britannia. His drawing “An Unequal Match”, depicted a police officer fighting a criminal with only a ‘baton’ for protection, Tenniel’s work at Punch was often controversial and socially sensitive, amd expressed the voices of the British public. Tenniel contributed around 2,300 cartoons, innumerable minor drawings, many double-page cartoons for Punch’s Almanac and other special numbers, and 250 designs for Punch’s Pocket-books expressing the Victorian public’s mood for liberal social changes
Tenniel is also remembered for Illustrating Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass and What Alice Found There. Lewis Carroll originally illustrated Wonderland himself, but his artistic abilities were limited. Engraver Orlando Jewitt, who had worked for Carroll in 1859 and had reviewed Carroll’s drawings for Wonderland, suggested that he employ a professional illustrator. Carroll was a regular reader of Punch and was therefore familiar with Tenniel. So In 1865 Tenniel, illustrated the first edition of Alice’s Adventures in Wonderland. His style was rather disturbing and grotesque featuring dark atmospheric compositions of exaggerated fantasy creatures, often featuring animal heads on humans and the merging of beings with objects and this “grotesqueness” was one of the main reasons why Lewis Carroll wanted him to illustrate the Alice books.
In 1893 Tenniel was knighted for his public service by Queen Victoria. When he retired in January 1901, Tenniel was honoured with a farewell banquet at which AJ Balfour, then Leader of the House of Commons, presided. Sir John Tenniel Sadly died 25 February 1914 at the age of 93. However many of his wonderfully imaginative drawings and political cartoons were published.
best Known for his part inwriting Grimm’s Fairy Tales, German philologist and folklorist Wilhelm Grimm was born 24th February 1786. He was the younger brother of Jakob. Grimm’s Fairy Tales (German: Grimms Märchen) was first published in 1812 and The first volume contained 86 stories; the second volume of 70 stories followed in 1814. For the second edition, two volumes were issued in 1819 and a third in 1822, totalling 170 tales. The third edition appeared in 1837; fourth edition, 1840; fifth edition, 1843; sixth edition, 1850; seventh edition, 1857. Stories were added, and also subtracted, from one edition to the next, until the seventh held 211 tales. All editions were extensively illustrated, first by Philipp Grot Johann and, after his death in 1892, by Robert Leinweber. The first volumes were much criticized because, although they were called “Children’s Tales”, they were not regarded as suitable for children, both for the scholarly information included and the subject matter. Many changes through the editions – such as turning the wicked mother of the first edition in Snow White and Hansel and Gretel (shown in original Grimm stories as Hansel and Grethel) to a stepmother, were probably made with an eye to such suitability. They removed sexual references—such as Rapunzel’s innocently asking why her dress was getting tight around her belly, and thus naïvely revealing her pregnancy and the prince’s visits to her stepmother—but, in many respects, violence, particularly when punishing villains, was increased.
The influence of these books was widespread. W. H. Auden praised the collection, during World War II, as one of the founding works of Western culture. The tales themselves have been put to many uses. The Nazis praised them as folkish tales showing children with sound racial instincts seeking racially pure marriage partners, and so strongly that the Allied forces warned against them; for instance, Cinderella with the heroine as racially pure, the stepmother as an alien, and the prince with an unspoiled instinct being able to distinguish. Writers who have written about the Holocaust have combined the tales with their memoirs, as Jane Yolen in her Briar Rose.The work of the Brothers Grimm influenced other collectors, both inspiring them to collect tales and leading them to similarly believe, in a spirit of romantic nationalism, that the fairy tales of a country were particularly representative of it, to the neglect of cross-cultural influence.
Grimms tales were partly influenced by the Russian Alexander Afanasyev, the Norwegians Peter Christen Asbjørnsen and Jørgen Moe, the English Joseph Jacobs, and Jeremiah Curtin, an American who collected Irish tales.There was not always a pleased reaction to their collection. Joseph Jacobs was in part inspired by his complaint that English children did not read English fairy tales; in his own words, “What Perrault began, the Grimms completed”. Three individual works of Wilhelm Grimm include Altdänische Heldenlieder, Balladen und Märchen (‘Old Danish Heroic Lays, Ballads, and Folktales’) in 1811, Über deutsche Runen (‘On German Runes’) in 1821, and Die deutsche Heldensage (‘The German Heroic Legend’) in 1829. Sadly Wilhelm Grimm, passed away on 16th December 1859. However Google celebrated the 200th anniversary of the Grimms’ Fairy Tales on December 20th 2012 with an interactive Google Doodle.
