English comedian, actress, lyricist, singer, composer, pianist, screenwriter, producer and director Victoria Wood CBE was born 19 May 1953 in Prestwich and brought up in nearby Bury. She was educated at Fairfield County Primary School and Bury Grammar School for Girls. Wood developed eating disorders, but in 1968, her father gave her a piano for her 15th birthday. Later that year, she joined the Rochdale Youth Theatre Workshop, where she felt she was “in the right place and knew what I was doing” and she made an impression with her comic skill and skill in writing. She went on to study in the Department of Drama and Theatre Arts at the University of Birmingham.
Wood began her show business career while an undergraduate, appearing on the TV talent show New Faces in 1974.It led to an appearance in a sketch show featuring the series’ winners The Summer Show. A further break came as a novelty act on the BBC’s consumer affairs programme That’s Life! in 1976. She had met long-term collaborator Julie Walters in 1971, when Wood applied to the Manchester School of Theatre, then part of Manchester Polytechnic. Coincidentally the pair met again when they appeared in the same theatre revue In at the Death in 1978 (for which Wood wrote a brief sketch). Its success led to the commissioning of Wood’s first play Talent (in 1978), starring Hazel Clyne (in a role originally written for Walters), for which Wood won an award for the Most Promising New Writer. Peter Eckersley, the head of drama at Granada Television, saw Talentand invited Wood to create a television adaptation. This time, Julie Walters took the lead role, while Wood reprised her stage role.
During the 1980’s. She established herself as a comedy star in the 1980s, winning a BAFTA TV Award in 1986 for the sketch series Victoria Wood: As Seen on TV (1985–87),Wood wrote and starred in dozens of sketches, plays, musicals, films and sitcoms over several decades and became one of Britain’s most popular stand-up comics, winning a second BAFTA for An Audience with Victoria Wood(1988). Her live comedy act was interspersed with her own compositions which she performed at the piano. Much of her humour was grounded in everyday life and included references to activities, attitudes and products that are considered to exemplify Britain. She was noted for her skills in observational comedy and in satirisingaspects of social class. From 1989 Wood moved away from the sketch show format and into more self-contained works, often with a bittersweet flavour. Victoria Wood (six parts, 1989) featured Wood in several individual stories such as “We’d Quite Like To Apologise”, set in an airport departure lounge, and “Over to Pam”, set around a fictional talk show.
In May 1990, Wood began a large tour of the United Kingdom, which was followed by a ten-week run at the Strand Theatre in London titled Victoria Wood Up West. Wood took the show on the road again during March and April 1991, where it was recorded at the Mayflower Theatre in Southampton, and later released as Victoria Wood Sold Out in 1991. In 1991, she appeared on the Comic Relief single performing “The Smile Song”, the flipside to “The Stonk” (a record by ITV comedians Gareth Hale and Norman Pace with charity supergroup The Stonkers the record was the UK’s 22nd-best-selling single of the year. However, even though it was a joint-single (with “The Smile Song” credited on the front of the single cover and listed as track 2 on the seven-inch and CD single rather than being a B-side), the UK singles chart compilers (now the Official Charts Company) did not credit her with having number one hit, in a situation similar to the fate of BAD II’s “Rush”, the AA-side of the preceding number one, “Should I Stay onor Should I Go” by The Clash. She briefly returned to sketches for the 1992 Christmas Day special Victoria Wood’s All Day Breakfast, and also branched out into children’s animation, voicing all the characters for the CBBC series Puppydog Tales.
In April 1993, Wood began a seven-month tour of the UK. The 104-date tour broke box office records, including 15 sell out shows at London’s Royal Albert Hall, and played to residencies in Sheffield, Birmingham, Plymouth, Bristol, Nottingham, Manchester, Leicester, Liverpool, Bournemouth, Oxford, Southampton, Newcastle, Glasgow, Edinburgh, Leeds and Hull. The television film Pat and Margaret (1994), starring Wood and Julie Walters as long-lost sisters with very different lifestyles, continued her return to stand-alone plays with a poignant undercurrent to the comedy.