Among the best known of Grimm’s Fairy Tales are: Snow White, Rapunzel, Hansel and Gretel, Cinderella, Rumpelstiltskin, Little Red Riding Hood, The Riddle, Mother Hulda, The Frog King, or Iron Heinrich, Cat and Mouse in Partnership, Mary’s Child, The Wolf and the Seven Young Kids, Trusty John or Faithful John,The Good Bargain,The Wonderful Musician or The Strange Musician,The Twelve Brothers, The Pack of Ragamuffins, The Three Little Men in the Wood, The Three Snake-Leaves, The Fisherman and His Wife, The Seven Ravens, Clever Elsie, The White Snake, The Valiant Little Tailor, The Mouse, the Bird, and the Sausage, Town Musicians of Bremen, The Singing Bone, The Devil With the Three Golden Hairs,The Louse and the Flea,Thumbling (Tom Thumb), Thumbling’s Travels and The Elves and the Shoemaker. Many of these stories have also been turned into films too.
Walt Disney’s animated film Peter Pan opened at NYC’s Roxy Theater 5 February 1953. Based on J.M.Barrie’s novel of the same name It starts In London, in 1900, and features John and Michael Darling, who hear an exciting story about Peter Pan and the pirates, from their older sister, Wendy. They are later visited in the nursery by Peter Pan himself, who teaches them to fly with the help of his pixie friend, Tinker Bell, and takes them with him to the island of Never Land.
They find A ship of pirates anchored off Never Land, commanded by Captain Hook with his sidekick, Mr. Smee. Hook boldly plots to take revenge upon Peter Pan for cutting off his hand, but trembles at the presence of a crocodile, which consumed Hook’s hand and is eager to taste the rest of him. Peter and the Darlings arrive Tinker Bell, who is very jealous of Pan’s attention to Wendy, persuades the Lost Boys that Pan has ordered them to shoot down Wendy, which Tink refers to as a “Wendy bird”. Tinker Bell’s treachery is soon found out, and Peter banishes her. John and Michael set off with the Lost Boys to find the island’s Indians, who instead capture them, believing them to be the ones responsible for taking the chief’s daughter, Tiger Lily.
Meanwhile, Peter takes Wendy to see the mermaids who delight in tormenting Wendy, but flee in terror at the sight of Hook. Peter and Wendy see that Hook and Smee have captured Tiger Lily. Peter and Wendy free her, and Peter is honored by the tribe. Hook then plots to take advantage of Tinker Bell’s jealousy of Wendy, Wendy and her brothers eventually grow homesick and plan to return home. They invite Peter and the Lost Boys to return to London and be adopted by the Darling parents . Meanwhile The pirates lie in wait and capture the Lost Boys and the Darlings as they exit, leaving behind a time bomb to kill Peter. However Tinker Bell lntervenes and together they confront the pirates, Peter confronts Hook while the children fight off the rest of the crew, with the crocodile lurking menacingly nearby.
The Lavish 8 Part BBC adaptation of Philip Pullman’s epic fantasy trilogy, His Dark Materials is out on DVD and Blu-Ray. It stars James McAvoy, Ann Marie Duff, and Ruth Wilson. It features a twelve year old orphan named Lyra Belacqua, who lives a carefree existence at Jordan College, Oxford under the guardianship of the College’s Master with her friend Roger and her daemon Pantalaimon. Daemons are the physical manifestation of humans’ souls which naturally exist outside of their bodies in the form of sentient talking animals”.
Meanwhile her Uncle, Lord Asriel is off exploring the North Pole researching the controversial nature of an illusive substance called dust, however this could get him into serious trouble, as it is considered heresy by a mysterious, all powerful and rather sinister religious group called the “Magisterium”. Lyra then meets the seemingly pleasant and glamorous Mrs Coulter. Then when her Uncle Lord Asriel returns she witnesses the Master poison wine intended for Lord Asriel, Lyra’s rebellious and adventuring uncle. She warns Asriel not to drink the wine, then spies on his lecture about “Dust”, mysterious elementary particles attracted to adults more than to children. Asriel shows the college scholars images of a parallel universe seen through the Northern Lights amidst a concentration of Dust.