In 1994, Wood starred in the one-off BBC 50-minute programme based on her 1993/94 stage show Victoria Wood: Live in Your Own Home. The special featured stand-up routines, character monologues and songs. An extended 80 minute version was released on VHS. Wood set out on a 68-date tour of the UK in May 1996, which played at venues in Leicester, Sheffield, Ipswich, Blackpool, Wolverhampton, Bradford, Newcastle, Bournemouth, Brighton, Nottingham, Oxford, Southend, Manchester and Cambridge. The tour culminated with another 15 sell-out shows at London’s Royal Albert Hall in the autumn. The tour recommenced in April 1997 in Liverpool and then travelled to Australia and New Zealand during the summer. It was later released as Victoria Wood Live 1997. In October 1997, Wood released a compilation of 14 of her songs titled Victoria Wood, Real Life The Songs
Her first sitcom dinnerladies (1998), continued her now established milieu of mostly female, mostly middle-aged characters depicted vividly and amusingly, but with a counterpoint of sadder themes. December 2000 saw the Christmas sketch show special Victoria Wood with All the Trimmings, featuring her regular troupe of actors as well as a string of special guest stars including Hugh Laurie, Angela Rippon, Bob Monkhouse, Bill Paterson, Delia Smith and Roger Moore. In 2001 Wood embarked on her final stand-up tour, Victoria Wood at It Again but was postponed slightly by Wood having to have an emergency hysterectomy shortly before the tour was due to begin. She re-wrote the entire first half of the show and incorporated the operation into her act. The 62-date tour included 12 nights at the Royal Albert Halland had a further 23 dates in 2002.
During this period, Wood tended to move away from comedy to concentrate on drama. She continued to produce one-off specials including Victoria Wood’s Sketch Show Story (2002) and Victoria Wood’s Big Fat Documentary (2005). Wood wrote her first musical, Acorn Antiques: The Musical!, which opened in 2005 at the Theatre Royal, Haymarket, London, for a limited period, directed by Trevor Nunn. It starred several of the original cast, with Sally Ann Triplettplaying Miss Berta (played in the series by Wood). Wood played Julie Walters’ lead role of Mrs Overall for Monday and Wednesday matinee performances.
In 2006 Wood wrote the one-off ITV serious drama Housewife, 49 (2006), an adaptation of the diaries of Nella Last, and played the eponymous role of an introverted middle-aged character who discovers new confidence and friendships in Lancashire during the Second World War. Housewife, 49 was critically acclaimed, and Wood won BAFTAs for both her acting and writing for this drama; a rare double. The film also starred Stephanie Cole and David Threlfall as well as, in a small role, Sue Wallace with whom Wood had worked before and studied alongside at Birmingham., Wood directed a revival production of Acorn Antiques: The Musical! with a new cast. The musical opened at the Lowry in Salford in December and toured the United Kingdom from January to July 2007.
In January 2007, she appeared as herself in a series of advertisements featuring famous people working for the supermarket chain Asda. They featured Wood working in the bakery and introduced a catchphrase – “there’s no place like ASDA”. Wood was the subject of an episode of The South Bank Show in March 2007, and is the only woman to be the subject of two South Bank programmes (the previous occasion was in September 1996)
Wood appeared in a three-part travel documentary on BBC One called Victoria’s Empire, in which she travelled around the world in search of the history, cultural impact and customs the British Empire placed on the parts of the world it ruled. She departed Victoria Station, London, for Calcutta, Hong Kong and Borneo in the first programme. In programme two she visited Ghana, Jamaica and Newfoundland and in the final programme, New Zealand, Australia and Zambia, finishing at the Victoria Falls.
In a tribute to Wood, the British television station UKTV Gold celebrated her work with a weekend marathon of programmes between 3 and 4 November 2007, featuring programmes such as Victoria Wood Live and Dinnerladiesand Victoria Wood: As Seen on TV – its first screening on British television since 1995.