Lyra’s best friend Roger then goes missing, and is presumed kidnapped by mysterious child abductors called “Gobblers”. Mrs Coulter, a charming socialite, adopts Lyra. Before Lyra leaves Jordan, the Master secretly entrusts her with an alethiometer, a strange truth-telling device, which she quickly learns to use intuitively. After several weeks, Lyra discovers that Coulter is actually involved with the sinisterGobblers, or “General Oblation Board”, a secret Church-funded project. Horrified by this, Lyra flees to the Gyptians, canal-faring nomads, many of whose children have also been abducted including a Gyptian named Billy Costa who also reveal Alarming information concerning Asriel and Coulter.
The Gyptians led by Farder Coram then journey to the Arctic with Lyra, where they believe the Gobblers are holding their children. They stop in Trollesund, where Lyra meets Iorek Byrnison, the dispossessed royal heir of the panserbjørne (armoured bears). Lyra uses her alethiometer to locate Iorek’s missing armour; in return, he and his human aeronaut friend, Lee Scoresby, join her group. She also learns that Lord Asriel has been exiled on Svalbard. Trollesund’s witch consul tells the Gyptians of a prophecy about Lyra which she must not know, and that the witch clans are choosing sides for an upcoming war.
The search party continues towards the Gobbler research station at Bolvangar, along the way Lyra discovers an abandoned child and realises the Gobblers are performing sinister experiments on children by severing the bond between human and dæmon, in a soul-splitting process called intercision. Unfortunately Lyra is also captured and taken to Bolvangar, for intercision herself.
Luckily Lee Scoresby, Iorek, Roger, the Gyptians, and the witch clan of Serafina Pekkala, are in hot pursuit in Lee Scoresby’s hot air balloon. However This does not go very well and Lyra ends up at the mercy of the Usurper panserbjorne, Iofur Raknison. However Iorek Bernyson shows up and confronts Iofor Raknison to reclaim his rightful place as King of the Panserbjorne throne. Lyra, Iorek, and Roger then continue onwards to Svalbard, looking for Asriel. Upon reaching the Northern Lights Lyra learns that Dust could be connected to many wonderful things including Parallel Universes, however she also discovers that there are many others who believe it is evil and would stop at nothing to destroy it and stop people from discovering the truth….
Author, mathematician, Logician, Anglican Deacon and Photographer Lewis Carroll (Charles Dodgson) was born 27 January 1832, his most famous writings are Alice’s Adventures in Wonderland and its sequel Through the Looking-Glass, as well asthe poems “The Hunting of the Snark” and “Jabberwocky”, all examples of the genre of literary nonsense. He is noted for his facility at word play, logic, and fantasy, and there are societies in many parts of the world (including the United Kingdom, Japan, the United States, and New Zealand) dedicated to the enjoyment and promotion of his works and the investigation of his life. From a young age, Dodgson wrote poetry and short stories, both contributing heavily to the family magazine Mischmasch and later sending them to various magazines, enjoying moderate success. Between 1854 and 1856, his work appeared in he national publications, The Comic Times and The Train, as well as smaller magazines like the Whitby Gazette and the Oxford Critic. Most of this output was humorous, sometimes satirical, but his standards and ambitions were exacting. sometime after 1850, he did write puppet plays for his siblings’ entertainment, of which one has survived, La Guida di Bragia.
220px-Alice_in_Wonderlandin 1856 he published his first piece of work under the name that would make him famous. A romantic poem called “Solitude” appeared in The Train under the authorship of “Lewis Carroll”. This pseudonym was a play on his real name; Lewis was the anglicised form of Ludovicus, which was the Latin for Lutwidge, and Carroll an Irish surname similar to the Latin name Carolus, from which comes the name Charles. The transition went as follows: “Charles Lutwidge” translated into Latin as “Carolus Ludovicus”. This was then translated back into English as “Carroll Lewis” and then reversed to make “Lewis Carroll”. In, 1856, a new dean, Henry Liddell, arrived at Christ Church, bringing with him his young family, all of whom would figure largely in Dodgson’s life and, over the following years, greatly influence his writing career. Dodgson became close friends with Liddell’s wife, Lorina, and their children, particularly the three sisters: Lorina, Edith and Alice Liddell. He was for many years widely assumed to have derived his own “Alice” from Alice Liddell. This was given some apparent substance by the fact the acrostic poem at the end of Through the Looking Glass spells out her name and also that there are many superficial references to her hidden in the text of both books. It has been noted that Dodgson himself repeatedly denied in later life that his “little heroine” was based on any real child, and frequently dedicated his works to girls of his acquaintance, adding their names in acrostic poems at the beginning of the text. Gertrude Chataway’s name appears in this form at the beginning of The Hunting of the Snark and it is not suggested that this means any of the characters in the narrative are based on her.
Carroll’s friendship with the Liddell family was an important part of his life in the late 1850s and he took the children on rowing trips accompanied by an adult friend.to nearby Nuneham Courtenay or Godstow.it was on one such expedition, on 4 July 1862, that Dodgson invented the outline for Alice in Wonderland after Alice Liddell persuaded him to write it down, Dodgson presented her with a handwritten, illustrated manuscript entitled Alice’s Adventures Under Ground in November 1864 Before this, the family of friend and mentor George MacDonald read Dodgson’s incomplete manuscript, and the enthusiasm of the MacDonald children encouraged Dodgson to seek publication. In 1863, he had taken the unfinished manuscript to Macmillan the publisher, who liked it immediately. After the possible alternative titles Alice Among the Fairies and Alice’s Golden Hour were rejected, the work was finally published as Alice’s Adventures in Wonderland in 1865 under the Lewis Carroll pen-name, which Dodgson had first used some nine years earlier. The illustrations this time were by Sir John Tenniel; Dodgson evidently thought that a published book would need the skills of a professional artist.
The overwhelming commercial success of the first Alice book changed Dodgson’s life in many ways. The fame of his alter ego “Lewis Carroll” soon spread around the world. He was inundated with fan mail and with sometimes unwanted attention. Indeed, according to one popular story, Queen Victoria herself enjoyed Alice In Wonderland so much that she suggested he dedicate his next book to her, and was accordingly presented with his next work, a scholarly mathematical volume entitled An Elementary Treatise on Determinants. Dodgson himself vehemently denied this story, commenting “…It is utterly false in every particular: nothing even resembling it has occurred”; and it is unlikely for other reasons: as T.B. Strong comments in aTimes article, “It would have been clean contrary to all his practice to identify [the] author of Alice with the author of his mathematical works”. He also began earning quite substantial sums of money but continued with his seemingly disliked post at Christ Church.Late in 1871, a sequel – Through the Looking-Glass and What Alice Found There – was published. It is somewhat darker and the mood possibly reflects the changes in Dodgson’s life. His father had recently died (1868), plunging him into a depression that lasted some years. In 1876, Dodgson produced his last great work, The Hunting of the Snark, a fantastical “nonsense” poem, exploring the adventures of a bizarre crew of tradesmen, and one beaver, who set off to find the eponymous creature. The painter Dante Gabriel Rossetti reputedly became convinced the poem was about him. In 1895, 30 years after publication of his masterpieces, Carroll attempted a comeback, producing a two-volume tale of the eponymous fairy siblings. Carroll entwines two plots, set in two alternate worlds, one the fairytale kingdom of Elfland, the other a realm called Outland, which satirizes English society, and more specifically, the world of academia. It came out in two volumes, and is considered a lesser work, although it has remained in print for over a century.
In 1856, Dodgson took up the new art form of photography, first under the influence of his uncleSkeffington Lutwidge, and later his Oxford friend Reginald Southey.He soon excelled at the art and became a well-known gentleman-photographer, and he seems even to have toyed with the idea of making a living out of it in his very early years. Dodgson also made many studies of men, women, male children and landscapes; his subjects also include skeletons, dolls, dogs, statues and paintings, and trees.His pictures of children were taken with a parent in attendance and many of the pictures were taken in the Liddell garden, because natural sunlight was required for good exposures.He also found photography to be a useful entrée into higher social circles. During the most productive part of his career, he made portraits of notable sitters such as John Everett Millais, Ellen Terry, Dante Gabriel Rossetti, Julia Margaret Cameron, Michael Faraday, Lord Salisbury, andAlfred, Lord Tennyson. Dodgson abruptly ceased photography in 1880. Over 24 years, he had completely mastered the medium, set up his own studio on the roof of Tom Quad, and created around 3,000 images. Fewer than 1,000 have survived time and deliberate destruction. He reported that he stopped taking photographs because keeping his studio working was difficult (he used the wet collodion process) and commercial photographers (who started using the dry-plate process in the 1870s) took pictures more quickly.