Wood returned to stand-up comedy, with a special performance for the celebratory show Happy Birthday BAFTA on 28 October 2007, alongside other household names. The programme was transmitted on ITV1 on Wednesday 7 November 2007. On Boxing Day 2007 she appeared as “Nana” in the Granada dramatisation of Noel Streatfeild’s novel Ballet Shoes.
In December 2007, when a guest on the radio programme Desert Island Discs, Wood said she was about to make her first foray into film, writing a script described as a contemporary comedy about a middle-aged person. On Thursday, 12 June 2008, Wood was a member of the celebrity guest panel on the series The Apprentice: You’re Fired! on BBC Two. In June 2009, she appeared as a panellist on the first two episodes of a series of I’m Sorry I Haven’t a Clue.
In 2009, Wood provided the voice of God for Liberace, Live From Heaven by Julian Woolford at London’s Leicester Square Theatre. Wood returned to television comedy for a one-off Christmas sketch-show special, her first for nine years, Victoria Wood’s Mid Life Christmas, transmitted on BBC One at 21:00 on Christmas Eve 2009. It reunited Wood with Julie Walters in Lark Pies to Cranchesterford, a spoof of BBC period dramas Lark Rise to Candleford, Little Dorrit and Cranford; a spoof documentary, Beyond the Marigolds, following Acorn Antiques star Bo Beaumont (Walters); highlights from the Mid Life Olympics 2009 with Wood as the commentator; parodies of personal injury advertisements; and a reprise of Wood’s most famous song “The Ballad of Barry and Freda” (“Let’s Do It”), performed as a musical number with tap-dancers and a band. Victoria Wood: Seen On TV, a 90-minute documentary looking back on her career, was broadcast on BBC Two on 21 December, whilst a behind-the-scenes special programme about Midlife Christmas, Victoria Wood: What Larks!, was broadcast on BBC One on 30 December.
On New Year’s Day 2011, Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe’s mother, Sadie Bartholomew. For the 2011 Manchester International Festival, Wood wrote, composed and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929. It tells the story of a middle-aged couple who find love after meeting on a TV programme about a choir they both sang in 40 years previously. Although the characters are imaginary, the choir sang with the Hallé Youth Orchestra in Manchester’s Free Trade Hall on a record that sold more than a million copies. Apart from the pieces on the 1929 recording (Purcell’s “Nymphs and Shepherds” and the Evening Benediction from Hansel and Gretel) the score for the musical was written by Wood. She also narrated the 2012 miniseries The Talent Show Story.
On 22 December 2012, Wood was a guest on BBC Radio Two’s Saturday morning Graham Norton Show. On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto, the centre of a scandal over the authenticity of her recordings and her role in the hoax. In 2013, Wood produced a documentary about the history of tea named Victoria Wood’s Nice Cup of Tea. In 2013 she played retired constable-turned-security-guard Tracy in BBC Scotland’s Case Histories starring Jason Isaacs. She appeared in an episode of QI, broadcast on 13 December 2013, and around the same time made two return appearances on I’m Sorry I Haven’t a Clue during the show’s 60th series in which she joined in the game One song to the tune of Another, singing the Bob the Builder theme “Can We Fix It?” to the tune of “I Dreamed a Dream”. In March 2014, Wood voiced the TV advertisement for the tour of the old set of Coronation Street. On 5 December 2014 Wood was a guest on BBC’s The Graham Norton Show. On 26 December 2014, a television movie adaptation of That Day We Sang, directed by Wood, starring Michael Ball and Imelda Staunton, was shown on BBC Two. In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief and was crowned Star Baker in her episode. She co-starred with Timothy Spall in Sky television’s three-part television adaptation of Fungus the Bogeyman, which was first shown on 27, 28 & 29 December 2015, her final acting role. She won two more BAFTA TV Awards, including Best Actress, for her 2006 ITV1television film, Housewife, 49. Her frequent long-term collaborators included Julie Walters, Celia Imrie, Duncan Preston, and Anne Reid. In 2006, Wood came tenth in ITV’s poll of the British public’s 50 Greatest TV Stars. Victoria Wood sadly died 20 April 2016