Dodgson also worked in mathematics, in the fields of geometry, linear and matrix algebra,mathematical logic and recreational mathematics, producing nearly a dozen books under his real name. Dodgson also developed new ideas in linear algebra (e.g. the first printed proof of the Kronecker-Capelli theorem),probability, and the study of elections (e.g.,Dodgson’s method) and committees; some of this work was not published until well after his death. He worked as the Mathematical Lecturer at Christ Church, an occupation that gave him some financial security. His mathematical work attracted renewed interest in the late 20th century. Martin Gardner’s book on logic machines and diagrams, and William Warren Bartley’s posthumous publication of the second part of Carroll’s symbolic logic book have sparked a reevaluation of Carroll’s contributions to symbolic logic. Robbins’ and Rumsey’s investigation of Dodgson condensation, a method of evaluating determinants, led them to the Alternating Sign Matrix conjecture, now a theorem. The discovery in the 1990s of additional ciphers that Carroll had constructed, in addition to his “Memoria Technica”, showed that he had employed sophisticated mathematical ideas to their creation
Dodgson invented many things including the Wonderland Postage-Stamp Case in 1889. This was a cloth-backed folder with twelve slots, two marked for inserting the then most commonly used penny stamp, and one each for the other current denominations to one shilling. The folder was then put into a slip case decorated with a picture of Alice on the front and the Cheshire Cat on the back. All could be conveniently carried in a pocket or purse. When issued it also included a copy of Carroll’s pamphletted lecture, Eight or Nine Wise Words About Letter-Writing. Another invention is a writing tablet called the nyctograph for use at night that allowed for note-taking in the dark; thus eliminating the trouble of getting out of bed and striking a light when one wakes with an idea. The device consisted of a gridded card with sixteen squares and system of symbols representing an alphabet of Dodgson’s design, using letter shapes similar to the Graffiti writing system on a Palm device.
He also devised a number of word games, including an early version of what today is known as Scrabble. He also appears to have invented, or at least certainly popularised, the “doublet” a form of brain-teaser that is still popular today: the game of changing one word into another by altering one letter at a time, each successive change always resulting in a genuine word. For instance, CAT is transformed into DOG by the following steps: CAT, COT, DOT, DOG Other items include a rule for finding the day of the week for any date; a means for justifying right margins on a typewriter; a steering device for a velociam (a type of tricycle); new systems of parliamentary representation;more nearly fair elimination rules for tennis tournaments; a new sort of postal money order; rules for reckoning postage; rules for a win in betting; rules for dividing a number by various divisors; a cardboard scale for the college common room he worked in later in life, which, held next to a glass, ensured the right amount of liqueur for the price paid; a double-sided adhesive strip for things like the fastening of envelopes or mounting things in books; a device for helping a bedridden person to read from a book placed sideways; and at least two ciphers for cryptography.
During the remaining twenty years of his life He continued to teach at Christ Church until 1881, and remained in residence there until his death. The two volumes of his last novel, Sylvie and Bruno, were published in 1889 and 1893, but the intricacy of this work was apparently not appreciated by contemporary readers; it achieved nothing like the success of the Alice books, with disappointing reviews and sales of only 13,000 copies. The only known occasion on which he travelled abroad was a trip to Russia in 1867 as an ecclesiastical together with the Reverend Henry Liddon. He recounts the travel in his “Russian Journal”, which was first commercially published in 1935. On his way to Russia and back he also saw different cities in Belgium, Germany, the partitioned Poland, and France. He sadly died on 14 January 1898 at his sisters’ home, “The Chestnuts” in Guildford, of pneumonia following influenza. He was two weeks away from turning 66 years old. He is buried in Guildford at the Mount Cemetery.